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humblej's review against another edition
dark
informative
reflective
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.0
I couldn’t have gotten through this if not for the audiobook. Some of the writing was beautiful and it was nice to see how different generations interacted. Aunt Lola was my favorite.
But it was difficult to connect with the characters. The disdain Olga had for everyone did not make her likable, and Pietro’s crisis was boring. Matteo is not 3D, and neither is Blanca. Therape was completely unnecessary. It added nothing to the story. She could have easily had the same breakdown after failing her mission and being disregarded again by her mother . The ending also brings into focus the selfishness of both leads.
But it was difficult to connect with the characters. The disdain Olga had for everyone did not make her likable, and Pietro’s crisis was boring. Matteo is not 3D, and neither is Blanca. The
Content Warnings
Graphic: Addiction, Drug abuse, Homophobia, Suicide, Death of parent, and Abandonment
Moderate: Rape
Minor: Abortion
pferdina's review against another edition
emotional
lighthearted
fast-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
3.0
Content Warnings
Minor: Addiction, Emotional abuse, Rape, Abortion, Death of parent, and Colonisation
berrypatch's review against another edition
challenging
emotional
funny
informative
inspiring
reflective
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
This book was absolutely incredible. Underscored by events in Puerto Rico and the deep sociological tension between a neglectful and manipulate mother and her pining children, Olga Dies Dreaming gives an impactful and informative insight into the impact of community, corruption of power, and pull between expectations and personal fulfillment. I cried many times.
Content Warnings
Graphic: Addiction and Abandonment
Moderate: Death of parent, Outing, Colonisation, and Classism
Minor: Alcoholism, Infertility, Rape, Xenophobia, and Abortion
cass_cgallegos's review against another edition
adventurous
challenging
emotional
hopeful
reflective
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.25
Content Warnings
Graphic: Abandonment
Moderate: Addiction, Homophobia, Rape, and Colonisation
Minor: Misogyny, Racism, Abortion, and Death of parent
hazelgirl21's review against another edition
emotional
reflective
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Graphic: Emotional abuse and Rape
Moderate: Addiction, Death, and Homophobia
Minor: Abortion
klingcooper's review against another edition
emotional
funny
hopeful
informative
inspiring
reflective
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Graphic: Addiction, Death, Drug abuse, Drug use, Sexual assault, Violence, Grief, and Colonisation
readbycarina's review against another edition
emotional
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Content Warnings
Graphic: Death, Emotional abuse, Rape, Death of parent, Gaslighting, Abandonment, and Colonisation
Moderate: Addiction, Drug abuse, Homophobia, Toxic relationship, Grief, and Alcohol
Minor: Physical abuse, Abortion, and Pregnancy
maranyc89's review against another edition
emotional
funny
informative
inspiring
sad
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
Content Warnings
Moderate: Addiction
mbedrosian's review against another edition
emotional
hopeful
informative
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Content Warnings
Graphic: Ableism, Bullying, Emotional abuse, Homophobia, Misogyny, Racism, Death of parent, Outing, Gaslighting, and Classism
Moderate: Addiction and Abortion
mattyvreads's review against another edition
emotional
reflective
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.75
I don’t think I liked this book… I’m still thinking about it though.
Here are some things that I think that the author does quite well:
> Has a meaningful and nuanced dialogue about parental neglect, emotional abuse, and exploitation, in an otherwise less-than-subtle story.
> Centers gay people and women.
> Was genuinely exciting in parts.
> Has moments of emotionality and tenderness.
> Has a beautiful book cover. The best I’ve seen all year.
Okay, that’s about it.
Honestly, once I suspended disbelief, I enjoyed a lot of the story, particularly the middle third which was really successful for me. The characters themselves are very intriguing, and the plot kept me guessing. I thoroughly enjoyed a lot of it. Other times, it was a chore to turn the page.
Here are things about the book I don’t care for:
> The dialogue and actions of the characters is ultra-stylized and over-the-top. That style didn’t really click for me.
> I found all the characters vaguely annoying. All of them.
> Some of the talking points in the book felt entirely unfinished, unearned, or even sometimes, disrespectful. (Many made contextual sense! These moments were really successful: a thorough discussion of closeted homosexuality and the pressures of a Catholic upbringing. Emotional abuse and neglect. The problematicism of white social justice warriors. Colorism. A denouncement of “elevating” foreign food. Talking about the lack of mainland aid from America in the wake of Hurricane Irma and Maria. That was all fascinating and so successful.) The talking points which felt unearned or disrespectful: random invocation of unrelated national tragedies and genocide. A quick and unresolved discussion of sexual assault. Seemingly, a few misguided jabs at the leftist youth of America?
The author would sometimes make actual critique, but I often wondered what point the author was trying to make, or if there was a point with those latter topics. Mostly it felt that the author was almost saying something, and then chose not to. Saying a lot, but saying nothing —
In the latter third of the book, Olga is sexually assaulted by an ex. This scene, and its subsequent fallout, was not handled with particular care by the author. First of all, the assault is from the POV of the assailant, which is particularly disturbing. I question why the author decided to frame the scene in that way. The aftermath is also troubling.
Olga briefly mentions that she refuses to think about the incident as it would “make her a victim.” As if people who are survivors of sexual assault are somehow inferior? Or just the way that they respond to it makes them somehow inferior? Hmm… It’s a deeply troubling sentiment.
When she reveals this news to her boyfriend, the author had the chance to say something in that moment. Instead he responds with some unimpressive remark, and then proceeds to scold her about other elements of their relationship! And that’s the last we hear of it!! Like….? I just don’t get it.
And one could make the argument that sometimes people don’t know what to say, and maybe this is the realistic response for that character, but the rest of the book doesn’t have realistic dialogue! Why should we just settle for this right before the “happily ever after”?
Oh also, at one point, the protagonist randomly sh!ts on sex workers, and there’s another part where her niece corrects her brother to say “queer” instead of “gay”. Those moments gave me slight pause. It does center a gay character, but the text oozed heterosexuality in a way that was confusing and disinteresting to me.
Overall, I liked parts of the book, but would probably not read it again.
Here are some things that I think that the author does quite well:
> Has a meaningful and nuanced dialogue about parental neglect, emotional abuse, and exploitation, in an otherwise less-than-subtle story.
> Centers gay people and women.
> Was genuinely exciting in parts.
> Has moments of emotionality and tenderness.
> Has a beautiful book cover. The best I’ve seen all year.
Okay, that’s about it.
Honestly, once I suspended disbelief, I enjoyed a lot of the story, particularly the middle third which was really successful for me. The characters themselves are very intriguing, and the plot kept me guessing. I thoroughly enjoyed a lot of it. Other times, it was a chore to turn the page.
Here are things about the book I don’t care for:
> The dialogue and actions of the characters is ultra-stylized and over-the-top. That style didn’t really click for me.
> I found all the characters vaguely annoying. All of them.
> Some of the talking points in the book felt entirely unfinished, unearned, or even sometimes, disrespectful. (Many made contextual sense! These moments were really successful: a thorough discussion of closeted homosexuality and the pressures of a Catholic upbringing. Emotional abuse and neglect. The problematicism of white social justice warriors. Colorism. A denouncement of “elevating” foreign food. Talking about the lack of mainland aid from America in the wake of Hurricane Irma and Maria. That was all fascinating and so successful.) The talking points which felt unearned or disrespectful: random invocation of unrelated national tragedies and genocide. A quick and unresolved discussion of sexual assault. Seemingly, a few misguided jabs at the leftist youth of America?
The author would sometimes make actual critique, but I often wondered what point the author was trying to make, or if there was a point with those latter topics. Mostly it felt that the author was almost saying something, and then chose not to. Saying a lot, but saying nothing —
Olga briefly mentions that she refuses to think about the incident as it would “make her a victim.” As if people who are survivors of sexual assault are somehow inferior? Or just the way that they respond to it makes them somehow inferior? Hmm… It’s a deeply troubling sentiment.
When she reveals this news to her boyfriend, the author had the chance to say something in that moment. Instead he responds with some unimpressive remark, and then proceeds to scold her about other elements of their relationship! And that’s the last we hear of it!! Like….? I just don’t get it.
And one could make the argument that sometimes people don’t know what to say, and maybe this is the realistic response for that character, but the rest of the book doesn’t have realistic dialogue! Why should we just settle for this right before the “happily ever after”?
Oh also, at one point, the protagonist randomly sh!ts on sex workers, and there’s another part where her niece corrects her brother to say “queer” instead of “gay”. Those moments gave me slight pause. It does center a gay character, but the text oozed heterosexuality in a way that was confusing and disinteresting to me.
Overall, I liked parts of the book, but would probably not read it again.
Content Warnings
Graphic: Addiction, Drug abuse, Emotional abuse, Homophobia, Racial slurs, Racism, Rape, Suicide, and Abandonment
Moderate: Alcoholism, Domestic abuse, Outing, and Colonisation