Reviews tagging 'Physical abuse'

Harrow the Ninth by Tamsyn Muir

16 reviews

iane_reads's review against another edition

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adventurous challenging dark emotional funny mysterious reflective sad tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0


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schmetterlingsbluetenartige's review against another edition

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challenging dark funny mysterious sad tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0


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fishbones's review against another edition

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adventurous dark emotional mysterious sad tense

3.75


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msradiosilence's review against another edition

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possibilityleft's review against another edition

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challenging dark mysterious tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

3.0


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elizmoe's review against another edition

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adventurous challenging dark mysterious tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

5.0

Tamsyn Muir, meet me in the pit. So I can give you a <i>hug</i>. And then sue you for emotional damages. 

i'm screaming, i'm crying, i'm throwing up even more than harrow in the first 5 chapters of this book. gideon and harrow have forever altered my brain chemistry. i understand that these books are perhaps not for everyone, but they are definitely for <i>me</i>; every reality-bending, viscerally disgusting, brow-furrowing-inducing moment of this stupid lesbian necromancer and her stupider lesbian cavalier were for me, and i am wretchedly grateful. 

too early to say for sure, but this book may have ruined me for other books? we'll see, but i have a bad feeling that anything else i will read that contains any of the following:

necromancy
swordplay
space
nonlinear storytelling
unreliable narrator(s)
enemy lesbians

will just leave me wondering why that book can't be her*. 

*the locked tomb series

also the payoff of this book is CRAZY. if you are like 20% through and not seeing the vision and considering DNF, i urge you to carry on even if the 500 pages feel daunting. you won't believe your eyes when shit starts coming together, because so many pieces do. even pieces that don't, i am confident will be explained in the next two books, as there were many many setups from book 1 that made for some incredible reveals in this book. 

i have so much more to say about this book but most of it is yelling. even the occasional ill-advised meme inserts couldn't mar this book for me! and that's pretty insane!!

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erebus53's review against another edition

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adventurous challenging dark emotional funny lighthearted mysterious reflective sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.25

Necromages are fighting to save the universe from world-eating monsters, and that's not the weird bit. This is a labyrinthine ride through visceral fight scenes (with ... lots of viscera, and bones and connective tissues.. elaborate in the details thereof), half remembered memories or dubious reliability, weird hallucinations that often make almost sense, tea and gingernuts, backstory overheard in snippets lacking context, ribald humour, assassins, and spooky weird ghosty stuff.

There are times where I wish I was capable of reading proper, honest to goodness, paperback books, but seeing as I'm bound to Audiobooks due to my infirmities, all I can say is OUCH.
Tamsyn Muir writes with a sensual love of words, that does not make the content of her prose accessible to most people. To say it plainly - she uses big words, and weird words. a lot. I am well at home in anatomical and psychological textbooks, and literary critique; one  of my friends suggested that in conversation with me it would be easiest to carry a notebook to write down all the odd words I use  to look up later...  and even _I_ needed to read this with a dictionary nearby. It seems quite clear that the author was mauled or possibly traumatically wounded by a feral thesaurus as a child.

I'm sorry, Moira Quirk. Your work on this audio narration was ok,  but you fail to catch the Kiwi parlance. It sounds SO weird to hear kiwi idioms in your accent (we don't pronounce a$$ like that) and your attempt at te reo Māori words was wince-inducing. Thankfully that was only one line.

I'm doubling down on my comparison from the first book. This is definitely like an anime. Great chunks of this book feel a bit like watching Neon Genesis: Evangelion. A good proportion of the narrative is in second person perspective, which definitely leans hard into the claustrophobic and unhinged aesthetic. You spend the first half of the book trying to figure out why things in this book don't tally with the happenings in the previous book. That was kind of cool and didn't leave me feeling anywhere near as confused as I thought I would. There were enough breadcrumbs to keep me from feeling too lost in the woods.

Upside of the audiobook was the similarity I was amused by in the fast travel; I was reminded of Douglas Adams's, Hitchhiker's Guide, specifically his description of hyperspace, and the Infinite Improbability drive. "The River" having weird brain melting effects on a backdrop of a woman's voice calling out time-stamps felt so much like HHGTG with Trillian  in the Heart of Gold.

Many twists and turns, the reappearance (in various forms) of characters who were bumped off in the last book, the list at the front of the book of the dramatis personae (alive and dead) being actually useful, and a sense that you still don't know quite wtf is going on.. all leads me to think that the third book could go either way in my estimation. I'll have to see what it's like. 

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solarel's review against another edition

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challenging dark emotional mysterious sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

4.75

While I liked this one a fraction less than Gideon, the last third of the book hooked me yet again. The author is seriously phenomenal when it comes to unraveling a mystery one inch at a time. 

and those terrible jokes! I loved it there towards the end. “Hi I’m not fucking dead, I’m dad. Shut up John Hahahha.

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purplepenning's review against another edition

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challenging dark emotional mysterious medium-paced

4.0

I've never read such a fascinating, brain-breaking, frustrating, stomach-turning, compelling, off-putting, word-feast of an epic science fantasy horror mystery in my life. Muir is a heck of a writer (the humor! the viscera! the metaphor! the meter! the characters! the action!) but I'd have to read both Gideon and Harrow again to feel like I understand enough to say more. And I'm not likely to do that. 

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anxiousnachos's review against another edition

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challenging dark emotional

5.0

Where do I even start to review this absolute masterpiece of a second novel? It has taken me an embarrassing amount of time to pick up Harrow and I’ll fully admit it’s because I wasn’t quite as in love with Gideon the Ninth as I expected to be. But I saw this book in the library and thought what the hell, it’s time. And what a fucking idiot I’ve been when I could have made this book my entire personality OVER A YEAR AGO if I’d only read it then.

This book is a master class in point of view, plot structure, horror as comedy, the exceptional use of gothic genre, and divinity. I’d like to discuss each of these in turn.

Point of view
I think second person POV gets a real bad rep in the book community but I am a big fan of it, it’s one of my favourite tools Muir used in this book. I think this showed the same expertise that Jemisin showed in her use of second-person POV in the The Broken Earth trilogy. This tense creates such an element of mystery and omnipotence and horror - it is a POV for horror and it is used expertly in Harrow.

Structure
I know lots of people found Harrow’s structure confusing, but somehow I actually found this one less confusing than Gideon. Maybe because of my love of books with timelines that jump around and you kind of just accept not knowing what’s going on and go along for the ride?? But I loved not knowing what the fuck was happening, loved the timeline structure that gave us past and future Harrrow, I thought it allowed us a much deeper sense of who Harrow was and a much closer connection to her which made the events of the book so much more horrific for the reader and so much more unbearable in their grief.

Horror as comedy
Have I ever read a funnier book? I definitely can’t quite remember ever laughing at one quite so much as this. Page after page, I just could not stop laughing. The soup scene absolutely undid me, and I want it to get the love it deserves as peak humour and utter genius.

Gothic
Where do I even begin? This entire book is a masterclass in the idea of gothic genre as haunting; Harrow as haunted by past, by trauma, by loss, by the genocide of her conception, by grief. It it fantastic, and it is so deeply traumatic to read, I never wanted to stop and yet it also felt like I was being repeatedly punched in the chest, and then I read the author's note and it made sense. Muir gets Harrow because Muir has lived Harrow.

Divinity 
The twist to such has intimate relationship with, and worship of, divinity in Harrow was an interesting choice but one which I loved because I am of course always obsessed with the portrayal of religion in SFF. I am deeply looking forward to delving closer into divinity on reread as I feel this will be an area that so much more is noticed on reread. But all I can say is I loved the fatherly vibes, I loved the subtle darkness below the surface, I loved the relationships God had with each of his companions and how that manipulated the relationships they had with each other, I loved loved loved it.

This book is a masterpiece of gothic science fantasy, it will emotionally haunt me as Harrow is haunted by a 10,000 year old corpse. 

Content warnings: hallucinations, depictions of severe mental health crisis, grief, mass child death, genocide, graphic blood and gore, war, body horror, vomit, self-harm (for magic), graphic descriptions of corpses, murder, necrophilia, sex, death of parent, death of loved one, suicide, physical abuse, emotional abuse, amputation

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Finished it with 3 minutes left of sapphic September to spare!! A MASTERPIECE. Full review incoming after I sleep.

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