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kathydavie's review against another edition
4.0
Second in the Travis McGee private detective mystery series revolving around a salvage consultant who lives aboard his houseboat in Florida. The focus is on the sister of an old friend. Nightmare in Pink was originally published in 1964.
My Take
It’s a rather poetic start, from Travis’ perspective in first person protagonist point-of-view. There’s a vintage liveliness to it until Travis thinks of his friend, Mike, a “ward of a grateful republic . . . who can’t see or walk”.
With Mike, it’s visible. With Howard, Nina believes the worst although it’s not . . . visible. All that visibility . . . Travis doesn’t let it sit there. He goes after Nina with a vengeance to get her to see the other side of what could be. I do wonder if that's Travis’ purpose in life, well, besides the beach bumming, lol.
It’s the time of the cut-up technique of writing, free love, and drugs, and it shows in some descriptions. Travis’ description and “enhancement” of his hotel room in New York was kind of scary . . . “pull out the joy tubes . . . into the happy-making part of the brain . . . Turn me off next Tuesday”. Eyeww. MacDonald continues his reveal of the time period with the subplot of Nina, Travis, and sex. It’s sweet, really. A nice bit of therapy. I had to crack up with Travis’ segue into “marine hardware” at that party, lol.
Hmmm, an interesting paragraph about listening and using it to gain information. Then there’s that paragraph in which Travis assesses himself to Nina. Well, ya gotta admit he is honest.
Oh, I DO like that Travis “happens to think [women] are people”. What an odd attitude for the time and yay for Travis!! Of course, his thoughts about women and the pursuit thereof also came in to play when he had that “date” with Rossa. Interesting insight on the pursuit of the opposite sex — there’s no sport to it.
More of the sexing up came with Connie and Terry. Oh. Boy. Oh. Boyyyy. Connie wasn’t bad, just curiously interested. Terry, now. Aggressive is hardly the word for her. And what a mouth on that woman!
Oy, the bad guys. Oy. Again. I’d never make it as a bad guy. Listening to Bonita go on about her “duties” (and Travis’ own mental review of her) is followed by Mulligan’s no-nonsense assessment of Dr Varn and his activities. Ack! That poor doctor. He can’t publish. Oh. My. God.
Oy, the scenes at Toll Valley were terrifying. How easy it is to lock someone up and claim anything you like. The setting alone will persuade any legal entity that it must be true no matter what the patient says.
Well, you know we’ve all run into some doors with our share of black eyes, so it’s easy enough to understand. Consider some fishing therapy . . .
The Story
It was the little things that roused Howard’s curiosity — the change in investment strategy, Charles McKewn Armister IV’s new “attitude”, and his fling.
The Characters
Travis McGee is a beach bum who does just enough to keep life ticking over. Um, I mean, this former sergeant is now a marine fabrications consultant. The Busted Flush is the custom houseboat he won and that he keeps in Lauderdale, Florida. His brother is no more, having killed himself when they took his business from him.
Constance Trimble Thatcher is seventy-one and had been helped by McGee. Joanie was also helped by McGee. Connie is so jealous.
Nina Gibson is the younger sister of an old army friend, and with her degree from the Pratt Institute, she works in advertising. It could have been Travis, but it was Mike Gibson, Nina’s brother, who got it. Howard Plummer had been Nina’s fiancé who worked for Armister-Hawes. Grace had been Howard’s sister. Danny Gryson had been a friend; Sally is his wife. Some of the people Nina works with include Freddie, Tommy, Mary Jane, and Ben.
Armister-Hawes was an investment banking house. Nowadays it only handles the Armister financial affairs for Charles McKewn Armister IV. Charles is married to Joanna Howlan. Teresa “Terry” Howlan Gernhardt Delancy Drummond is Joanna’s world-roaming bawdy sister.
Baynard Mulligan is the head of the legal staff for Armister; his first wife had been Elena Garrett. Lucius Penerra is the head of the accounting staff. Bonita Hersch is the scheming, affectionate secretary who has plans; Angela Morse is Bonita’s timid secretary whom she loves to torture. The mean (and stupid) Olan Harris is Charley’s chauffeur. Martha is the German cook. Wade is the male chauffeur-nurse-valet-attendant who will be needed.
Toll Valley Hospital
Drs Varn and Moore work at this private institution for the treatment of mental and nervous disorders. Dr Daska is the resident organic chemist. Aides include Jerry and Donald Swane. Doris Wrightson is a hideous example of what happens in the doctors’ experimentations. Other unfortunate Armister employees included George Raub and John Benjamin.
The Police
Detective Sergeant T Rassko and Lieutenant Bree had worked the murder case. Beggs is with an agency.
Arts and Talents Associates is a service for hookers that is run by Mrs Smith. Rossa Hendit works for her by night and in an airlines ticket office by day. Robert Imber used to work at Armister-Hawes. The “Snow Maiden” always wears a white sweater. Missy had been the woman McGee had been with back in the day. The Alabama Tigers have a perpetual floating house-party. I don’t know if Johnny Dow captains the house-party or another boat. I suspect Bunny Rodriguez is a friend of Terry’s. Walker is Bunny’s nephew. Bernie is a nasty barfly.
The Cover and Title
The cover is split in half with the top a black, smoke-filled background for the author’s name in white and the torn pink strip below that providing the series info. Below that is a deco-ish font for the title in white. Below that is the graphic, a bar scene with a martini, its stir stick, and olive to the left of a red ashtray on top of a shining brown bar top. I suspect it’s Rossa leaning against Travis behind that martini.
The title definitely reflects the nightmares Travis suffers, all of them edged in pink in that Nightmare in Pink.
My Take
It’s a rather poetic start, from Travis’ perspective in first person protagonist point-of-view. There’s a vintage liveliness to it until Travis thinks of his friend, Mike, a “ward of a grateful republic . . . who can’t see or walk”.
With Mike, it’s visible. With Howard, Nina believes the worst although it’s not . . . visible. All that visibility . . . Travis doesn’t let it sit there. He goes after Nina with a vengeance to get her to see the other side of what could be. I do wonder if that's Travis’ purpose in life, well, besides the beach bumming, lol.
It’s the time of the cut-up technique of writing, free love, and drugs, and it shows in some descriptions. Travis’ description and “enhancement” of his hotel room in New York was kind of scary . . . “pull out the joy tubes . . . into the happy-making part of the brain . . . Turn me off next Tuesday”. Eyeww. MacDonald continues his reveal of the time period with the subplot of Nina, Travis, and sex. It’s sweet, really. A nice bit of therapy. I had to crack up with Travis’ segue into “marine hardware” at that party, lol.
Hmmm, an interesting paragraph about listening and using it to gain information. Then there’s that paragraph in which Travis assesses himself to Nina. Well, ya gotta admit he is honest.
Oh, I DO like that Travis “happens to think [women] are people”. What an odd attitude for the time and yay for Travis!! Of course, his thoughts about women and the pursuit thereof also came in to play when he had that “date” with Rossa. Interesting insight on the pursuit of the opposite sex — there’s no sport to it.
More of the sexing up came with Connie and Terry. Oh. Boy. Oh. Boyyyy. Connie wasn’t bad, just curiously interested. Terry, now. Aggressive is hardly the word for her. And what a mouth on that woman!
Oy, the bad guys. Oy. Again. I’d never make it as a bad guy. Listening to Bonita go on about her “duties” (and Travis’ own mental review of her) is followed by Mulligan’s no-nonsense assessment of Dr Varn and his activities. Ack! That poor doctor. He can’t publish. Oh. My. God.
Oy, the scenes at Toll Valley were terrifying. How easy it is to lock someone up and claim anything you like. The setting alone will persuade any legal entity that it must be true no matter what the patient says.
Well, you know we’ve all run into some doors with our share of black eyes, so it’s easy enough to understand. Consider some fishing therapy . . .
The Story
It was the little things that roused Howard’s curiosity — the change in investment strategy, Charles McKewn Armister IV’s new “attitude”, and his fling.
The Characters
Travis McGee is a beach bum who does just enough to keep life ticking over. Um, I mean, this former sergeant is now a marine fabrications consultant. The Busted Flush is the custom houseboat he won and that he keeps in Lauderdale, Florida. His brother is no more, having killed himself when they took his business from him.
Constance Trimble Thatcher is seventy-one and had been helped by McGee. Joanie was also helped by McGee. Connie is so jealous.
Nina Gibson is the younger sister of an old army friend, and with her degree from the Pratt Institute, she works in advertising. It could have been Travis, but it was Mike Gibson, Nina’s brother, who got it. Howard Plummer had been Nina’s fiancé who worked for Armister-Hawes. Grace had been Howard’s sister. Danny Gryson had been a friend; Sally is his wife. Some of the people Nina works with include Freddie, Tommy, Mary Jane, and Ben.
Armister-Hawes was an investment banking house. Nowadays it only handles the Armister financial affairs for Charles McKewn Armister IV. Charles is married to Joanna Howlan. Teresa “Terry” Howlan Gernhardt Delancy Drummond is Joanna’s world-roaming bawdy sister.
Baynard Mulligan is the head of the legal staff for Armister; his first wife had been Elena Garrett. Lucius Penerra is the head of the accounting staff. Bonita Hersch is the scheming, affectionate secretary who has plans; Angela Morse is Bonita’s timid secretary whom she loves to torture. The mean (and stupid) Olan Harris is Charley’s chauffeur. Martha is the German cook. Wade is the male chauffeur-nurse-valet-attendant who will be needed.
Toll Valley Hospital
Drs Varn and Moore work at this private institution for the treatment of mental and nervous disorders. Dr Daska is the resident organic chemist. Aides include Jerry and Donald Swane. Doris Wrightson is a hideous example of what happens in the doctors’ experimentations. Other unfortunate Armister employees included George Raub and John Benjamin.
The Police
Detective Sergeant T Rassko and Lieutenant Bree had worked the murder case. Beggs is with an agency.
Arts and Talents Associates is a service for hookers that is run by Mrs Smith. Rossa Hendit works for her by night and in an airlines ticket office by day. Robert Imber used to work at Armister-Hawes. The “Snow Maiden” always wears a white sweater. Missy had been the woman McGee had been with back in the day. The Alabama Tigers have a perpetual floating house-party. I don’t know if Johnny Dow captains the house-party or another boat. I suspect Bunny Rodriguez is a friend of Terry’s. Walker is Bunny’s nephew. Bernie is a nasty barfly.
The Cover and Title
The cover is split in half with the top a black, smoke-filled background for the author’s name in white and the torn pink strip below that providing the series info. Below that is a deco-ish font for the title in white. Below that is the graphic, a bar scene with a martini, its stir stick, and olive to the left of a red ashtray on top of a shining brown bar top. I suspect it’s Rossa leaning against Travis behind that martini.
The title definitely reflects the nightmares Travis suffers, all of them edged in pink in that Nightmare in Pink.
brandongryder's review against another edition
3.0
Call it 3.5 stars. Not as good as Deep Blue Goodbye but not bad at all. Really liking this series, I can see why there is such a devoted fan club.
jaydeereading's review against another edition
mysterious
sad
tense
medium-paced
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.25
dwhite1174's review against another edition
adventurous
emotional
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
2.0
ogreart's review against another edition
5.0
The second Travis McGee book was thoroughly enjoyable. I was a little disconcerted that most of it took place in New York City instead of Ft. Lauderdale. MacDonald threw in some really unexpected turns and I like that in a book. At one point McGee was in my version of Hell on Earth. There are passages in the book that are pure joys to read independent of the story itself. This series is shaping up to be well worth my time!
papidoc's review against another edition
3.0
Second in the Travis McGee series. McGee agrees to help the sister of an old friend from his military days. Her soon-to-be husband having been killed under suspicious circumstances, McGee enlists to help her recover what was stolen from him before he was killed. In the process, he finds himself subjected to hallucinatory drugs - remember, this was written in 1964, when that was likely considerably more shocking and unusual than now. Of course, the righteous McGee manages to overcome all and restore what is rightly hers to the damsel in distress, and go back to his intermittent retirement.
_lilbey_'s review against another edition
2.0
Found at a Little Free Library and it looked insane. Well, it kinda was. Even though apparently this is the only the second book in this series, I felt like I was just thrown into this story with no preamble- I actually checked to make sure the first chapter or two weren't missing from this copy. Lots of objectification of women, who apparently only find their validity through being sexually attractive to men, specifically the main character. Offenders didn't make sense- their motives weren't thoroughly explained. I dunno. I guess I was looking for insane and got it.
dozylocal's review against another edition
An "old fashioned" type of writing style sometimes made the reading slow going, but generally a good story although it started slowly.
hagbard_celine's review against another edition
3.0
Good ol' pulp. Skip the "sexy" bits and you have a perfectly outrageous yarn.
mwgant's review against another edition
4.0
I first read the Travis McGee series in my early 20's. I loved it. I wanted to be Travis McGee. Saving damsels in distress, living retirement one job at a time, getting the best of the bad guys most of the time. The ocean, the beach, the boat all of it.
I recently read an article about the right age to read a book at this link. There is a line in the article that know one ever reads the same book twice. It's true. Depending on our age and our life experiences, a book will have a different impact.
I'm reading the series again from the first book in order to the end. I don't plan to review every book but I still enjoy the books. Yes, they are dated. The series started in the late 60's after all. I don't want to be Travis McGee anymore. I don't think Travis McGee wanted to keep being Travis McGee forever, either. I enjoy them now for the quality of the writing. Here's a short excerpt from Nightmare in Pink. It illustrates the "show, don't tell" technique for writing. This is Travis as he realizes he's been drugged,
(Sorry, couldn't figure out how to indent the first line of the paragraphs.)
I love that passage. It goes on for several more paragraphs with Travis describing his experience without telling us what happened.
I recently read an article about the right age to read a book at this link. There is a line in the article that know one ever reads the same book twice. It's true. Depending on our age and our life experiences, a book will have a different impact.
I'm reading the series again from the first book in order to the end. I don't plan to review every book but I still enjoy the books. Yes, they are dated. The series started in the late 60's after all. I don't want to be Travis McGee anymore. I don't think Travis McGee wanted to keep being Travis McGee forever, either. I enjoy them now for the quality of the writing. Here's a short excerpt from Nightmare in Pink. It illustrates the "show, don't tell" technique for writing. This is Travis as he realizes he's been drugged,
She came back from the ladies' room. She sat and smiled at me. I said, "Let's get another drink up at the Plaza."
That is what my mind told my mouth to say. But the fit of the words in my mouth felt strange. I heard, like an after-echo, what I had said. "Let's get a down with the ending ever."
She was leaning toward me, with a narrow and curious avidity. "Darling," she said. "Darling, darling." It had an echo-chamber quality. She opened her mouth wide enough so that I could see the pink curl of her tongue as she formed the d.
(Sorry, couldn't figure out how to indent the first line of the paragraphs.)
I love that passage. It goes on for several more paragraphs with Travis describing his experience without telling us what happened.