Reviews with content warning for Car accident - Carrie

Reviews tagging 'Car accident'

madsrosehea's review against another edition

dark mysterious sad tense fast-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? Yes

4.5

I’ve always wanted to read this and I’m so glad I did. Such a thrilling, frightening story, Stephen King is the master storyteller 🔥

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ashwatever98's review against another edition

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dark tense fast-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? Yes

4.75

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bluestar_apologist's review against another edition

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dark mysterious tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? Yes

5.0

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laurzj82's review against another edition

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dark tense fast-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? Yes

5.0

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julells's review against another edition

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challenging dark emotional mysterious tense fast-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? Yes

3.5

Ich hatte immer ein bisschen Angst vor meinem ersten Stephen King Buch und die was auch vollkommen berechtigt.

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hiddenfallacies's review

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challenging dark emotional reflective sad tense medium-paced

Plot- or character-driven? A mix
Strong character development? It's complicated
Loveable characters? It's complicated
Diverse cast of characters? It's complicated
Flaws of characters a main focus? Yes

4.5

Celebrating its 50th anniversary this year, Carrie is a landmark achievement in horror for many reasons. It's the start of King's long and celebrated career, a novel that centers around women and places their pain at the epicenter of its plot, and it created a cultural memory that endures to this day - one that empathizes with Carrie rather than demonizes her. Told over three parts that function as three long chapters, the novel tells Carrie's story in retrospect through a collection of articles, interviews, and varying point of views. Going through the past, present, and future of the ill-fated prom night, the reader gets to know Carrie and all she has endured. Above all else, this novel is a tragedy about Carrie White's last hope to become a person and the ways in which society crushed that dream.

The first of the three parts suffers the most, lacking the natural momentum and masterful framing that surrounds the prom night itself and its aftermath in the story. This fact alone is what keeps this novel from garnering five stars for me. The novel is also littered with the artifact of being King's first, lacking some of the grammatical and structural prowess he cultivated over time. It's also important to note that there's a fair bit of racism present throughout the novel, dropped in small phrases and cultural references that leave the modern reader wondering if King meant to include them to indicate moral failings of certain antagonists or the time period itself, or if he simply was ignorant of certain biases he held himself. I believe informing potential readers of this is crucial, as I was blindsided by their sporadic inclusion while reading, taking me out of the story.

Although King has published better novels, as well as worse, I believe Carrie deserves a space not only on an essential reading list for King, but for horror as a whole. It remains culturally significant and moving to this day. May Carrie White never be forgotten.

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icephoenix44's review against another edition

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dark sad tense medium-paced

Plot- or character-driven? A mix
Strong character development? It's complicated
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? Yes

4.0

its okay, i guess? i will give the movie a slight edge because i think de palma directing style really enhanced my experience on the film, and the ending is significantly more powerful than the book. the book do has a part that i liked better where carrie is not your usual petite pretty girl but instead a girl that has conventionally unattractive characteristic, which makes the bullying part more moving as body shaming is something very underpresented in media and often played as a joke.

i feel like the writing style could be a little better though. some of the parts describing the female characters felt male gazey. this is also a problem in the movie, the opening scene is... yuck to say the least.

i also dont like the attempt to replicate accents, it makes the writing more weirder and clunkier to read, instead of feeling more authentic.

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ed_moore's review against another edition

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dark emotional tense fast-paced

Plot- or character-driven? Character
Strong character development? No
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? Yes

3.25

I read Stephen King’s ‘Carrie’ as I am involved in a production of the musical in a week, and was honestly surprised how quickly events unfolded in the book. Carrie is about a 17 year old girl who is outcast in school and faces abuse from her fanatically religious mother at home, yet finds she has the power of telekinesis and uses such to get her revenge on the town that wronged her for so many years.

The primary surprise was how early Carrie’s telekinetic powers were revealed, I was expecting this to be more of a self-discovery plot point and twist in Carrie though I am content to mention it in this review as it was more or less revealed on the first page. The ending also wasn’t left for the readers to theorise as due to fictional extracts from supposed non-fiction books written about the actions of Carrie White on prom night the ending was revealed early on and continually referenced throughout. I really didn’t enjoy the inclusion of these books within books as though aware of the story, it still very much took away from the ending and diverted from the plot, and any comments that foreshadowed were intentionally far too obvious. ‘Carrie’ was not a book written to leave the reader on edge guessing whatsoever, which really defeated its main draw within the thriller genre.

Despite my prior knowledge of the story the narrative and writing was however still harrowing. Scenes relating to the menstrual cycle and also child and religious abuse were extremely graphic, and the final sequence of events was absolutely brutal and apocalyptic, likely written in a means to mimic the biblical ‘Judgement Day’. It was also enhanced in the graphic imaginings of such as the scenes were often repeated from multiple perspectives, which increased reader exposure to violence but also failed to add much to the story.

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