savvylit's reviews
253 reviews
- Plot- or character-driven? A mix
4.5
Each story in The Houseguest is a perfect example of psychological horror. Where Dávila shines the brightest, though, is in her ability to capture a very specific female fear of male obsession and violence. In several stories in this collection, the true domestic terror isn't mysterious but rather all too familiar: a former lover, an obsessed friend, a stranger on a bus. The latter story featuring the stranger on a bus is one I won't soon forget. That character's fear was so palpable that I instantly adopted it as my own.
Graphic: Toxic relationship, Death, Stalking, Violence, Murder, Infidelity, and Child abuse
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
5.0
Having grown up Mennonite herself, Toews is able to paint a portrait of a specific faith and devotion that is unique to these conservative communities. Women Talking brilliantly weaves a collective feminist awakening into a story about deep faith in God and divine justice.
I've never read anything like this novel before and I absolutely fell in love with Toews' haunting prose. I can't wait to read more of her work!
Graphic: Suicide, Sexual violence, Rape, Suicidal thoughts, Domestic abuse, Child abuse, Pedophilia, and Gaslighting
- Plot- or character-driven? Character
- Strong character development? Yes
- Diverse cast of characters? Yes
4.5
Graphic: Death and Child abuse
Moderate: Transphobia and Racism
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
This series was absolutely riveting and compelling. The Broken Earth trilogy is not only a sci-fi/fantasy epic but also a centuries-spanning mystery. Jemisin's characterization and world-building are perfection. Personally, I do not usually enjoy books with heavily detailed world-building, but my interest in the characters kept me invested long enough to accept and eventually delight in the setting of Broken Earth. Syenite, Alabaster, Essun, Lerna, Innon, Tonkee, Hoa, Nassun, Ykka... I truly fell in love with each of these often deeply flawed humans being stretched to the limits of survival.
This trilogy is stunning for its honesty and nuance regarding the spectrum of humanity. Among the known characters, there is no strict good vs. evil dichotomy. There are just humans with or without the knowledge to make the right decisions. Even characters who seem to be enemies are more complex than that. Additionally, Jemisin's characters often challenge the gender binary and celebrate love in all forms. Lastly, beyond the multi-faceted people, this series contains disturbing and thought-provoking analogies for real world oppression and hatred. The subject matter is heavy but realistically and compassionately portrayed. I can't wait to read more of Jemisin's work!
Graphic: War, Child death, Death, Grief, Violence, Racism, and Pregnancy
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
This series was absolutely riveting and compelling. The Broken Earth trilogy is not only a sci-fi/fantasy epic but also a centuries-spanning mystery. Jemisin's characterization and world-building are perfection. Personally, I do not usually enjoy books with heavily detailed world-building, but my interest in the characters kept me invested long enough to accept and eventually delight in the setting of Broken Earth. Syenite, Alabaster, Essun, Lerna, Innon, Tonkee, Hoa, Nassun, Ykka... I truly fell in love with each of these often deeply flawed humans being stretched to the limits of survival.
This trilogy is stunning for its honesty and nuance regarding the spectrum of humanity. Among the known characters, there is no strict good vs. evil dichotomy. There are just humans with or without the knowledge to make the right decisions. Even characters who seem to be enemies are more complex than that. Additionally, Jemisin's characters often challenge the gender binary and celebrate love in all forms. Lastly, beyond the multi-faceted people, this series contains disturbing and thought-provoking analogies for real world oppression and hatred. The subject matter is heavy but realistically and compassionately portrayed. I can't wait to read more of Jemisin's work!
Graphic: Child death, Racism, Violence, Death, Grief, and Injury/injury detail
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
This series was absolutely riveting and compelling. The Broken Earth trilogy is not only a sci-fi/fantasy epic but also a centuries-spanning mystery. Jemisin's characterization and world-building are perfection. Personally, I do not usually enjoy books with heavily detailed world-building, but my interest in the characters kept me invested long enough to accept and eventually delight in the setting of Broken Earth. Syenite, Alabaster, Essun, Lerna, Innon, Tonkee, Hoa, Nassun, Ykka... I truly fell in love with each of these often deeply flawed humans being stretched to the limits of survival.
This trilogy is stunning for its honesty and nuance regarding the spectrum of humanity. Among the known characters, there is no strict good vs. evil dichotomy. There are just humans with or without the knowledge to make the right decisions. Even characters who seem to be enemies are more complex than that. Additionally, Jemisin's characters often challenge the gender binary and celebrate love in all forms. Lastly, beyond the multi-faceted people, this series contains disturbing and thought-provoking analogies for real world oppression and hatred. The subject matter is heavy but realistically and compassionately portrayed. I can't wait to read more of Jemisin's work!
Graphic: Grief, Child death, Violence, Death, Injury/injury detail, Pregnancy, and Racism
- Plot- or character-driven? A mix
- Loveable characters? No
1.0
In many ways, this book utilized magical realism to make some poignant conclusions about human nature and politics. However, I couldn't look past all of the incredibly racist and xenophobic asides about Muslims and Africans. These asides were so offhanded that it felt less like the narrator's thoughts and more like the author highlighting & reinforcing stereotypes that she actually believes in herself. For instance, the narrator implies numerous times that an African client is more depraved than her other clients. With this and many other similar implications, Darrieussecq upholds an incredibly colonial and racist worldview.
I stumbled upon this novel because I had heard it was similar to Nightbitch by Rachel Yoder. If you've heard the same thing, I'd pass on this book. You're not missing much.
Graphic: Classism, Sexual violence, Toxic relationship, Animal cruelty, Abortion, Suicidal thoughts, Pregnancy, Miscarriage, Body horror, Racism, Xenophobia, Sexual content, Sexism, and Misogyny
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Flaws of characters a main focus? Yes
4.0
Graphic: Alcohol, Rape, Alcoholism, Suicidal thoughts, and Toxic relationship
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Of course, Morrison's skill at character studies extends to the titular Sula herself. Despite the era in which Sula lives, she has no interest in marriage, family, or any other aspect of living a traditional woman's life. This makes her community at large distrustful of Sula and her intent. Such a character must have been especially groundbreaking when this book was first published in 1973. An independent woman eschewing rules in the 1930s? And a Black woman at that? Sula, flaws and all, is one-of-a-kind. Even in 2022, I won't soon forget Sula and her story.
Graphic: Misogyny, Infidelity, Murder, Racism, Injury/injury detail, Emotional abuse, War, Violence, Fire/Fire injury, Death, Death of parent, and Child death
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Flaws of characters a main focus? Yes
3.5
This wouldn't be a Mona Awad book, though, without a hypnotic descent into fever dream territory. After Miranda has a magical encounter at a pub, her narration becomes more and more unreliable. What's real in Miranda's life? She herself has no idea. This segment of the book was certainly an entertaining rollercoaster ride. However, it seemed to drag on and on only to maintain ambiguity. Perhaps my lack of familiarity with Shakespeare's less popular plays is what led to my feeling of disconnect from All's Well by its ending. I could tell that Awad was referencing Shakespearean tropes and characters but many of the references flew right over my head.
Graphic: Blood, Chronic illness, Drug use, Addiction, Suicidal thoughts, Ableism, and Injury/injury detail