Reviews tagging 'Injury/Injury detail'

The Book of Lost Things by John Connolly

11 reviews

swalk's review against another edition

Go to review page

adventurous challenging dark emotional funny hopeful mysterious sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0

A quintessentially English, gothic fairy tale; but if you are expecting a lighthearted fable, this is certainly not it. 
 
Set in 1939 during the war, David is just a 12 year-old boy, his mother is sadly dying. The terrible stress and trauma of this has lead to him trying to prevent her death, by performing tasks in a very obsessive manner and becoming withdrawn. After some time David begins to collapse when he is stressed or angry and his father takes him to see a doctor about it. As his mind spirals David begins hearing the words inside of books come to life, until one day he is consumed by another world entirely; A world filled with fairytale horrors, battles of good and evil, wolves, harpies, knights and a sinister crooked man.
 
 This tale has truly magical world building and a fantastic mix of malevolent and virtuous characters, I loved the the humour of the dwarves and how the story was woven with messages of overcoming grief and a sense of self discovery and growth. Honestly I absolutely adored this book and I even shed a few tears towards the end. Truly excellent.

Nick Rawlingson was an amazing narrator, his character voicing was excellent and really made the audiobook immersive. 
Expand filter menu Content Warnings

renpuspita's review against another edition

Go to review page

dark emotional tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.0

 Gue masih ingat sekitar 2012 (lama ya), temen2 BBI banyak yang baca buku The Book of Lost Things atau yang diterjemahkan jadi Kitab Tentang yang Telah Hilang. Karena gue juga kepo, akhirnya beli walau tetep aja ditimbun dan akhirnya baru dibaca tahun 2023. Mestinya gue baca ini tahun 2024 aja biar lama ditimbunnya sama kayak usia tokoh utamanya, David, yang berumur 12 tahun. Tapi ya sudahlah, kan niatnya habisin timbunan yak.

Gue awalnya mengira ini hanya fairy tale biasa dengan dark twist, semacam A Tale Dark and Grimm karya Adam Gidwitz. Gue ga mengira, ceritanya bakal DEPRESIF, GELAP dan SADIS . Dari awal emang udah ngebatin, kenapa kisah fairy tale dengan tokoh anak kecil dikategorikan sebagai novel dewasa. Mutual gue di Twitter bilang kalau ini ceritanya banyak konten gore dan juga kayak Narnia tapi versi lebih dark. Buku ini sepertinya ditulis Connolly untuk membuat Narnia versinya sendiri, yang digabungkan dengan kegilaan ala Alice in the Wonderland dan vibe sadis, depresif yang berasal dari setting bukunya yaitu awal Perang Dunia II. Buku ini emang mau ga mau bikin teringat Narnia, mengingat sub genrenya sama - sama portal fantasy (dateng ke dunia lain) dan juga terjadi di awal serangan Jerman ke Inggris di tahun 1940. Bedanya hanya David ini sendiri, sementara anak - anak Pevensie ada berempat. Tentunya tidak ada Turkish Delight disini. Yang ada hanyalah aura suram, binatang jahat yang ingin jadi manusia dan manusia yang juga keji.

Diceritakan sepenuhnya dari sudut pandang orang ketiga serba tahu tapi tetap berfokus pada David, Connolly banyak bermain dengan kisah - kisah dongeng yang kita tahu. Dongeng aslinya yang sudah suram (dengan harapan sebagai pengingat untuk anak - anak. Ingat ya, versi Disney itu versi yang jinak), sama Connolly dibikin lebih suram lagi. Ada awal mula kaum Loup (atau werewolf) yang bermula dari Kisah si Tudung Merah, ada kisah Hansel and Gretel yang tidak berakhir bahagia, para kurcaci yang benci kapitalis dan Snow White yang sangat ga snow white banget XD. Lalu ada juga kisah Goldilocks dan Tiga Beruang yang..yah anda benar, pokoknya ga happy end. Kisah Putri Tidur yang ga biasa, pemburu gila yang suka membuat chimera (gabungan manusia dan binatang) dan kehadiran makhluk jail bernama Lelaki Bungkuk yang membawa David ke Negeri Dongeng dan ga ingin bocah itu pergi. Tapi, walau banyak kekejaman dan kebengisan yang menerpa, David pun bertemu dengan bbrp orang yang membantunya seperti Tukang Kayu dan Roland si prajurit. 

Endingnya sendiri menurut gue bisa dibilang "bahagia", tergantung sama definisi bahagia itu kayak gimana. Tapi gue akuin abis baca buku ini gue berasa hampa. Memang benar kalau buku ini tuh sebenarnya lebih ke perjalanan David secara emosional, aka coming of age. Menurut gue juga ini cara Connolly menceritakan David untuk memproses rasa dukanya akibat ibunya yang meninggal terlalu cepat dan rasa amarah serta tersisihkan karena ayahnya menikah lagi dengan Rose yang notabene dulu perawat ibu David bahkan sampai punya anak. Bagaimana David akhirnya menerima kalau ibunya sudah meninggal dan juga akhirnya belajar mencintai keluarga barunya. Menurut gue, bagian terakhirnya memang bagus banget ketika David tiba di ujung perjalanannya. Sayangnya, rasa hampa itu tetap ada karena gue merasa apakah kekerasan dan kekejaman di buku ini emang perlu? Gue merasa dengan tema horror dan twisted, terlalu banyak konten gore dan mutilasi yang terjadi sampe gue mati rasa waktu baca. Apalagi si Lelaki Bungkuk yang hobinya menyiksa orang hanya untuk hiburan. Gue berkali - kali mikir apakah porsi kekejamannya ini diperlukan agar David beranjak dari anak kecil menjadi dewasa?

Buku ini memang banyak content & trigger warningnya. Keterangan "Novel Dewasa" emang bukan sekedar tempelan meski tokohnya anak kecil karena banyak bagian cerita yang berpotensi bikin kamu mual bagi yang ga biasa . Pun buku ini dibaca pas moodnya lagi baik, karena endingnya emang bikin kayak tertegun dan ngerasa hampa. Tapi kalau kamu suka kisah dongeng dengan bumbu horror dan banyak versi twistnya, buku ini cocok untuk dibaca. Yang jelas ini bukan buku untuk anak - anak. Ini untuk orang dewasa yang ingin dongeng yang cocok untuk mereka, karena orang dewasa pun masih butuh kisah dongeng sebagai pengingat. 
Expand filter menu Content Warnings

lisas_bookshelf's review against another edition

Go to review page

adventurous challenging dark hopeful sad tense medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

5.0

Expand filter menu Content Warnings

loquitacass's review against another edition

Go to review page

adventurous challenging dark emotional tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.0

Expand filter menu Content Warnings

tigerhae's review

Go to review page

adventurous dark emotional reflective tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

3.75

It had a slow start and was rather predictable at times, but flew much quicker once the real adventure started. I really enjoyed the way that the different classic fairytales were woven into his journey. However, there were a few things that I found immediate problems with while reading. 
Spoiler My main issue was the portrayal of Roland’s sexuality. I do get how David’s initial about it being “unnatural” may fit into the WWII time period, but its use in the story still felt… off. Especially how Roland’s love for his “friend” is quickly used to insinuating that him being gay must that he must also harbor  inappropriate feelings for David, a literal CHILD! It all felt very unnecessary and made me pity Roland’s character in a way that I don’t feel was the author’s intention.
Another issue I found  was
Spoiler David’s OCD just magically disappearing after one nice chat with the Woodsman. From the very beginning I thought that was such an interesting addition to his character, only for it to be quickly written away/cured once he entered Elsewhere! I just feel like it could have been included more throughout his journey.
I also found myself agreeing with other reviews about the randomness of the WWII setting or David’s fluctuating maturity level and how he oftentimes seemed unrealistic as a young boy, but I didn’t think about those things while I was actually reading, so much as after I finished and looked back. 
Expand filter menu Content Warnings

neni's review against another edition

Go to review page

dark mysterious tense medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.5

I enjoyed the imagery and the writing style. The fairy tale vibes gone darker were quite well done. I didn't particularly care about the main character but the plot itself followed a path that made sense for a "fairy tale" type story, and these stories normally don't have main characters that are that complex and well developed anyways.
 I really liked how dark the fairy tale retellings were and it was nice to see the main character's relationships with other people develop as he "grew up". The depiction of grief and overall of negative emotions in the eyes of the main character was also fascinating. 
Overall a cool book, a great choice if you're into fairy tales and spooky stuff.
Expand filter menu Content Warnings

alleelei's review

Go to review page

adventurous dark
  • Plot- or character-driven? Plot
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.5

Expand filter menu Content Warnings

chloemakesbooks's review against another edition

Go to review page

adventurous challenging dark emotional hopeful mysterious medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

5.0

Deliciously scary, delightfully fantastic, solidly grounded in real appreciation for and understanding of fairy tales, this coming of age story made my heart ache and leap and pound.
Expand filter menu Content Warnings

sleeson's review against another edition

Go to review page

adventurous dark emotional mysterious sad tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0

This was a good book! It has the most odd and enchanting take on the old school fairy tales we grew up with. However, this book is not for children. I am shocked that the age range recommends ages 10-14 yrs. Though there was no swearing, there is a lot of adult content that is referenced throughout. Some odd parts in the book that made me wonder what the author was trying to accomplish by having the adult content in a book that is intended for a young audience. Good for adults. Kids absolutely not. Maybe late teens.
Expand filter menu Content Warnings

booksploration's review against another edition

Go to review page

adventurous challenging dark emotional mysterious reflective sad fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

1.5


The Book of Lost Things is a dark and twisted story about loss, grief, and growing up. Regardless of its playful cover and the age of the main character, it’s not a children’s book.

Here’s a short description (taken from another edition): "Taking refuge in fairy tales after the loss of his mother, twelve-year-old David finds himself violently propelled into an imaginary land in which the boundaries of fantasy and reality are disturbingly melded."

I find the premise of the book exciting, the cover is beautiful, the author’s love for books shines through the story, and he manages to convey the complex feelings of grief well. 
 
Despite all of this, I didn’t enjoy the book. "Disturbingly melded" summarises my overall impression (after reading the whole book) pretty accurately.

A few examples:

Blood and gore - I enjoy a good horror story and am not against scenes of graphic violence in general. However, I think the author sometimes overdid it a little in a way that didn't add to the story, especially since it’s about the adventures of a 12-year-old boy. 

Paedophilia and the way in which it is addressed - In other parts of the book, the author described scenes of violence VERY graphically, but on page 47, he used a horrible "euphemism" to talk about the heinous crimes of a child molester:
Spoiler"Now, in another bedroom, he thought of Jonathan Tulvey and Anna, and wondered if a man from a clean little house, a man who lived with his mother and kept sweets in his pockets, had made them go down with him to the railway tracks. And there, in the darkness, he had played with them, in his way." I’m glad that Connolly didn't go into more detail here, but the choice of words ("played") seems VERY unfortunate.


Homophobia - I’m aware that David is "only" a child, but the same doesn’t hold true for the author who chose to write this:
Spoiler"David was being dragged along on a quest for a man whom he had never met, a man for whom only Roland had feelings, and those feelings, if the Crooked Man was to be believed, were not natural. There were names for men like Roland where David came from. They were among the worst names that a man could be called. David had always been warned to keep away from such people, and now here he was keeping company with one of them in a strange land." (p. 237)


And there's so much to unpack here:
Spoiler"A bedchamber contained a naked woman and a naked man, and the Crooked Man would bring children to them (not the special ones, the ones who gave him life, but the others, the ones he stole from villages or those who strayed from the path and became lost in the forest) and the man and the woman would whisper things to them in the darkness of their chamber, telling them things that children should not know, dark tales of what adults did together in the depths of the night while their sons and daughters were sleeping. In this way the children died inside. Forced into adulthood before they were ready, they had their innocence taken from them and their minds collapsed under the weight of poisonous thoughts. Some grew up to become evil men and women, and so the corruption was spread." (pp. 304-305)
 






Expand filter menu Content Warnings