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nathanjhunt's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? No
1.75
I picked it up in Chiang Mai, Thailand and read it in Vietnam and Indonesia. I left it at my hotel in Kuta.
Uhh.. where to begin?
The first 50 pages of this book were phenomenal. There was such an amazing dark atmosphere, with tension and dreamy words. I wish so badly that the rest of the book was like the first 50 pages. If that was a short story, it would have been incredible. I would have rated this a 4.5, so that is ultimately why I didn't rate the whole book lower than I have.
The rest of the book is filled with such slow boring drivel, I had to try very hard to pay attention. It had some great, creepy ideas, but the narrative was just so dry and full of characters I didn't really care about. The exciting well-written action moments were so few and far between, I found myself far too bored to care about them in the last third of the book. I honestly ended up skimming over the last third. Just so slow and dull.
So, criticisms...
I hated the framing in the book, switching between people, newspapers and diary/journal entries etc. It meant we got repeated explanations of events and descriptions of people. It just added to the slowness and monotony of the book.
"God" and religion is laid on so thick in the last third of the book. My brain absolutely shut down every time Van Helsing spoke - constantly repeating such boring monologues. Along those lines, there is so much unnecessary sexism throughout the book! There are also hints of antisemitism, and late-Victorian psuedo sciences.
Next, the worst offender was the way that all the men are frothing at the mouth over the two women characters. Constant "poor dear Madam Mina", pet names, kissing their hands and pining over the "beauty" of dead vampires. And the women are always talking of "how amazing and brave the men are to look after me, and tell me when to go to sleep". This book was written by a man using one hand! Gross.
A major annoyance of mine, is that for a book called "Dracula", there's a disappointing lack of Dracula within. It's far, far too long a book.
So what actually happens in the book? Not a lot.
A man goes to Transylvania to meet Dracula, and gets trapped in the castle. His fiancée rescues him. Dracula comes to England and bites a woman. The woman turns into a vampire, and a group of men kill her.
Dracula bites another woman and escapes back to Transylvania when confronted. The group follows him, and kills him.
It sounds somewhat exciting, but it really isn't. I wouldn't recommend this book, I really had to force myself to get through it, especially the last third.
Graphic: Ableism, Mental illness, Misogyny, and Sexism
Moderate: Blood and Injury/Injury detail
Minor: Antisemitism
phantompansy's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.5
Graphic: Death, Gore, Blood, and Injury/Injury detail
Moderate: Forced institutionalization, Grief, and Alcohol
Minor: Child death, Gun violence, Racism, Suicidal thoughts, and Antisemitism
doriandelioncourt's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.5
Graphic: Chronic illness, Confinement, Death, Misogyny, Racial slurs, Racism, Suicidal thoughts, Terminal illness, Forced institutionalization, Xenophobia, Blood, Antisemitism, Medical content, Kidnapping, Grief, Stalking, Death of parent, Murder, Cultural appropriation, and Injury/Injury detail
decafdirtychai's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
I highly recommend Bloody FM's audio presentation, "Re: Dracula," which brings the story to life with voice actors, sound effects, content warnings, additional context provided, and a chronological timeline. I cried listening to things I had read before ("Oh, John, it was butcher work").
CONTENT WARNING that there is a graphic description of a terrifying and horrible assault about mid-way through the book. I don't often see this content warning given, and it came as a shock to me.
There is also SO MUCH medical malpractice that was standard at the time. The asylum is especially harrowing, but it is manageable.
Don't let the slow pace of the beginning of this book hold you back. The suspense builds and bursts in a wonderful bubble, it's so worth it, I promise.
Graphic: Mental illness, Racial slurs, Sexual assault, Violence, Xenophobia, Antisemitism, Religious bigotry, Medical trauma, Schizophrenia/Psychosis , and Injury/Injury detail
june_t_michael's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? No
3.0
Und ich finde, dass es ein unglaublich interessantes Experiment war. Ich habe "Dracula" in der Vergangenheit schon etliche Male gelesen, das letzte Mal allerdings ist über zehn Jahre her. Vieles habe ich vergessen. Vieles fiel mir vielleicht einfach noch nicht auf, weil ich nicht dafür sensibilisiert war oder mir nicht viel dabei dachte.
Woran ich mich überhaupt nicht mehr erinnern konnte:
- Dass im Grunde genommen die Katastrophe, die die Handlung signifikant vorantreibt, durch Sexismus verursacht wurde.
- Wie lange Lucys Verwandlung gedauert hat.
- Wie lange im Allgemeinen die ganze Lucy-Handlung gedauert hat.
- Wie unfassbar viele Ismen das Buch enthält. Mal eben dahingeworfene rassistische Vorstellungen, das Propagieren von Eugenik durch Van Helsing. Wann immer Mina gelobt wird, passiert dies in Form von "not like other girls" - seltsamen Vergleichnissen von einem männlichen Gehirn in einem weiblichen Körper (Transfeindlichkeit, anyone?) Und Gadje-Rassismus. Wenn ich nun außerdem an einen Artikel in der Jüdischen Allgemeinen über den Roman denke und mich an die Stelle erinnere, an der Dracula mit einem Beutel voller Gold durch die Gegend springt... Autsch.
Ich will nicht sagen, dass ich überhaupt keinen Spaß hatte. Das Konzept eines Romans ausschließlich aus zusammengetragenen Medien (Zeitungsartikel, Tagebücher, Briefe, Telegramme) finde ich immer noch charmant und es wäre was, das ich selbst mal ausprobieren könnte.
Die diversen englischen Dialekte, wenn auch teilweise mühsam zu lesen, fand ich interessant eingebunden und es ist ein sehr ... globalsiiertes Buch? Eine wichtige Nebenfigur ist ein Amerikaner, Van Helsing kommt extra aus Amsterdam und Sewart ist sein Schüler. Jonathan macht eine Dienstreise nach Transsilvanien, was aus England heraus zumindest gefühlt eine halbe Weltreise ist. Aber ähnlich wie in anderen Romanen aus dieser Epoche hirschen die Figuren durch die halbe Welt und das ist gefühlt sogar normaler als es für uns wäre.
Und auch sonst ist es historisch interessant, ein so altes Buch über ein so zeitlos gewordenes Thema wie "Vampirismus" zu lesen.
Aber meine Güte, ist das schlecht gealtert ^^
Graphic: Ableism, Animal cruelty, Animal death, Body shaming, Child abuse, Death, Emotional abuse, Gore, Gun violence, Mental illness, Misogyny, Panic attacks/disorders, Physical abuse, Forced institutionalization, Blood, Excrement, Medical content, Grief, Death of parent, Murder, Colonisation, and Injury/Injury detail
Moderate: Racial slurs and Racism
Minor: Rape and Antisemitism
spookfish's review against another edition
- Plot- or character-driven? A mix
- Loveable characters? Yes
- Diverse cast of characters? No
5.0
Despite its sexism by today's standards, our main two, Mina and Jonathan, are decidedly queer characters. Mina in particular fascinates me.
Time to watch many video essays haha.
Graphic: Confinement, Death, Mental illness, Violence, Forced institutionalization, Grief, Murder, and Schizophrenia/Psychosis
Moderate: Animal death, Body horror, Child death, Gore, Misogyny, Sexism, Blood, Medical content, Death of parent, Alcohol, and Injury/Injury detail
Minor: Panic attacks/disorders, Racial slurs, Suicidal thoughts, Antisemitism, Gaslighting, Colonisation, and War
om_mata's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? No
2.5
Graphic: Antisemitism
chalkletters's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? No
3.0
Dracula is very much a novel of its time: the attitudes towards women and religion and people from countries other than Britain are entirely 19th-century, as are the long speeches. Some of Bram Stoker’s long passages of description work really well as scene setting for a horror novel, but others are a little tedious if you’re reading purely for enjoyment and with 21st-century eyes.
That said, it’s not completely possible to read Dracula purely as a horror novel; there are too many things that don’t really make any sense. Why are all Dracula’s victims women, when he does away with plenty of men and has Jonathan Harker at his mercy? What, exactly, does Dracula want in coming to London? Not to mention, there are some pretty huge coincidences which stretch credulity if you’re not looking at Dracula as a metaphor for something.
The essays in the Norton Critical Edition did a good job exploring the many, many different fin-de-siècle fears that Dracula could be read to represent. These are somewhat long and dry if you’re not actually studying Dracula, but still worthwhile in the long-run. (That said, the ones relating to the various cinematic and theatrical adaptations of Dracula aren’t particularly necessary as background information on the novel.)
Bram Stoker’s characters fall into two camps: vampires (and Renfield) vs non-vampires. As there’s plenty of conflict between the two groups, it doesn’t really feel as though conflict between the non-vampires is missing, but it is a little unlikely that fully fleshed-out people would agree quite so completely about everything. Nonetheless, the characters are distinct with very little chance of muddling them up with one another, which is definitely an achievement.
Overall, it was fun to read a horror novel which really felt like a horror novel, and the Norton Critical Edition has hopefully prepared me for interesting discussions on my holiday!
Graphic: Death, Blood, Death of parent, and Murder
Moderate: Gun violence and Mental illness
Minor: Child death, Suicidal thoughts, Antisemitism, and Medical content
jordibontje's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
5.0
Moderate: Misogyny, Sexism, and Antisemitism
martin27's review against another edition
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
5.0
Graphic: Blood
Moderate: Animal death, Violence, Xenophobia, and Antisemitism
Minor: Child death