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felishacb's review against another edition
- Plot- or character-driven? A mix
- Diverse cast of characters? Yes
Footnotes tell the story of the narrator of sorts who is translating and interpreting the tale. They are also dealing with a faceless entity who wants to control the translation and treats Jacks's transness with an otherness. These layers give Rosenberg the opportunity to comment on queerness, as well as class, colonialism, and power.
Another main character based on reality is Bess who in this book is an Asian sex worker. Bess offers a safe place for Jack and teaches him more about class revolution by sharing her own family's tragic story. Her lived experience could connect with Jack's own experience of class oppression (and queer repression) and inform him on how it intersects with racism.
Although it is fiction, this book serves as a powerful reminder that trans people (and people of color) have always been here and have always been the main characters in their stories even if their history is lost or never told.
Towards the last third of the novel, I did find myself not picking this up as much. But the authors voice and perspective kept me wanting to see how this story ended and what nuggets of truth they would share.
From the book: "All history should be the history of how we exceeded our own limits."
Graphic: Death, Blood, Vomit, Medical content, Abandonment, Injury/Injury detail, and Classism
Moderate: Confinement, Genocide, Homophobia, Physical abuse, Racism, Torture, and Kidnapping
Minor: Grief
opossumble's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Confinement, Gore, Racism, Sexual content, Transphobia, Violence, Forced institutionalization, Blood, Police brutality, Medical content, and Injury/Injury detail
Moderate: Cursing, Drug use, Slavery, Excrement, Vomit, Murder, Alcohol, Colonisation, Classism, and Pandemic/Epidemic
cosypuck's review against another edition
4.5
Graphic: Body horror, Confinement, Death, Drug use, Gore, Blood, Medical content, and Dysphoria
Moderate: Suicidal thoughts and Transphobia
quinnyquinnquinn's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.75
Graphic: Sexual content and Transphobia
Moderate: Racism, Blood, and Medical content
Minor: Child abuse
caseythereader's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.5
- CONFESSIONS OF THE FOX is one of the strangest, most fascinating books I’ve ever read. I loved the structure, with the body of the book being the “lost manuscript” and the footnotes being the professor telling his story alongside the manuscript.
- There is so much going on here, I hardly know where to start. Everything from the historical erasure of trans people to the prison industrial complex is pinpointed and torn down in a frenzy.
- For me, things got a bit muddled at the end of the book, but overall this book is well worth the trip there. Do pay attention to those content warnings though, as it’s pretty grossly graphic throughout.
Graphic: Animal death, Confinement, Cursing, Deadnaming, Death, Gore, Gun violence, Racial slurs, Racism, Sexual content, Suicidal thoughts, Transphobia, Violence, Xenophobia, Blood, Excrement, Vomit, Police brutality, Medical content, Grief, Murder, Fire/Fire injury, Alcohol, Colonisation, Dysphoria, Injury/Injury detail, and Classism
julianship's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
That being said, the narrative of Jack Sheppard is well-done; Rosenberg nails a particular sort of 18th-century cadence (possibly anachronistic; I don't really care.) Jack's narration is as slippery as the thief himself, both poetic and crude. The end of the book is spectacular, and Bess's discussion of the Fens is lovely.
Even in print, though, I found myself wishing the footnotes weren't there at all - as much as I enjoy a metanarrative, I think there's enough metanarrative present in the "18th century" portion itself, which touches on environmental destruction, the carceral state, the new calcification of racial categories, and transgender lives and loves. I don't think the book actually needed our modern day Dr. Voth in order to make the narrative speak to the present; it does that just fine on its own without the frame narrative, and I ended up getting distracted trying to track the details of his near-future academic dystopia.
So, overall: great book, loved Jack and Bess, (shockingly for me) could have done without the frame!
Graphic: Racism, Slavery, Transphobia, Violence, Xenophobia, Police brutality, and Medical content
katiewhocanread's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
Graphic: Gore, Sexual content, Forced institutionalization, Police brutality, and Medical content
Moderate: Deadnaming and Racism
Minor: Mental illness and Racial slurs
carbs666's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Graphic: Confinement, Sexual content, Police brutality, Medical content, Alcohol, Colonisation, Dysphoria, and Injury/Injury detail
Moderate: Body horror, Death, Racism, Suicidal thoughts, Transphobia, Blood, Vomit, Police brutality, and Medical content
laurajsmith's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Moderate: Medical content and Medical trauma
Minor: Body horror, Sexual content, Blood, Police brutality, and Alcohol
meremeth's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
3.0
Moderate: Racial slurs, Blood, Medical content, Dysphoria, and Injury/Injury detail
An extremely thoroughly and passionately researched retelling of Jack Shepard through a queer lens. This might not be a perfect book, but it is incredibly well done in certain aspects. I would recommend to anyone looking for good representation of queer love and trans masculine coming of age.