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_verena_'s review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Dezember. Sie stand schon im Fahrstuhl als er Einstieg, er nickte ihr zu und schloss mit einem Rattern das Eisengitter...
- Cleopatra und Frankenstein, 1%
🎧 gehört als Hörbuch
Einerseits war dieses Buch eine berührende Liebesgeschichte gone traumatic.
Andererseits bildet es verschiedene Menschen, die in verschiedenen Beziehungen miteinander stehen ab, die teils problematisch sind, teils liebevoll.
Und dann ist die Geschichte auch Klischee beladen, aber durch den wundervollen Schreibstil kann man darüber hinwegsehen.
Cleo und Frank sind die titelgebenden Hauptfiguren, aber sie leben nicht isoliert, sondern man bekommt auch die Gedankenwelt der Menschen um sie herum mit. Dadurch entsteht ein schönes, rundes Bild. Was mir hier nicht so gefallen hat war, dass man von Cleo gefühlt nicht recht viel mehr POVs bekommt, als von so manch anderem Nebencharakter. Da hätte ich mir mehr erwartet, da Cleo ja immerhin eine Namensgeberin des Buches ist. Außerdem hätte ich gerne mehr darüber erfahren, was sich Cleo bei so manchen Aktionen gedacht hat (zB
Das Ende war
Ich fand es einfach super, dass Cleo und Frank sich normal über ihre beendete Beziehung unterhalten konnten, ohne großes Drama. Von dieser Sorte brauchen wir unbedingt mehr! Es gibt leider viel zu viele Beispiele in Filmen und Büchern, wo sich Ex-Partner auch lange nach der Trennung bis aufs Blut hassen, anstatt einfach zu versuchen drüber zu stehen und weiterzumachen.
Mein Lieblingscharakter war Cleo (Romes Version). Ich hatte wirklich den Eindruck, dass es ihr besser geht, dass sie heilt und sie es schaffen wird.
Von Zoe hätte ich gerne noch mehr erfahren, wie ging es mit ihr weiter?
Dass es für Frank so einfach war mit dem Trinken aufzuhören hat mich sehr überrascht. Meist braucht es bei sowas mehr Anläufe, und natürlich wissen wir nicht, ob Frank es nicht vor Beginn der Geschichte schon mal versucht hat oder er nach dem Ende nochmal rückfällig wird... Aber das Framing "er hat mit dem Trinken aufgehört, weil er ist jetzt in Eleonor verliebt" finde ich nicht nur unrealistisch und unauthentisch, sondern auch sehr problematisch. Jemand der jahre- oder jahrzehntelang Alkoholiker war, hört nicht so einfach auf, unfortunately that's not how the world works...
Graphic: Addiction, Alcoholism, Animal death, Drug abuse, Drug use, Emotional abuse, Infidelity, Mental illness, Self harm, Suicide, Toxic relationship, Blood, Suicide attempt, Death of parent, Fire/Fire injury, Gaslighting, Toxic friendship, and Alcohol
luluellis33's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.75
Graphic: Alcoholism, Drug use, Mental illness, Self harm, Toxic relationship, Suicide attempt, and Injury/Injury detail
Moderate: Death of parent and Fire/Fire injury
alisbleu's review
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Addiction, Alcoholism, Animal death, Drug use, Infidelity, Mental illness, Self harm, Sexual content, Toxic relationship, Blood, Suicide attempt, and Toxic friendship
Moderate: Emotional abuse, Terminal illness, Fire/Fire injury, and Sexual harassment
Minor: Adult/minor relationship, Drug abuse, Suicide, and Death of parent
aleilvandrea's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.0
Graphic: Addiction, Alcoholism, Animal death, Body horror, Death, Domestic abuse, Drug abuse, Drug use, Emotional abuse, Infidelity, Mental illness, Misogyny, Physical abuse, Rape, Self harm, Sexism, Sexual assault, Sexual content, Sexual violence, Suicidal thoughts, Suicide, Toxic relationship, Violence, Blood, Dementia, Suicide attempt, Death of parent, Gaslighting, Toxic friendship, Alcohol, Sexual harassment, and Injury/Injury detail
Moderate: Gore, Grief, Abandonment, and Classism
Minor: Ableism, Transphobia, Antisemitism, Acephobia/Arophobia, Fire/Fire injury, and Dysphoria
mariaminthebooks's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
Stating the obvious, the book flows like a river. The writing's great, descriptions' great yada yada yada...
Finished the book in 3 days. That says enough.
Now, the interesting stuff...
I found the main character insufferable, which is absolutely fine, characters do NOT have to be likeable, but Mellors tried SO hard to make her likeable by mentioning just how likeable she is (how convenient) which made me dislike her even more.
TW//
The book also features PRETTY heavy themes like alcoholism, drug abuse, animal cruelty, su!cide, self-h@rm, and the list goes on....without ever really diving into the complexity and complications of each struggle, thereby making the character's problems seem shallow (they are not!!!)
Along with having like a bazillion unnecessary characters, this, too, was unnecessary. Towards the end of the book, it felt as if Mellors was just throwing in as much trauma as she possibly can for that shocker effect. Unfortunately, that had a counter effect. It made me desensitised to much of the events in the novel.
traumatised characters ≠ unconditional sympathy
I've read books with way fewer events going on but had a much deeper attachment to the characters.
Frustratingly, this could have been such a good book....
Graphic: Addiction, Alcoholism, Animal cruelty, Animal death, Chronic illness, Death, Domestic abuse, Eating disorder, Emotional abuse, Infidelity, Mental illness, Self harm, Sexism, Sexual content, Sexual violence, Suicidal thoughts, Terminal illness, Toxic relationship, Violence, Blood, Suicide attempt, Death of parent, Fire/Fire injury, Gaslighting, Toxic friendship, Abandonment, and Sexual harassment
angelaaaa's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Graphic: Addiction, Alcoholism, Animal death, Death, Drug use, Fatphobia, Homophobia, Infidelity, Mental illness, Self harm, Sexual violence, Suicidal thoughts, Terminal illness, Toxic relationship, Transphobia, Violence, Blood, Grief, Suicide attempt, Death of parent, Toxic friendship, Dysphoria, and Injury/Injury detail
Moderate: Drug abuse, Suicide, and Fire/Fire injury
impeachnixon's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
1.0
While I understand that this book was trying to tell many interconnected stories, I think there were just too many people with too serious of issues to really be done well. Quentin's meth use, for example, isn't really explored as well as it could be, and so I feel like it was weird that it was included at all. I'm not complaining about the end of his story, because I think it's interesting actually to just have Cleo say "I couldn't support him and so I ended that friendship". It just feels like Quentin's spiral into addiction to meth was a huge thing to happen off-screen, but also a necessary result of trying to tell 1,000 stories at once (and having all of those stories tackle very serious issues). Plus, why mention Quentin being possibly trans or genderqueer if you're never going to mention it again? It ends up simplifying a lot of serious issues, like Santiago's recovery from binge eating disorder really just coming down to "he's going to meetings and now he's losing weight", with the bulk of it being explored in a single chapter. This problem even extends to the titular couple, Cleo and Frank. Cleo's suicide attempt, for example, seemed a little brushed over, and it didn't help that we switched to the perspective of the caterer at her wedding after the attempt. It was a beautifully written book and it did have plenty of fleshed out, interesting characters, but it could use with some trimming and some more focus. What happened to Ander's 'son', for instance, or Zoe's financial situation? Is she being financially supported by Jiro, and, if so, what implications does that have for their relationship? And I'd be fine with a book not completely tying up every single loose end for every single side character except that there were chapters that interrupted the main story to ask me to care about all these side characters and then sometimes very little resolution.
Graphic: Addiction, Alcoholism, Animal death, Cursing, Drug abuse, Drug use, Eating disorder, Emotional abuse, Infidelity, Sexual content, Suicide, Toxic relationship, Blood, Suicide attempt, Death of parent, Toxic friendship, Alcohol, Dysphoria, and Injury/Injury detail
Moderate: Sexism, Transphobia, Fire/Fire injury, Outing, and Abandonment
Minor: Acephobia/Arophobia