jetti's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
Die Brutalität, die man schon aus Teil 1 kennt bleibt wieder ebenso vorhanden. Auch dieses Buch ist nichts für schwache Nerven. Es werden Verletzungen und Taten sehr detailliert beschrieben. Definitiv ein Buch für erwachsene.
Die Geschichte die Rebecca Kuang erschaffen hat ist erneut voll von Krieg. Diesmal gegen die Kaiserin. Feinde werden zu Freunden und Freunde wiederum zu Feinden.
Ich persönlich finde gerade Nezhas Entwicklung besonders spannend und interessant beschrieben. Die vorhanden Längen, die das Buch hat sind schnell vergessen wenn man zur nächsten großen Handlung kommt. Alles in allem ein sehr gutes Buch für alle die mit viel Brutalität klar kommen.
Unbedingt vorher die Content warnings anschauen!
Graphic: Murder, Rape, Torture, Drug abuse, Vomit, Sexual violence, Death, Fire/Fire injury, War, Violence, and Drug use
alyssa_simard's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Genocide, Cannibalism, Emotional abuse, War, Rape, Violence, and Suicidal thoughts
ireadtoescape_'s review against another edition
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
All the trigger warnings.
And pain 😭😭😭😭😭
Always a ride with my girl Rin.
I’ll get to book 3 next year. I can only take one book per year from this series. 😂
Graphic: Medical trauma, Violence, Xenophobia, War, Sexual violence, Vomit, and Injury/Injury detail
Moderate: Rape, Addiction, Death, Blood, Child death, Genocide, and Child abuse
Minor: Confinement
geminireader's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? No
3.0
What it comes down to, is if you are going to successfully write a morally gray/villainous main character, you should be offering the reader perspective. I like reading those type of characters to learn from different perspectives. But there are some perspectives that truly do not need to be heard or even matter. I do not need to know nor do I have anything to learn from a serial killer other than grotesque fascination. And Rin isn’t even real so nothing of her perspective or truth can be translated to life. She truly just sucks. And I really cannot tell whether the author is doing this intentionally. I guess if this is intentional, pat on the back Kuang. Cause you truly created the worst, most despicable character I’ve ever encountered.
And *spoiler* can we just talk about how Rin disowns the South to poise as elitest trash when really the South didn’t do anything to her. Her caretaker sucked but that was about it. And then when it conveniences her to start another war, suddenly she going to fight for the South. But actually, she literally said she’s going to send tens of thousands of “bodies” just to basically get back at Nezha. Oh my god, just thinking about that again, I really hope she dies in the next book. Everyone else sucks too but she is truly just garbage. I have nothing to root for. Also, her whole thing with Altan. Weird. Just weird. So anyway, see you after the third book.
Graphic: Self harm, Racism, Animal death, Genocide, Injury/Injury detail, Medical trauma, Violence, War, Fire/Fire injury, Emotional abuse, Miscarriage, Murder, Death, Animal cruelty, Drug abuse, Physical abuse, Rape, Sexual assault, Sexual violence, Alcoholism, Drug use, Grief, Blood, Gore, and Body horror
maria_15's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Death, Drug abuse, Fire/Fire injury, Drug use, Genocide, Addiction, Blood, Rape, Religious bigotry, Vomit, War, Murder, Violence, and Grief
Moderate: Colonisation, Self harm, Suicidal thoughts, Domestic abuse, Mental illness, Cultural appropriation, and Emotional abuse
darkclouds's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Being my 100th book of the year, I'm feeling quite the swarming tidal of harrowing sensations. I've read an exceedingly well written book, two in fact within the space of a month and reached a milestone I thought I'd never hit again, all at once.
The Poppy War had brought me to my knees and extracted the tightly bound tears that I caged so well with it's vengeful, and riveting appeal and war conflicted trauma. It took me a year to find my footing and any semblance of recovery to continue this series.
There's a sense of loss, perhaps grief, a kind of hollow feeling of emptiness but fulfilment as well - once you complete reading one of these. Anyone seen/read Attack on Titan? If you can withstand *that* abomination of a series then you absolutely have enough gall to pick up Poppy War and face it's events headstrong. There's almost a deep guilty pleasure in facing one tragic loss after another, of chasing a cast of characters with complex arcs and a ghost inkling of found family trope. You cannot stop pushing forward and experience the absolute brutality that these characters face one chapter after another. The way Kuang has readers ensnared within an endless loop of gaining some hope, she just as quickly tears it away. Even though you can expect this when going into the series, it's never quite so black and white. There'll be elements of surprise.
Whilst Poppy War had shaken me to my very core with it being so incredibly unforgiving, Dragon Republic truly throws you into a position of complete helplessness. It's truly frustrating and compulsive and I absolutely devoured every page. Every word. Rin is every part the fearsome, yet fragile protagonist with compelling characteristics that can really irk a reader. But her unlikeable traits doesn't stop us from wanting to root for her and I think that's true power in writing.
Rebecca Kuang continues to devastate and bind us readers with her incredible prose and impactful storytelling. I fear for my sanity when I eventually read Burning Gods.
Graphic: Sexual assault, Violence, Addiction, Blood, Child death, Injury/Injury detail, Murder, War, Colonisation, and Rape
mdiffer's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.0
Graphic: Violence
Moderate: Torture, Sexual assault, and War
ironandsilver's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Graphic: Racism, Rape, Violence, Death, War, Xenophobia, and Genocide
noareads_20's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? N/A
- Flaws of characters a main focus? Yes
5.0
‘The Dragon Republic’ empieza tres meses después del final de ‘The Poppy War’. Rin y los Cike se encuentran a disposición de la reina pirata Moag, por la que llevan a cabo una serie de asesinatos a cambio de suministros (barcos, armas, alimentos) para poder asesinar a la emperatriz Daji. Pero, como puede verse en el libro, las cosas se acaban torciendo un poco y no todo les sale como planean.
Fang Runin está enfurecida tras la muerte de Altan y las consiguientes decisiones que tomó con el poder del dios Fénix la persiguen. Lo único que sirve para calmar y aislarse de ese dolor y, sobretodo, de esa rabia, es el opio. Por lo tanto, al inicio de este libro se encuentra en un estado de embriaguez constante y no demuestra ser la capitana que los otros Cike esperan que sea.
La evolución de su personaje a través de la historia es impresionante. La rabia (también incentivada por el poder de su dios, que se alimenta de ella) y el dolor por la pérdida de una figura que tiene tan idolatrada la guían. Comete decisiones moralmente muy cuestionables y es manipulada por el resto con gran facilidad. En este libro vemos cómo poco a poco va siendo consciente de ello y, además, como va replanteándose la visión embellecida que tiene sobre Altan.
El contraste entre la Rin del primer libro, una niña cuya máxima ilusión es entrar a la escuela militar de Sinegard, y la del segundo, una soldado trastocada por completo tras las diferentes batallas que ha tenido que librar, es muy visible. Muestra con mucha complejidad como la guerra puede marcar y cambiar a uno.
Kitay es otro que también se ha visto afectado por ella. En ‘The Poppy War’ se nos mostró como alguien inocente, de gran inteligencia, amable y respetuoso con el resto. En ‘The Dragon Republic’ lo sigue siendo, pero se le añade una rabia antes no vista (eso sí, más interiorizada que la de Rin), provocada por los escenarios traumáticos que ha vivido.
En general, encuentro que los personajes son el punto más fuerte de estos libros (aunque esto no significa que no haya otros). La caracterización y evolución con las que Rebecca F. Kuang les ha dotado es muy notable. Nezha, por ejemplo, es otro a destacar. Pero no voy a hablar aquí de él, porque creo que en ‘The Burning God’ tendrá un papel incluso más importante en la historia.
Las relaciones intrapersonales de Rin calan muy a fondo, cada una muy diferenciada entre sí. Ella y Kitay son la perfecta definición de ‘platonic soulmates’, a pesar de tener personalidades completamente distintas y de estar enfadados una parte del libro, comparten un vínculo casi irrompible (literalmente) lleno de confianza, entendimiento y respeto mutuo. Con Nezha, por otra parte, es un poco más complejo. Es una relación amor-odio, en la que opuestos se atraen y se repelen a la misma vez. Como se dice en el libro, son agua y fuego.
“Fire and water looked so lovely together. It was a pity they destroyed each other by nature”.
Además, me gusta mucho la relación que desarrolla con Venka (una de camadería y ayuda mútua) y con Changhan, quién también idolatraba mucho a Altan y que por eso parece desconfiar bastante de Rin (remarcado el parece).
El mundo se desarrolla más, entran en escena algunos clanes/reinos nuevos y otros ganan importancia. Ha sido muy interesante ver como cada uno de ellos conceptualizan ciertos temas (como por ejemplo, la religión) y la relación de poder que se establece debido a ello. Parecen ser paralelismos con países reales con los que China (en la que está basada gran parte del territorio) ha tenido contacto a lo largo de su historia.
El final es increíble. A pesar de que te destroza emocionalmente y no puedes parar de llorar, los acontecimientos que tienen lugar sirven para el desarrollo de la historia y de los personajes, sobretodo de Rin. Es como una linterna que le ilumina el camino que nunca ha sido capaz de ver.
No pensaba que este libro me gustaría tanto como lo ha hecho, pero R.F. Kuang me ha vuelto a sorprender (no debería hacerlo, porque es una genia y todos sus libros están súper bien desarrollados). Si el tercer libro me emociona tanto como este, la saga tiene potencial de convertirse en una de mis favoritas.
Graphic: Death, Sexual violence, Violence, Drug use, Suicidal thoughts, Murder, Emotional abuse, Hate crime, and Addiction
laughingkatana's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.5
Graphic: Injury/Injury detail, Classism, Emotional abuse, Physical abuse, Sexual assault, Torture, Colonisation, Confinement, Rape, Violence, War, Death, Drug abuse, Drug use, Grief, Kidnapping, Murder, Fire/Fire injury, Genocide, and Panic attacks/disorders