Reviews tagging 'Grief'

Cleopatra and Frankenstein by Coco Mellors

108 reviews

lizlikesfrogs's review against another edition

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challenging dark emotional mysterious reflective sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

4.0


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paulawind's review against another edition

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reflective tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

1.0

Rich People’s Problems but Wait, They All Have Tragic Backstories: A Novel

The only reason I finished this book was because it is my Book Club novel. I fought and sweated my way through page by page because it’s just so bad. It’s part of the trend for authors to try to make their books “deeper” by flooding every character with trauma. Pain Porn if you prefer. 

The author thought that by giving each character a single-defining struggle she is making them less one-dimensional but because of that they felt almost like cartoon characters. Cleo - beautiful, thin, talented, young BUT WAIT she is depressed and has both mummy and daddy issues; Frank - beautiful, “manly”, successful, rich and older BUT WAIT he had mummy issues and is an alcoholic, Zoe - beautiful, thin, talented BUT WAIT she has seizures, Quentin - beautiful, thin, rich “snarky gay best friend” BUT WAIT he can’t come out of the closet because of his homophobic Polish family (fuck you for that Coc, enforcing Polish stereotypes) and is a drug addict, Anders - beautiful, thin, rich fuckboy BUT WAIT his step-son doesn’t like him anymore and his parents don’t visit him in the US. You see what I mean? The only half-decent characters are Eleanor and Santiago, just because they are not awful to other people, but they rarely are given voice and in the end are pushed into the role of “I can fix him” girl for Frank and “losing weight will let you find love”, respectively. Nauseating. TikTok girlies, wake up, this is not literary fiction you claim it to be.

The book obviously features a lot of content warnings - wouldn’t be a pain porn without it - but I’m not sure if it’s handled even passably well.
Cleo’s depression and its consequences, Frank’s alcoholism, Zoe’s inability to live without a trust fund, Anders’s familial infidelity - all get magically solved by the end, with no depth or mental insight given on any of the aforementioned. Cleo started painting and moved to Italy - depression solved; Frank “got fixed” by his mummy to-be-wife; Zoe just found herself a sugar daddy; and Anders swept the whole issue under the rug. We can’t of course forget that the happy ending is only given to straight people - queers go to hell with our only rep - Quentin - ending up a meth head and most likely dying


This book angered me on so many levels. It was the superficial depth, wannabe literary fiction, over sexualisation of everything (Zoe saying that she is “a real girl” now, after climaxing, nauseated me), disrespectful treatment of a lot of extremely heavy issues and -how could I forget - BLATANT plagiarism of other media (yes, I’m looking at you ripped-off Fleabag dinner scene). Awful

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kimmberr's review against another edition

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  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Flaws of characters a main focus? Yes

5.0

i think Coco Mellors is genuinely becoming one of my favorite authors. she writes stories about people who feel so real and broken and raw. the books aren't plot driven, they're all people driven. and the people all mess up a lot, but she somehow pulls out the beauty in all of it. I will be thinking about this book for a long time

i technically would dock points for the couple chapters written from the random friends' povs (Quinten and Santiago) because i don't feel they added anything to the storyline, but the rest of the book was strong enough to me that i am choosing to ignore those 2 chapters

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crimpykooky's review against another edition

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emotional reflective medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0


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ashlynregan's review against another edition

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dark emotional funny sad tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0

This book is for New Yorkers cause I swear I know all of these characters IRL.

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lemonyanne's review against another edition

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challenging emotional hopeful reflective medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

4.0

This book feels like you’re invited into the world of well-off socialite New York as a total voyeur. You’d never want to be part of this circle as all the characters are flawed and unlikeable in their own ways. However, Cleo and Frank’s relationship IS interesting and this discussion of how they destroy one another in the mutual distraction of themselves is why you keep reading it. You don’t want to look away from the car crash on the highway. (SPOILERS:) However, Eleanor’s 2 chapters felt really misplaced. First person was the wrong choice for her (esp when then rest of the novel is in third) and felt like an ill-attempt at making her feel normal, relatable or quirky - this I think was the more unsuccessful element of her narrative. I also don’t think she was Frank’s saving grace and I’m unsure if she was written to be. Although, her pining love for Frank could serve as an interesting contrasting how Anders pined for Cleo, as Eleanor’s love showed far more compassion, maturity and self-awareness as opposed to Anders’ vapid, self-absorbed obsession with Cleo was. All in all, this book felt like reading gossip, and for that purpose it worked fabulously. 

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jennymchugh's review against another edition

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dark emotional reflective sad tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

2.5

Really enjoyed the book until the end, when it decided to make a judgement about what “trauma” is more painful (alcoholic parent vs. being groomed by an older man). And it also forgives a highly problematic man, giving him a complete pass at the end. Just ick. 

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jazzy_cat's review against another edition

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challenging dark emotional funny hopeful inspiring reflective sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.5


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cecereads__'s review against another edition

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4.5

Hmm. I thought this was an immediate 5 stars from that first chapter, it had me fully invested and intrigued. I was surprised how it switched up and gave us multiple pov’s and really focused on showing that chain reaction from the ppl close to us getting into relationships, meeting new ppl, etc. Once I got used to it, I thought it was really well done and such an interesting choice. Different from what I expected, but in the end it really came together imo. And most of all it’s a book about healing.

(I’ve had my own version of a Quentin as well as a Peter and Miriam …)

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bethroseellis's review against another edition

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dark emotional funny hopeful reflective sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.75

Whilst at first it felt a little tropey - a poor, young, beautiful girl falls in love with a rich older man and they have vivacious friends who have wild parties - the introduction of Eleanor brings some much needed balance and grounding to the novel. The novel, and the characters, grew on me as it progressed as it highlighted some of the every day fears we can all see reflected at times.

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