alba_marie's review
2.0
This is an anthology meant to celebrate Irish women's voices in a time when most Irish women haven't had much of a voice. This is a great idea in theory. But I have to say that the execution wasn't amazing. Gleeson, the editor, has a very different idea abut what makes a good story. I've been reading a lot of short stories this year, even if this isn't usually my genre of choice. But this has also taught what a good short story can be - in most cases, similar to a novel,just shorter. I still expect plot, world building, character development, secondar characters.
Most of the stories here were barely stories - almost none had plot and character development was lacking. They weren't the most interesting. And the themes where so banal. I usually avoid contemporary works and dislike domestic themes,which comprised most of the stories. Motherhood, grief, regret and break ups seemed the predominant themes. Not my area of interest! The best stories were when they took you away from domestic homes and to other lands like Egypt and Italy - at last the world Yalding was good!
All in all I will keep reading Irish writers and female writers and even short stories but will choose them on my own because I really found these stories pretty blah. When I read, I'd like to go somewhere exciting, not someone's boring domestic existence.
Most of the stories here were barely stories - almost none had plot and character development was lacking. They weren't the most interesting. And the themes where so banal. I usually avoid contemporary works and dislike domestic themes,which comprised most of the stories. Motherhood, grief, regret and break ups seemed the predominant themes. Not my area of interest! The best stories were when they took you away from domestic homes and to other lands like Egypt and Italy - at last the world Yalding was good!
All in all I will keep reading Irish writers and female writers and even short stories but will choose them on my own because I really found these stories pretty blah. When I read, I'd like to go somewhere exciting, not someone's boring domestic existence.
debsd's review
4.0
Anthologies are, I think, almost always difficult to rate/review. I loved some of the writing in this and was meh about other parts of it. I liked that there was such a range of writing - some light-hearted, some very much not, some quite modern, some from a century ago.
paperboats11's review
3.0
I loved a third of the stories in this collection and plan on reading more from those authors but overall this was a very bumpy ride. Most of the short stories did not grab my attention and so I read one and put the book down to pick up at a later date, I only managed to finish it because I’m stubborn and I knew there were some precious gems in it. Overall, 3.5 stars would be fair.
lindam's review
4.0
This is a comprehensive and well planned selection of authors, some well known but older and out of fashion, through to the up and coming newer writers of north and south. There are strong underlying themes of women suffering in silence, coming to terms with life's tragedies, and showing a steely inner strength, almost subversive rebellion in some instances. Only one story is written from a male perspective. It provides a taster of some new writers that I'm keen to explore more of. Most, but not all, deliver the concise and crafted prose that a short story can exploit to best effect. I enjoyed this a lot.
mikifoo's review
4.0
It's safe to say that there were very few short stories in this compilation that I didn't enjoy. Although there are some stories that don't align with my North American understanding of the elements/structure/etc. of a short story, overall, the stories were fantastic. It took me awhile to read this collection, but I would happily read it again! Some of my favourites were Kate O'Brien's "A Bus from Tivoli", Elizabeth Bowen's "The Demon Lover", Lia Mills's "The Crossing", Mary Costello's "My Little Pyromaniac", Molly McCloskey's "Frogs", "Nuala Ní Chonchúir's "Shut Your Mouth, Helene", Belinda McKeon's "Long Distance", Roisín O'Donnell's "Infinite Landscapes" and E.M. Reapy's "Gustavo". I highly recommend this short story collection!
lenabrary's review
3.0
A solid anthology of female Irish writers. Some stories are more entertaining than others; I found stories written by younger authors to be more interesting and relatable, however it was interesting to see how writing has changed thematically and technique-wise.
jackielaw's review
5.0
The Long Gaze Back is an anthology of short stories written by Irish women whose collective work spans four centuries. They are presented in chronological order, thereby offering the reader the chance to observe how much, and how little, has changed in women’s lives.
The editor, Sinead Gleeson, comments in her introduction that, with a few notable exceptions, it is only in the past few decades that women writers, particularly Irish women writers, have been selected for inclusion in anthologies. In recent years there has been a new energy and enthusiasm for Irish writers of both genders, an increased visibility that has enabled new voices to be heard.
The short story is described as a form whose brevity belies the scale of thoughts and ideas within. The thirty tales included here offer:
“a triptych: deceased classic writers sit alongside the feted names of the last two decades and the next generation”
The collection opens with The Purple Jar by Maria Edgeworth, a story of a young girl whose mother allows her to make a choice, knowing it to be a foolish one, and then insists that she live with the consequences.
Frank’s Resolve, by Charlotte Riddell, is an observation of a marriage where both partners appear dissatisfied, each blaming the other. The reason for this lack of understanding becomes clear, although I felt little hope, given the way Frank inhabited his world, that a satisfactory resolution would be found.
The third story was amongst my favourites – Poisson d’Avril, by Somerville and Ross. It narrates a fraught train journey across Ireland as a man attempts to reach his family who are congregating for a wedding. He has been instructed to bring with him a salmon, caught whilst holidaying. The trials he encounters are presented with a dry humour and easy empathy.
Most of the stories revolve around family life and the associated day to day battles faced. There are tales of birth and death, of both the old and the young; the impact of collective decisions made without consultation; how expectations can lead to resentment, particularly across the generations. The authors highlight the discomfort felt when personal problems are disclosed. The small communities may wish to know everyone else’s business, but few wish to become involved when troubles they prefer not to acknowledge are aired.
There are stories of those who have left and those who have returned. The self proclaimed success stories expect to be feted whereas those who feel they have failed to live up to their former promise seek an anonymity that is often denied.
The Meaning of Missing, by Evelyn Conlon, explores the relationship of close siblings when one emigrates to Australia, fails to keep in touch, and then returns for a visit.
The Crossing, by Lia Mills, offers the reader the complexity of family dynamics when a middle aged couple take their teenage son to Egypt on the holiday of a lifetime. The husband’s assumptions about his wife resonated – that the brightly coloured top she bought for herself must be a gift for her more conspicuous sister, that she had somehow failed by paying too much for the item whereas the value to her was in the act of purchasing.
There are relationships – between a young girl and an older man, between a young man and an older women. There are the resentments of children who suffer their parents mistakes.
Frogs, by Molly McCloskey, looks at childhood friends, separated when parents move house, who meet again after more than thirty years. There is still a spark between them but they carry baggage that may prove too heavy for the other to bear.
A Fuss, by Bernie McGill, explores a theme that presents itself in many of these stories, that families prefer to keep their ideas of each other intact, retaining an aversion to any distasteful reality.
“she will remember the important lesson she learned from this, from him and from her mother, that it is more agreeable to be quiet than to make a fuss by telling the truth.”
Children return to the parental home to attend funerals. A surviving spouse must find a way to live alone. Reasons for leaving are unpicked alongside the pull of duty. Suppressed grudges resurface when challenged by familial guilt.
The writing is consistently impressive and varied making this a collection that effortlessly holds the reader’s attention. There is a strength to even the most broken of the characters, each are recognisable from everyday life.
An enjoyable read that offers a taster menu of authors deserving further attention. I will be watching the trajectory of those previously unpublished with interest.
My copy of this book was provided gratis by the publisher, New Island Books.
The editor, Sinead Gleeson, comments in her introduction that, with a few notable exceptions, it is only in the past few decades that women writers, particularly Irish women writers, have been selected for inclusion in anthologies. In recent years there has been a new energy and enthusiasm for Irish writers of both genders, an increased visibility that has enabled new voices to be heard.
The short story is described as a form whose brevity belies the scale of thoughts and ideas within. The thirty tales included here offer:
“a triptych: deceased classic writers sit alongside the feted names of the last two decades and the next generation”
The collection opens with The Purple Jar by Maria Edgeworth, a story of a young girl whose mother allows her to make a choice, knowing it to be a foolish one, and then insists that she live with the consequences.
Frank’s Resolve, by Charlotte Riddell, is an observation of a marriage where both partners appear dissatisfied, each blaming the other. The reason for this lack of understanding becomes clear, although I felt little hope, given the way Frank inhabited his world, that a satisfactory resolution would be found.
The third story was amongst my favourites – Poisson d’Avril, by Somerville and Ross. It narrates a fraught train journey across Ireland as a man attempts to reach his family who are congregating for a wedding. He has been instructed to bring with him a salmon, caught whilst holidaying. The trials he encounters are presented with a dry humour and easy empathy.
Most of the stories revolve around family life and the associated day to day battles faced. There are tales of birth and death, of both the old and the young; the impact of collective decisions made without consultation; how expectations can lead to resentment, particularly across the generations. The authors highlight the discomfort felt when personal problems are disclosed. The small communities may wish to know everyone else’s business, but few wish to become involved when troubles they prefer not to acknowledge are aired.
There are stories of those who have left and those who have returned. The self proclaimed success stories expect to be feted whereas those who feel they have failed to live up to their former promise seek an anonymity that is often denied.
The Meaning of Missing, by Evelyn Conlon, explores the relationship of close siblings when one emigrates to Australia, fails to keep in touch, and then returns for a visit.
The Crossing, by Lia Mills, offers the reader the complexity of family dynamics when a middle aged couple take their teenage son to Egypt on the holiday of a lifetime. The husband’s assumptions about his wife resonated – that the brightly coloured top she bought for herself must be a gift for her more conspicuous sister, that she had somehow failed by paying too much for the item whereas the value to her was in the act of purchasing.
There are relationships – between a young girl and an older man, between a young man and an older women. There are the resentments of children who suffer their parents mistakes.
Frogs, by Molly McCloskey, looks at childhood friends, separated when parents move house, who meet again after more than thirty years. There is still a spark between them but they carry baggage that may prove too heavy for the other to bear.
A Fuss, by Bernie McGill, explores a theme that presents itself in many of these stories, that families prefer to keep their ideas of each other intact, retaining an aversion to any distasteful reality.
“she will remember the important lesson she learned from this, from him and from her mother, that it is more agreeable to be quiet than to make a fuss by telling the truth.”
Children return to the parental home to attend funerals. A surviving spouse must find a way to live alone. Reasons for leaving are unpicked alongside the pull of duty. Suppressed grudges resurface when challenged by familial guilt.
The writing is consistently impressive and varied making this a collection that effortlessly holds the reader’s attention. There is a strength to even the most broken of the characters, each are recognisable from everyday life.
An enjoyable read that offers a taster menu of authors deserving further attention. I will be watching the trajectory of those previously unpublished with interest.
My copy of this book was provided gratis by the publisher, New Island Books.
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