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taylorc19's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
2.0
Pros:
- I like the premise. A comedy writer who chooses to write a sketch about the phenomenon of wildly attractive female celebrities dating (for lack of better terms) mid-tier men is a really great idea.
- The characters felt fully developed and like they could have been real people.
- The so-called "third act break-up" was based on insecurities that were totally valid for the female main character to have, and I think I would have done the exact same thing she did if I were in her situation.
- There is absolutely no warning that this is going to be a pandemic fiction novel. I don't want to read about the COVID-19 pandemic. Like, ever. Maybe in fifty years when I forget the enormous toll it took on our lives, or maybe when I want to reminisce on my high school experience and remember how I never had a senior year, I can come back to pandemic novels. But right now? No thank you.
- A subsection of this: I'm sure there are people who want to read about the pandemic and enjoy that as a setting for a novel, but for God's sake at least mention that the pandemic is a part of the book in the blurb.
- I don't think either of the main characters were supposed to be overly political, yet this book was inherently a political book. For example, when Danny Horst and his girlfriend break up he says something along the lines of "Remember in the 2016 election when we thought the worst thing would never happen and then it did?" or when talking about her friendship with Danny, Sally remarks that they bonded while sobbing in each other's arms on election night 2016. Is that really necessary in a romance book? Parts of this book felt like it was straight from a "How to Be a Social Justice Warrior in 2020 for Beginners" guide. Which maybe some people like, but again, give some indication in the blurb PLEASE.
- Another example of this is during the emails section of the book, Sally and whatever the main boy's name is (literally can't remember for the life of me) talk about masks and going to BLM protests. Sally also talks about systemic racism and racism in healthcare, which fair enough but also maybe we don't have a straight white woman protagonist preaching about it? Also I read the acknowledgements section and the author cites an article as her one source for racism in healthcare. It almost feels like she was just collecting woke Infinity Stones and sprinkling them throughout the book. Pick something you care about and develop that; otherwise, your commentary on these topics feels disingenuous and under-researched.
- Sally is supposed to be funny and she simply isn't. She's a long-term writer for an SNL-type show and is supposed to be insanely witty and funny, yet none of her pitched skits or jokes landed for me. Sorry I don't find fart jokes funny.
Graphic: Pandemic/Epidemic
Moderate: Racism and Sexism
daniofthewood's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Graphic: Alcoholism, Body shaming, Confinement, Cursing, Fatphobia, Misogyny, Sexism, Sexual content, Excrement, and Pandemic/Epidemic
Moderate: Bullying, Death, Drug use, Eating disorder, Racism, Suicide, Police brutality, Death of parent, Pregnancy, Alcohol, and Classism
miahenry's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.5
The main character, Sally, is the narrator (which I like more than third person but less than dual POVs). Since she is VERY imperfect, her telling of the story did endear me to her a little bit. Her insecurities were relatable, I liked her politics (unapologetically liberal), and I liked how she treated her friends and loved ones. It was clear she was a badass at work and a mess otherwise and I get that.
The love interest, Noah, was not very memorable for me when he first appeared, but boy does he turn it around later. I loved his character as it was revealed - the sweetness and maturity never got old. He was so good at being honest and vulnerable with Sally while maintaining respect for himself. He really was the full package and I was here for it. I liked Noah more than Sally which negatively affected my overall rating of the book because I like to like both main characters about the same.
This book is divided into three very distinct parts marked by dates that precede then happen during the Covid-19 pandemic: 1) meeting 2) reconnecting 3) conflict + resolution
The first third of this book was tedious. It was interesting to learn about the schedule of people working on the SNL-like show, the dynamics between folks given their roles, and just generally learning how the sausage is made. However, there were too many characters and details which made it hard to follow the budding romance. It helped when I started reading it like a behind-the-scenes account instead of a rom com.
However, the second part of the book (all email exchanges) was adorable and the third part really paid off. The dialogue in the last third was fantastic. I liked how Sally thought one thing, but (wisely) said another. She started facing her fears and becoming a better person. However, I do believe she could use some therapy sessions like my main man Noah. I would have liked to have seen therapy for Sally in the epilogue.
Also, the descriptions of life during the pandemic were well done. Things happened quickly at the end, but I believed in the connection, primarily because of their ages. I loved the fact that they were both almost 40 and were so open with one another about past relationships.
It’s 3.5 stars for me. It was almost 2 stars, but then I liked the end so much I bumped it to almost 4 stars. I grew to love this book, but will likely put it in the neighborhood’s little library.
Graphic: Pandemic/Epidemic
Moderate: Alcoholism
Minor: Body shaming, Racism, Death of parent, and Pregnancy
viy's review against another edition
Moderate: Pandemic/Epidemic
Minor: Misogyny, Racism, and Police brutality
dizzymisslizzy's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
Graphic: Death of parent and Pandemic/Epidemic
Moderate: Pregnancy
Minor: Addiction and Racism
crystalleighwrites's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.75
Graphic: Medical content, Death of parent, and Pandemic/Epidemic
Moderate: Addiction, Body shaming, and Suicide
Minor: Eating disorder, Panic attacks/disorders, Racism, and Police brutality
danajoy's review against another edition
3.0
Sally was pretty bland and I feel like I don't really know her. She is painfully insecure and not conversationally funny or witty. There wasn't really charming banter which you might expect from a book with this title and a character that works for their version of SNL.
Noah was ok.
This story did also really strongly feature the Covid19 pandemic in the second half.
Graphic: Pandemic/Epidemic
Moderate: Addiction, Mental illness, Racism, Terminal illness, Excrement, Death of parent, Pregnancy, and Alcohol
Minor: Cancer
shannonnrosss's review against another edition
- Plot- or character-driven? N/A
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.75
Graphic: Sexual content
Moderate: Panic attacks/disorders and Pandemic/Epidemic
Minor: Addiction, Racism, Sexism, and Death of parent
gretchenplz's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
I admit I am a sucker for celeb romances, and I found this one to be particularly charming and unique. I am also a sucker for books that feature alternative forms of communication (emails, texts, etc.), so I found part two of the book to be so refreshing and fun. The themes of imposter syndrome, self-sabotage, and insecurity, both on a personal and professional level, really hit home with me, and I could not put this book down.
I also appreciated the lack of a third-act breakup, in place of a real couple facing a real issue and needing to take the time to learn from each other, communicate, and grow together.
I remember reading (and loving) Prep as a wee freshman in high school and I am delighted that Curtis continues to be an exceptional writer with incredible stories to tell.
Graphic: Medical content and Pandemic/Epidemic
Minor: Hate crime, Racism, Sexism, Police brutality, and Pregnancy
lauramparis's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.5
Graphic: Pandemic/Epidemic
Moderate: Sexual content
Minor: Alcoholism, Body shaming, Bullying, Cancer, Racism, and Death of parent