The premise of this book is simple--recording a single delight every day for a year--but the result is complex and thought-provoking. The delights that Gay writes about are sometimes expected (nicknames, babies, hearing a favorite song in public) and sometimes not (a misheard word, the availability of public restrooms), but either way there is always a fresh, unexpected angle on offer. Will be thinking about this one for a long time.
Written by the musicologist and songwriter who host the eponymous podcast, this book is an incredible overview of pop music theory and production that uses these foundational concepts to help explain what makes some of the biggest hits of the 2000s and 2010s so great. The book also provides great historical context, citing examples from Gregorian chant to Beethoven to Tin Pan Alley to demonstrate the lineage of a category of music often dismissed as frivolous. And even with all that it's fun and easy to read even for someone with minimal musical knowledge, with playful illustrations to go along with the text. Highly recommended for any pop music lover, and even skeptics who wonder what it is about "Call Me Maybe" that makes it so damn catchy.
This book has almost everything I want in a space opera: galaxy-level stakes, weird time shit, and a band of misfit heroes who are doing their best with what they've got.
Miller is extremely adept at making these ancient stories feel real and alive, and Circe is no exception, blending tragedy and hopefulness in a beautiful and moving way.
I think that readers who have extensive familiarity with or participation in fandom culture are the ideal audience for this book, which deals extensively in tropes/topics that are popular in fanfiction but might be jarring for other readers. It's an intense book and deals extensively with trauma, so I would definitely recommend reading and heeding the content warning printed in the book.
Content warning, per book flap: First, Become Ashes contains explicit sadomasochism and sexual content, as well as abuse and consent violations, including rape.
In this brief volume, Patti Smith answers the prompt "Why I Write" by instead providing a test case, a model for the ways in which inspiration weaves itself into fiction. The first section describes the circumstances in which she wrote the short story that comprises the second section, while the final part serves as a coda and broader meditation on writing. The specifics--a French book tour, an invitation to stay at Albert Camus' house--are obviously things that Patti Smith gets to do because she's Patti Smith, but I think the process of creative germination and synthesis she models here is useful and instructive for any writer.