billyjepma's reviews
526 reviews
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
I don't think Chiang's interpretation of these characters is all that surprising, but I consider that a positive, especially considering how many of these Black Label miniseries' have struggled. Having four issues to work with versus the usual three also helps and should definitely be the standard the label uses moving forward. I respect that Chiang kept his iterations subtler, as it allows him to piggyback off what we know of these characters, which also helps his characterizations feel more organic. That's a lot of words to say that I loved a lot of what Chiang did here.
His art is also reliably excellent, the coloring especially. His illustrations strike a good balance between playful and mature, but the colors make the book's visuals soar. There's so much volume to the pages Chiang turns out, from the vibrantly dense environments to the specific expressions of the characters—this is a gorgeous book. Consider this a 4.5-star book and one I can absolutely see myself revisiting.
Moderate: Blood, Police brutality, Violence, Cursing, and Death
Minor: Fire/Fire injury
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
The very concept of a single-location murder mystery in a spaceship is enough of a hook to get me. If you’re willing to be patient, Thompson’s storytelling delivers on and exceeds the expectations of that initial conceit. I love the themes stitched into the plot, appreciate how they exist analogously to the story, and pay off in simultaneously rewarding and frustrating ways. Which is a good thing in my book because the themes Thompson introduces are too big and, in some ways, too abstract to have a proper resolution. I appreciate that he lets his characters (and, by extension, his reader) sit in that vaguely uncomfortable space. Take away the headiness, though, and you still have a simmering thriller that feels like the twisted love child of Seven, The Martian, and 2001: A Space Odyssey, with some tasteful hints of a Hercule Poirot caper mixed in for good measure.
Graphic: Injury/injury detail, Death, Blood, and Gore
Moderate: Murder, Terminal illness, Violence, Cursing, and Medical content
Minor: Child death, Colonisation, Classism, Racial slurs, and Cannibalism
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
”He’s just a ghost. A ghost dressed in weeds.”
Alright, I think I finally understand why so many people are obsessed with Swamp Thing. I love reading Alan Moore because it feels like reading a classic gothic novel nobody talks about. He’s weird, creative, not afraid to be mean, and has an inescapable empathy that keeps his stories somehow hopeful despite the darker pessimism he seems drawn toward. He finds humanity in monsters, monsters in humanity, and watching him explore the fragile lines between the two in these stories was a treat. I had to pace myself because of how strong of a punch each issue hit me with.
And there’s that art—moody, gorgeous, grotesque, romantic, deliriously vibrant. It’s unreal how impressive just about every page and panel are. Some of the “action” scenes, if you can call them that, aren’t always easy to follow, but that’s a minor thing when so much of the comic feels like a psychedelic, phantasmagorical art piece. I can’t wait to read the rest of this run.
Moderate: Addiction, Toxic relationship, Fire/Fire injury, Body horror, Mental illness, Death, Alcoholism, Blood, and Car accident
Minor: Child abuse, Schizophrenia/Psychosis , and Death of parent
3.5
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
The setup we get is interesting, though, and the book ends on a note I’m eager to see continued in the next book. Yee may have gotten off to a more sluggish start with this, but I’m confident it’ll pick up.
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
Graphic: Death, Murder, Violence, Gun violence, and Blood
Moderate: Torture, Toxic relationship, Emotional abuse, Gore, Forced institutionalization, Physical abuse, Child abuse, Injury/injury detail, and Self harm
Minor: Animal death, Alcohol, Infidelity, Police brutality, and Death of parent
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? Yes
- Flaws of characters a main focus? No
4.25
The other star of the series is Bruno Redondo, who is just killing it on the art front with the book. The much-talked-about "one-take" issue is one of the funniest single issues of a comic I've read in ages. Redondo's art is spectacular, and the full-page spreads are a glorious showcase of all his best qualities as an artist. The momentum, energy, colors—the whole issue is a rush of vibrant personality. Even the final issues with guest artist Geraldo Borges are fun and maintain the same vibrancy and character that Redondo has so effectively developed for the series.
A banger of a comic with some of the best "Saturday Morning Cartoon" vibes out there.
Moderate: Death
Minor: Death of parent and Animal cruelty
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
I continue to be annoyed with Ronan as a protagonist, and this book didn’t change that. He’s interesting, but only as a blunt instrument, and his motivations are too flimsy to carry the dramatic weight I need from them. He feels stuck in place for most of this book (and the last one), which means he’s once again outclassed by the supporting cast—except for Bryde, who is a shallow and tedious character, tbh. Declan, Matthew, Jordan (the love of my life), and Hennessy continue to steal the show and speak to the bigger ideas Stiefvater is playing with. Whenever they’re in the driver's seat, I’m eagerly buckled in.
The stuff I like here I love, so whenever I encounter something I don’t vibe with, it bums me out, so don’t take my complaints as condemnation because they’re not. There are some spectacular moments of imaginative (and sometimes frightening) spectacle that got my heart pumping. Even when the story started to lose me, it didn’t take long to win me back. However, I will say that the ending does not inspire much confidence in me about the final book. It throws a wrench into things that could lead to something genuinely surprising, but if it sticks to the tempo of the trilogy so far, I don’t know if it’ll resonate with me. I guess we’ll find out!
Moderate: Violence, Death, Blood, Cursing, and Toxic relationship
Minor: Murder, Fire/Fire injury, and Car accident
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
- Plot- or character-driven? Plot
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.25
Moderate: Death, Blood, Kidnapping, and Injury/injury detail
Minor: Medical content, Grief, Pregnancy, and Alcohol