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ginzura's reviews
27 reviews
The Strange Case of Dr. Jekyll and Mr. Hyde and Other Tales of Terror by Robert Louis Stevenson
dark
emotional
mysterious
reflective
sad
tense
fast-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? N/A
- Flaws of characters a main focus? Yes
4.0
Passing by Nella Larsen
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Content Warnings
adventurous
challenging
dark
emotional
informative
mysterious
reflective
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Moderate: Hate crime, Panic attacks/disorders, Racial slurs, Racism, Violence, Grief, Death of parent, Murder, and Toxic friendship
I'm Thinking of Ending Things by Iain Reid
dark
emotional
mysterious
reflective
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Batman: The Man Who Falls by Dick Giordano, Denny O'Neil
adventurous
challenging
dark
emotional
hopeful
inspiring
mysterious
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? N/A
- Flaws of characters a main focus? Yes
4.5
Real Life by Brandon Taylor
challenging
dark
emotional
inspiring
reflective
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Paradise Lost: Books 9-10 by John Milton
adventurous
challenging
dark
emotional
hopeful
inspiring
mysterious
reflective
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Hamlet by William Shakespeare
dark
emotional
mysterious
reflective
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.5
The New Wilderness by Diane Cook
Did not finish book. Stopped at 58%.
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Content Warnings
Did not finish book. Stopped at 58%.
started off promising, but I just was reading a lot of the same things, a literal regurgitation of things that have happened already. They walk around and just.. kept walking. The one character I had vague interest in was Agnes, but that’s beginning to fizzle out. I’ve lost my motivation to continue.
Graphic: Miscarriage, Misogyny, and Sexual content
Moderate: Emotional abuse, Suicidal thoughts, Toxic relationship, Vomit, Death of parent, Toxic friendship, Abandonment, and Injury/Injury detail
The Great Gatsby by F. Scott Fitzgerald
emotional
informative
mysterious
reflective
sad
medium-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.5
Never Let Me Go by Kazuo Ishiguro
probably gonna ruminate about the ending of this for weeks. something about the way kathy delves into each and every minutiae of (perhaps at face value) extremely mundane experiences, with so much reflection and sentimentality.. it creates such an air of nostalgia, it’s super tangible, every pang of regret she has, right up until the end. it concludes in such a depressing way whereby all her loved ones are suddenly gone, i feel so void at how everything is just gone, like that, and she accepts it. there’s no room for hope. all she has left is just what she had cultivated with the people near her, waning memories and places she used to be, latching onto them without any actions in hopes of reliving anything, an acceptance. waiting for her to follow the same fate as her lost ones.
also, i never thought of miss lucy & madame are central points in the revelation near the end, but kinda just as plot devices. hell, i don’t even think they even matter that much. honestly, madame was a HUGE enigma, even after tommy and kathy talk to her, i still cannot gauge a thing about how she truly feels.. why is she scared of them, she’s absolutely mystified.. perhaps a guilty conscience? her and miss emily were definitely complicit in this unethical cloning. madame almost always has tears in her eyes (me and her both tbh ! ) when talking to kathy. i understand that they endeavoured to aid them, to make people realise that they did have ‘souls,’ but ultimately it did not make any difference. at least madame never tried to absolve herself. she acknowledges that she is in no position to do a single thing for these kids, that alone brings her to tears
the animosity other donors harboured towards kathy makes sense towards the end, poor, abused individuals who are literally bred like animals. even so, they shared the exact same fate. i can’t think of what’s worse.. ishiguro seemed to explore this concept.. is it better to live sheltered completely, with at least some semblance of hope ? or to know your fate and be aware of the futility of being hopeful? in the end nothing changed for the children at hailsham, they were merely an experiment. pawns indeed. but i do agree with one thing, and that is that memories is something that no one can take away from you. they cultivated bonds with one another, even if kathy realised she took it for granted in her adulthood, she honours it and is loyal to the ones she lost throughout.
thank you for this ishiguro:)
emotional
mysterious
sad
slow-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
also, i never thought of miss lucy & madame are central points in the revelation near the end, but kinda just as plot devices. hell, i don’t even think they even matter that much. honestly, madame was a HUGE enigma, even after tommy and kathy talk to her, i still cannot gauge a thing about how she truly feels.. why is she scared of them, she’s absolutely mystified.. perhaps a guilty conscience? her and miss emily were definitely complicit in this unethical cloning. madame almost always has tears in her eyes (me and her both tbh ! ) when talking to kathy. i understand that they endeavoured to aid them, to make people realise that they did have ‘souls,’ but ultimately it did not make any difference. at least madame never tried to absolve herself. she acknowledges that she is in no position to do a single thing for these kids, that alone brings her to tears
the animosity other donors harboured towards kathy makes sense towards the end, poor, abused individuals who are literally bred like animals. even so, they shared the exact same fate. i can’t think of what’s worse.. ishiguro seemed to explore this concept.. is it better to live sheltered completely, with at least some semblance of hope ? or to know your fate and be aware of the futility of being hopeful? in the end nothing changed for the children at hailsham, they were merely an experiment. pawns indeed. but i do agree with one thing, and that is that memories is something that no one can take away from you. they cultivated bonds with one another, even if kathy realised she took it for granted in her adulthood, she honours it and is loyal to the ones she lost throughout.
thank you for this ishiguro:)