This is a great book for music lovers who want to develop tools to analyze the music they listen to and why they like it. The authors outline a clear and interesting framework for understanding the different aspects of music. I can see this toolkit helping readers gain more appreciation for the music they love (or hate).
There's a mix of music analysis, neuroscience, and some tidbits of 20th century music history. It's interactive with a website that has activities and playlists to explore your music taste as you read. "Uncovering aspects of your personality" is a stretch; it's more "I tend to like music with this sound because I value authenticity" or "I experience music like this, whereas others experience it differently."
For me, I was mostly bored. I've realized liking my music is enough. I don't want or need to analyze the different aspects of the music I listen to.
Very academic so difficult at times but eye-opening and worth reading.
This gave me a lot to think about what I would do if I ever need to disclose sexual violence in Canada (even just to friends and family) or support a loved one going through that process.
Part poetry, part interviews in the form of a giant zine.
I wanted to like this much more than I did. The art and features are lovely, but two things made it hard for me to enjoy. The large chunks of handwritten font made it difficult, almost painful to read. More frustrating, most of the interviews read like a small portion in the middle of a conversation, so it was hard to follow or really get invested in some of the pieces.
Cool world with good character potential diminished by a slow plot (and I usually like slow) and the most mustache-twirly villain speech I’ve seen in adult fiction.
That being said, the world is very compelling and I like the characters. I’m hoping this is a good set up for a stronger second book.
Jordan and Astrid were cute. I liked the slow-burn enemies to friends to lovers. My biggest struggle is that what I most liked about Delilah’s story was the unpacking of her past and family. This one is more romance focused (which is fair; it is a romance), and the ‘baggage’ Astrid and Jordan each have to work through was less interesting to me. I was also disappointed that Astrid was the only one that had to take accountability.
This book was fine. I liked most of the twist as a concept, but the characters felt a bit one-note and the book revolves around a trope that I have no interest in.
Big spoilers: This is the messy platonic love story of two old friends after one gets diagnosed with cancer
Ok. I really enjoyed this book, BUT I think it will disappoint a lot of readers.
It’s simple and on-the-nose (buzzwords included), has flat characters with a tidy plot, and you have to suspend some disbelief. If you’re looking for a nuanced, in-depth critique on climate, gender, capitalism, and white feminism — you’ll be disappointed.
BUT sometimes you need just want to turn off your brain and jump in and this did that for me. There are some really interesting and fucked up elements in this dystopian world that kept me engaged and the cartoonishly evil billionaire was a good laugh.
I’d encourage readers to go in blind, but the villain reads like a bossbabe trying to build a paradise created by J.K. Rowling and a beige mom.
NOTE: while there’s lots of queer rep, one of the blurbs on the book says it’s found family but I don’t think this will scratch your found family itch.
Some frustrating inconsistencies for me, but a solid book. Straightforward, exciting, and sometimes gruesome. Would read again.
Some readers will be turned off by scientific rambling on topics from ecology to computer science; printed graphs of computer screens and lines of code; and several cautionary, moralizing monologues about scientific progress.
Excellent resource. Concise, comprehensive, hopeful, practical, and accessible.
I found lots of tips and tools that I can easily and immediately implement on my own website.
Some of the more techy stuff went over my head, but the writing style was accessible and I followed most of the content despite having no experience in web design or other tech fields.
A collection of consistent, well-written essays critiquing cultures of lip service, focusing on the industries of voice acting, publishing, and law.
Isen’s critiques are solid but her arguments can be tangential and writing style monotonous so it can be easy to get lost in the argument, especially if you don’t have background knowledge of the industries discussed.
I have seen some reviews wishing the book offered more solutions and I disagree. There is a place for pieces that critique without providing solutions—also, it’s not Isen’s job to solve these problems.
I could not stand the last essay, which focused on exploring Canadian culture and national identity and Canada's obsession with the U.S. I had no problem with the content. It would have been a good essay on it’s own (with some editing), but it was was jarringly off-theme and rambly.