A review by baldwig
A Voyage to Arcturus by David Lindsay

adventurous reflective medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.25

A Voyage to Arturas (1920) by David Lindsey 3.25

A Voyage to Arturas is peculiar. David Lindsey's writing is clunky but his philosophical and psychological ideas resonate.

•  Play-by-play dialogue. "We are getting close," responded he "let use go and investigate."
• ""These organs are called 'poigns.' They use is to enable us to understand and sympathize with all living creatures." "What advantage do you derive from that, Joiwind?" "The advantage of not being cruel and selfish, dear Maskull."
• Joiwind, ""Is not the whole world full of lovely children? Why should I want selfish possessions?""
• Tydomin, ""It's not for me to ask a sacrifice from you, Maskull. That would be compliance on your part, but not sacrifice ... You must wait until you feel there's nothing else for you to do.""
• Digrung, Joiwind's brother, ""To hide the truth is a special branch of lying.""
• "earnest, idealistic youth"
• Tydomin, "He who is always anxious to teach, will learn nothing."
• "but this valley lying in the heart of it was so fertile, that he had never seen such fertility." Ouch. The heat was hot. Hunger, it's a hunger.
• Corpang, "Without love every individual would be entirely self-centered" "A natural man lives for himself; a lover lives for others."
• Haunte, "So here you have another illustration of the necessary trinity of nature."
• Sullenbode, "Men who live by laws and rules are parasites." "Love can't go back- it can only go on." "when the climax has been reached, love if it still wants to ascend must turn to sacrifice."
• Maskull's selfish journey around Arcturas, leaving death and destruction in his wake. Inviting him in won't end well. Enlightenment. Crystalman/Krag, God/Devil, good/evil, man/woman. Necessary opposing force?
• Gangnet about Krag, "Do as I say, Maskull. To bandy words with him is to throw oil on fire."
• Krag, "Gangnet is the king of poets... But happens when poets try to carry through practical enterprises?" "There are two forms of pratical activity," replied Gangnet calmly. "One may either build up, or destroy."
• The far away drums are the beating of one own's heart?
• Maskull died, "Ask Crystalman," Krag responded sternly. "His world is no joke. He has a strong clutch .... but I have a stronger. Maskull was his, but Nightspore is mine." Duality of man. Maskull has fleeting moments of compassion, but ultimately hits and runs. Eats, shoots and leaves.
• "a grim death-struggle in which what is worse than death- namely, spiritual death- inevitably awaited the vanquished of Muspell."
• Crystalman vs Krag (Surtur). Pleasure versus pain. Maskull's journey of discovery around Tormance.
• Raf: planet Tormance around star Arcturus. Little plot and characterization, but philosophy and symbolism. extended allegory, fever dream. influenced Tolkien, C.S. Lewis. Maskull (masculinity), the generic male stand-in. Death responsibility? Free will. Alienization. Fantasy can transport psychology & philosophy into weird places to literalize and focus metaphors. With Joiwind (joy) pleasure, causing no harm, a tentacle (umbilical cord) to feel and share emotions. Next a third arm for will (Freudian ego), desire, greed, possession. A maturity, soul progression, growing up, developing a personality. Or a mystical, gnostic interpretation. Gnosticism is a radical dualism religion.