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kennahgracie's reviews
2 reviews
Never Let Me Go by Kazuo Ishiguro
There was an overall lack of curiosity within the characters and their motivations. They seemed to be strung along by their predetermined purposes. This was confusing because their passion and complex human qualities (despite their almost alien disposition) were emphasized and encouraged in the secretive preparatory setting of Hailsham, only to fall flat after their departure from the school.
One would think that students who create and hold passion for things like art, literature, philosophy, and the world around them would fight to explore their right to live as they please. But no, the characters felt like puppets or dogs on a leash being yanked by what their guardians called “fate.” Was there no ambition to escape or defect? To investigate or question? Every time it felt like Kathy was exiting the foggy projection of her, Ruth, and Tommy’s life, she would immediately catapult herself back in.
There were also many plot holes. I understand Ishiguro's intention in writing this novel, but many elements of the novel felt unnecessary. It seemed as if Ishiguro wanted to communicate the blurry and sometimes messy conditions of human life: how friendships and relationships build and crumble, how ambitions and connections wither without clear cause, commentary on social classes, and the mechanisms we abide by in hope to form a place in society. But with the layering of sci-fi elements like cloning, carers, and donors without fleshing out their systems (how they came to be, how they work, the legal and political constraints), the book's contents feel like a half-formed dream.
reflective
sad
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
3.25
OVERALL
I had high expectations for Never Let Me Go, but unfortunately, it did not deliver. While I enjoy novels with reflective, almost melancholy storylines, this one seemed to drag me to its conclusion. I didn't feel connected to the characters, their plight, or the novel's premise. It felt as though Ishiguro had great potential with this story but squandered it, resulting in a meandering prose.
I had high expectations for Never Let Me Go, but unfortunately, it did not deliver. While I enjoy novels with reflective, almost melancholy storylines, this one seemed to drag me to its conclusion. I didn't feel connected to the characters, their plight, or the novel's premise. It felt as though Ishiguro had great potential with this story but squandered it, resulting in a meandering prose.
One would think that students who create and hold passion for things like art, literature, philosophy, and the world around them would fight to explore their right to live as they please. But no, the characters felt like puppets or dogs on a leash being yanked by what their guardians called “fate.” Was there no ambition to escape or defect? To investigate or question? Every time it felt like Kathy was exiting the foggy projection of her, Ruth, and Tommy’s life, she would immediately catapult herself back in.
There were also many plot holes. I understand Ishiguro's intention in writing this novel, but many elements of the novel felt unnecessary. It seemed as if Ishiguro wanted to communicate the blurry and sometimes messy conditions of human life: how friendships and relationships build and crumble, how ambitions and connections wither without clear cause, commentary on social classes, and the mechanisms we abide by in hope to form a place in society. But with the layering of sci-fi elements like cloning, carers, and donors without fleshing out their systems (how they came to be, how they work, the legal and political constraints), the book's contents feel like a half-formed dream.
On a closing note, I can't say I hated reading this book, but it didn't leave me with any new conclusions or ideas. It just wasn’t for me and could have benefited from more development. It definitely won't be a novel I recommend. However, I am still curious about Ishiguro's other works and the film adaptation of this novel, all of which I hope to enjoy more than this.
MAJOR TAKEAWAYS
Sterile characterization (passive, unmotivated, uninspired characters)
Lack of climax, creating a predictable plot line
Lack of expansion on sci-fi elements, making the characters' existence as clones more of a backdrop for a slow-paced coming-of-age/romance setting
Surface-level observation of the negative effects of society’s social classes and the isolation caused by such
An overall repetitiveness due to Kathy using her memories as a means to explore the plot
Content Warnings
Graphic: Bullying, Death, and Medical trauma
Moderate: Toxic relationship and Toxic friendship
Minor: Homophobia
Shuggie Bain by Douglas Stuart
Shuggie, being the only child unable to escape the damaging wrath of his mother's addiction and subsequent neglect, is forced to form an anxious attachment to her welfare, taking up the role of the parent while his mother becomes the child. However, this toxic dynamic begins to change when Agnes starts to sober up and finally take responsibility as a parent. Tragically, this progress is painfully ripped away by the persistent influence of Eugene, a man she meets during a late-night shift.
Over and over, this book reminded me of how consumed we are with our own thoughts as human beings. We are so conscious of others' ideals and perceptions of us that we allow them to destroy all that we've built. What is this pressure? This strange bleakness of alienation, of worrying that we don't fit in? More than anything, I wish we could live happily and uniquely as ourselves. I wish I lived in a world where boys like Shuggie wouldn't face constant harassment and abuse simply because of their characteristics or identity.
MAJOR TAKEAWAYS
dark
emotional
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
OVERALL
Initially, my interest in this novel was slow to ignite, but the longer I stayed with its contents, the more captivated I became by Shuggie's tale. I thoroughly enjoyed Douglas Stuart's writing; he effectively described a foreign setting without bogging down the narrative with excessive detail. This novel felt stark. Like Shuggie, I was completely swept up in the wreckage that followed the abuse and alcoholism his parents brought upon their home.
Over and over, this book reminded me of how consumed we are with our own thoughts as human beings. We are so conscious of others' ideals and perceptions of us that we allow them to destroy all that we've built. What is this pressure? This strange bleakness of alienation, of worrying that we don't fit in? More than anything, I wish we could live happily and uniquely as ourselves. I wish I lived in a world where boys like Shuggie wouldn't face constant harassment and abuse simply because of their characteristics or identity.
MAJOR TAKEAWAYS
- First D.S novel —loved his writing and how he conveys the complexities of how domestic abuse/alcoholism affects family dynamics.
- The setting was describes so casually yet with enough detail that someone like me with little knowledge of the country’s culture/history could easily picture and understand it.
- I also enjoyed how prominent the focus of taxi culture was.
- Effectively highlights the uncertainness common among queer youth. Before being allowed to truly understand and explore who you are, you are stunted and alienated by others immediate perceptions of your “oddity” or “differences”.
- Many children and later teens who are LGBTQIA+ are forced to harden themselves due to the exposure of blatant homophobia from peers/society/even family. But also grapple with still wanting to be accepted/welcomed by those who perpetuate that same hate. This is our human nature, to yearn for connection and acceptance. To be "normal".
Notably, I wish the author would've expanded further on Shuggie's life in South Side.
Content Warnings
Graphic: Addiction, Alcoholism, Bullying, Child abuse, Cursing, Death, Domestic abuse, Homophobia, Mental illness, Sexual assault, Sexual violence, Grief, Suicide attempt, Death of parent, Fire/Fire injury, and Alcohol
Moderate: Pedophilia, Self harm, Sexual content, Violence, Vomit, and Abandonment
Minor: Cancer and Excrement