Reviews with content warning for Abandonment - Στη Γη είμαστε πρόσκαιρα υπέροχοι

The setup: 'On Earth We're Briefly Gorgeous' is a unique novel, presented as a letter from a son to a mother who likely will never be able to read it due to her inability to read, especially in English. Our narrator, Little Dog, delves into his family's life - even before his birth - in Vietnam, during the infamous war there, and his own life, unearthing some traumas and revelations throughout his teenage years.

Much of the novel is about Little Dog's relationship with his mother, Rose, and her mother, Lan. There is an intricate discussion about their familial affairs and what it took the women to survive for Little Dog to be writing this letter. Then it's also a pseudo-love story about Little Dog and Trevor, a boy he works with on a tobacco farm during the summers. There is a little bit of grief, love, and hardship throughout this novel, and you can feel Ocean Vuong's poetic side coming out as he describes Little Dog's complicated life. Honestly, it's a story about nothing, yet about everything for someone like Little Dog. It intertwines addiction, violence, and a plethora of trauma into a novel that shares the story of a son and his mother.

What I loved: This book was a bit haunting AND lovely - somehow both, sometimes simultaneously (but not always). Vuong was a storyteller here. There were fantastic quotes and metaphors, and Vuong knew how to share philosophical thoughts and ideas. It was a sad story and one that encompasses survival. It takes a talented writer to make this type of art, and Vuong no doubt delivered a tremendous literary and contemporary fiction book. Honestly, at times, this felt SO real, to the point that it reminded me of a memoir (maybe that also had to do with a second person). Either way, you were submerged in On Earth We're Briefly Gorgeous and felt all the feels.

What could have made it five stars: The common literary fiction conundrum - the intense effort to be overly profound. I felt this only initially, but Vuong seemed to try so hard. On page 4 or around there, one quote said something like, "We held nothing in our hands but our hands." And while I understood that it was likely that they were holding each other's hands, it just made me roll my eyes.

My only other qualm was the structure. I know what Vuong was doing, and Vuong knew what Vuong was doing, as mentioned in the novel a couple of times in the letter - Little Dog knew his writing was a bit all over the place. However, it took a lot of work to immerse myself in the story because of the back-and-forth timelines, especially between paragraphs with no apparent cadence. Part II had more narrative style than the others; otherwise, linking story pieces took a lot of work. It made it hard to connect with the plot itself.

Regardless, this book was undeniably moving, genuine, and wholehearted. The impactful pieces of the story, like the aftermath of war, an opioid crisis and addiction, and sexuality, were incredibly well done, and I think this book is an essential read. The structure makes it a bit challenging for a novel, but the storytelling is ultimately worth that brief confusion.

Content Warnings