Reviews tagging 'Addiction'

If We Were Villains by M.L. Rio

483 reviews

vael's review against another edition

Go to review page

emotional mysterious fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0


Expand filter menu Content Warnings

barbaricyawp89's review against another edition

Go to review page

dark emotional mysterious sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Flaws of characters a main focus? Yes

5.0

wow. this was very good, to say the least.

i’ve seen people say that this book is basically The Secret History and, while i see the similarities, it’s obviously quite different. i really liked the Shakepeare aspects of this book, and honestly i found the characters generally likable (unlike in The Secret History, where we’re kind of meant to dislike the characters). i find it hard to finish books quickly but this one took me only around a month, meaning i really enjoyed it. 

i can’t believe this is the author’s debut novel. i’m definitely going to keep an eye out for any future work of theirs because WOW. that’s all i can really say, is just wow.

the ending really hurt me though. i kind of figured someone might’ve pinned it on Oliver, but seeing that he took the fall on purpose for James was both a very realistic action for his character and also a devastating one. i’m sincerely hoping that James is secretly still alive and that someday they would rekindle things, although i doubt it based on his overall emotional response to the situation. but boy that ending really hurt!

Expand filter menu Content Warnings

zeitfensterr's review against another edition

Go to review page

adventurous challenging dark emotional mysterious sad tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.75

DAS ENDE???? DAS FUCKING ENDE??? ich hasse offene enden, aber holy shit SJUhdshzhdhxhxhbsncucuffeahUdhshud??? Ich will einen Band 2 😔

Expand filter menu Content Warnings

mehooleygan's review against another edition

Go to review page

challenging dark emotional mysterious reflective sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0


Expand filter menu Content Warnings

readingsitaaras's review against another edition

Go to review page

dark mysterious tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? N/A
  • Flaws of characters a main focus? Yes

4.5

Picture The Secret History but with Shakespeare theatre nerds and a tragic tone and you get If We Were Villains.

This book truly had a hook in me, I could not stop reading at any point. Gasps were gasped and questions were had. The tragic and gothic setting of the book is perfect for the story and I loved how elements of Shakespeare's texts were woven into the plot. Was the constant quoting of his plays a little annoying after a certain point? Yes. But it had its uses and reading between the lines quoted was an additional intrigue.

Importantly, this is a character-focused book that really tries to examine each member of the cast. We see their struggles and what leads to the tragic downfall of each and every one of them. The characters are what carry this book when the plot weakens here and there. That being said, I do think that Wren, and maybe even Richard, could have used more development. For much of the time, Wren is kind of just there. Grieving and guilty, but not entirely involved. Maybe I'm underestimating her, but on a first read that's simply how she came off. Richard was a fairly substantial character but I would've liked just a little bit more exploration in why he is the way he is in their fourth year. Maybe there was some foreshadowing I missed but it felt really sudden to me.

The frame narrative of the story being told through Oliver and Detective Colborne's conversation was interesting and the ending itself, though devastating, was well done. I swear
James is still alive and no one can tell me otherwise because that would be too sad
.

Overall, I think if you enjoyed the tone and mystery of The Secret History, you might like If We Were Villains. It has a sufficiently dramatic and tense mood that fully envelops you into this little secluded world of a small group of characters. Finishing the book is like coming up for water when you didn't even realize you were underwater to begin with. Definitely a book that I'll come back to for a re-read.

Expand filter menu Content Warnings

jaimc's review against another edition

Go to review page

dark emotional reflective sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.5


Expand filter menu Content Warnings

iane_reads's review against another edition

Go to review page

dark emotional funny mysterious sad tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

4.5


Expand filter menu Content Warnings

lefthandlou's review against another edition

Go to review page

dark mysterious tense fast-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

2.0

I wanted to like this book, I was so hopeful from the book description that it would be just my thing, but no. I hated it. It tried to be a Shakespearean Secret History and failed at both. None of the characters felt like real people, their motivations were ridiculous, and they were all selfish, narcissistic, self-obsessed assholes. Asshole characters are fine, I don’t have to like the characters to like the story, but the plot also just didn’t do anything for me. I think this is another book that could have been good, I liked the premise a lot and love an academic setting, but ultimately it just fell short for me. 

Also, even though the author is a woman, the depiction of Meredith in particular felt extremely misogynistic to me. All the women characters felt underdeveloped compared to the men, and the women only really exist to bolster the male drama. They rarely interact with each other, and when they do they treat each other badly. They are just unfleshed out tropes. And maybe that’s the point somehow, they each fill a typical Shakespearean female archetype, but if so it was very badly done. Wouldn’t pass the bechdel test, that’s for sure. 

Station Eleven did what this was trying to do with Shakespeare much, much better. 

Expand filter menu Content Warnings

monkitty's review against another edition

Go to review page

dark emotional mysterious reflective tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0

Solo estábamos nosotros: nosotros siete y los árboles y el lago y la luna y, por supuesto, Shakespeare. Él vivía con nosotros como un octavo compañero de piso, un amigo más viejo y sabio, perpetuamente fuera de vista, pero siempre presente en nuestra mente, como si acabara de salir de la habitación. «Poderosa es la fuerza de la poesía celestial».

Expand filter menu Content Warnings

augustrogue's review against another edition

Go to review page

dark emotional mysterious reflective sad tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

1.0

I was so hyped for this book and truly wanted to love it - unfortunately, while it had a few fleeting moments of some very lovely prose, it ended up feeling like a bit of a pretentious mess. Multiple, long scenes that were basically play-by-plays of Shakespearean stage productions. Inexplicable switches into script-style dialogue that disrupts the flow terribly: (not from the book, just an example)

Meredith: "Where did Alexander go?" 
Me: "I don’t know." 
Wren: "I'm worried about him." 

...and then switches back just as abruptly, like it forgot it wasn't a screenplay for a second. Scenes that end abruptly for poetic/dramatic effect and then don't adequately explain what happened next. And I wanted a lot *more* of a relationship dynamic that was only lightly explored in the last 10% or so of the book.

The thing is, I actually *like* Shakespeare, quite a bit. The course I took on his plays was one of my favorites in university, and I still have a Complete Works anthology on my bookshelf. But I don't know, this book just made me roll my eyes a lot. At least the author acknowledges that the characters talking to each other in rapid-fire Shakespeare quotes about mundane things like they're ye olde Gilmore Girls (my own analogy, not hers) *is* super pretentious, in her ending notes. This book is for someone, maybe, but for the most part, it's not for me.

Expand filter menu Content Warnings