Reviews tagging 'Gun violence'

Dracula by Bram Stoker

29 reviews

june_t_michael's review against another edition

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mysterious slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? No

3.0

Ich fand das Konzept "Dracula Daily" interessant und als ich mitbekommen habe, dass es dieses Jahr erneut läuft, dachte ich: Da mache ich jetzt doch mal mit. Das ist interessant.

Und ich finde, dass es ein unglaublich interessantes Experiment war. Ich habe "Dracula" in der Vergangenheit schon etliche Male gelesen, das letzte Mal allerdings ist über zehn Jahre her. Vieles habe ich vergessen. Vieles fiel mir vielleicht einfach noch nicht auf, weil ich nicht dafür sensibilisiert war oder mir nicht viel dabei dachte.

Woran ich mich überhaupt nicht mehr erinnern konnte:
- Dass im Grunde genommen die Katastrophe, die die Handlung signifikant vorantreibt, durch Sexismus verursacht wurde. 
Nachdem Mina die Drecksarbeit als Sekretärin für die ganze Crew macht, beschließen die Männer, sie von der ganzen Action auszuschließen und lassen sie die ganze Zeit allein. In der Folge kann Dracula sie ähnlich aufsuchen, wie er Lucy mehrfach aufgesucht hat und es kommt zur "Blutstaufe" Minas, infolge derer sie Dracula aufhalten müssen, ehe Mina zu einer Vampirin wird.
Dass das so thematisiert und auch kritisiert wurde, fand ich dann schon erstaunlich für ein viktorianisches Buch.
- Wie lange Lucys Verwandlung gedauert hat. 
Ich erinnerte mich noch an die Episode dessen, dass jewesen aus Naivität den Knoblauch bzw. die Knoblauchblüten aus Lucys Zimmer entfernt hat und sie darum erneut/weiterhin ausgesaugt werden konnte. Aber ich erinnerte mich nicht daran, wie viele Transfusionen sie bekommen hat oder daran, dass im Laufe der Handlung ihre Mutter stirbt und dies unmittelbar mit Draculas Eindringen zu tun hat.

- Wie lange im Allgemeinen die ganze Lucy-Handlung gedauert hat.
- Wie unfassbar viele Ismen das Buch enthält. Mal eben dahingeworfene rassistische Vorstellungen, das Propagieren von Eugenik durch Van Helsing. Wann immer Mina gelobt wird, passiert dies in Form von "not like other girls" - seltsamen Vergleichnissen von einem männlichen Gehirn in einem weiblichen Körper (Transfeindlichkeit, anyone?) Und Gadje-Rassismus. Wenn ich nun außerdem an einen Artikel in der Jüdischen Allgemeinen über den Roman denke und mich an die Stelle erinnere, an der Dracula mit einem Beutel voller Gold durch die Gegend springt... Autsch.

Ich will nicht sagen, dass ich überhaupt keinen Spaß hatte. Das Konzept eines Romans ausschließlich aus zusammengetragenen Medien (Zeitungsartikel, Tagebücher, Briefe, Telegramme) finde ich immer noch charmant und es wäre was, das ich selbst mal ausprobieren könnte.
Die diversen englischen Dialekte, wenn auch teilweise mühsam zu lesen, fand ich interessant eingebunden und es ist ein sehr ... globalsiiertes Buch? Eine wichtige Nebenfigur ist ein Amerikaner, Van Helsing kommt extra aus Amsterdam und Sewart ist sein Schüler. Jonathan macht eine Dienstreise nach Transsilvanien, was aus England heraus zumindest gefühlt eine halbe Weltreise ist. Aber ähnlich wie in anderen Romanen aus dieser Epoche hirschen die Figuren durch die halbe Welt und das ist gefühlt sogar normaler als es für uns wäre.

Und auch sonst ist es historisch interessant, ein so altes Buch über ein so zeitlos gewordenes Thema wie "Vampirismus" zu lesen.
Aber meine Güte, ist das schlecht gealtert ^^

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emmagreenwood's review against another edition

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adventurous challenging dark mysterious slow-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? No

4.0


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heatherb's review against another edition

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adventurous dark emotional mysterious tense slow-paced
  • Plot- or character-driven? A mix
  • Diverse cast of characters? No

3.0


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chalkletters's review against another edition

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adventurous dark slow-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? No

3.0

After last year’s successful Dad-goes-walking & I-go-singing holiday, this year we’re trying a Dad-goes-walking & I-go-reading weekend. I’m booked to discuss three books: Dracula, Shadowplay and The Deathless Girls as well as walk around Whitby, where much of Dracula is set. At this point, I have really no idea what the holiday itself will be like, but I’d read Draculabefore, so I decided to refresh my memory. I was hoping to read the ‘Dracula Daily’ edition, but it doesn’t come out until November.

Dracula
is very much a novel of its time: the attitudes towards women and religion and people from countries other than Britain are entirely 19th-century, as are the long speeches. Some of Bram Stoker’s long passages of description work really well as scene setting for a horror novel, but others are a little tedious if you’re reading purely for enjoyment and with 21st-century eyes. 

That said, it’s not completely possible to read Dracula purely as a horror novel; there are too many things that don’t really make any sense. Why are all Dracula’s victims women, when he does away with plenty of men and has Jonathan Harker at his mercy? What, exactly, does Dracula want in coming to London? Not to mention, there are some pretty huge coincidences which stretch credulity if you’re not looking at Dracula as a metaphor for something

The essays in the Norton Critical Edition did a good job exploring the many, many different fin-de-siècle fears that Dracula could be read to represent. These are somewhat long and dry if you’re not actually studying Dracula, but still worthwhile in the long-run. (That said, the ones relating to the various cinematic and theatrical adaptations of Dracula aren’t particularly necessary as background information on the novel.) 

Bram Stoker’s characters fall into two camps: vampires (and Renfield) vs non-vampires. As there’s plenty of conflict between the two groups, it doesn’t really feel as though conflict between the non-vampires is missing, but it is a little unlikely that fully fleshed-out people would agree quite so completely about everything. Nonetheless, the characters are distinct with very little chance of muddling them up with one another, which is definitely an achievement.

Overall, it was fun to read a horror novel which really felt like a horror novel, and the Norton Critical Edition has hopefully prepared me for interesting discussions on my holiday!

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cleotheo's review against another edition

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adventurous dark funny mysterious tense medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? No

3.75


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tifftastic87's review against another edition

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adventurous dark slow-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? No

3.0

Obviously a classic, but very hard to get through. The writing in journal style is intriguing and adds to the mystery. Its very much a product of it's time and that made it hard to get immersed. 

The characters however, have much more depth than I expected and it has made me question the later interpretation of some characters. If you are a horror fan and haven't read this one, I recommend putting it on your list just to understand some of the beginnings of our supernatural tales. 

I do want to add that for the times Mina seems to be a particularly strong female character. The way she is described by the men is annoying "fair but having the brain of a man" but I understand that for the time that was likely a huge praise. It is her and Van Helsing that put it all together, find all the pieces and track down Dracula. Without her the men would have been lost and that is proved in a major plot point when they try to lock her away for her safety. 

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sophtanda's review against another edition

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adventurous dark emotional mysterious tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

4.0


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marigoldgem's review against another edition

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adventurous challenging dark emotional mysterious sad tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

5.0

Surprisingly strong female characters and definitely one of my favorite classics now. 

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foxclcves's review against another edition

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adventurous challenging dark mysterious tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? No

5.0


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orchidlilly's review against another edition

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adventurous dark mysterious tense slow-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? No

3.0

Dracula's horror has a kind of slow burn that makes it very hard to capture in movie form. This also makes it, for those of us who are used to more thriller-like horror, or for those who are already aware of vampires as a concept, a bit of a slow read. There are times when the book drags on, most notably the newspaper sections and legal proceedings. It is rife with that classic British brand of racism, which while expected, is no more pleasant than it would be now. It also has a good bit of that 19th century sexism which is annoying, if only because of how repetitive it becomes, and how much of a hindrance to the plot it is.
All in all, an interesting read, but a good bit of the charm and suspense is lost to the changing principals of time.

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