Reviews
We Don't Go Back: A Watcher's Guide to Folk Horror by Monique Lacoste, Simeon Smith, Jon Dear
mike_brough's review against another edition
5.0
I'd read all of these on the author's website over the past few years, Room 207 Press, but I couldn't pass up the chance to read them all again, one after the other.
This is the authoritative guide to folk/pagan horror on the screen and I can't see it being surpassed.
This is the authoritative guide to folk/pagan horror on the screen and I can't see it being surpassed.
isayhourwrong's review against another edition
funny
informative
medium-paced
4.25
This has just convinced me I can say anything is folk horror and connect the dots
thebechdelbitch's review against another edition
2.5
Basically functions as a really good list of folk horror stuff to watch - just don't expect any level of useful criticism within the essays/chapters themselves. Kinda disappointing.
benmonroe's review against another edition
5.0
Great book! I didn't realize "Folk Horror" was a thing until a few years ago, but have long been a fan of these types of movies (The Wicker Man, the Witch, Witchfinder General, etc.). I'd been exploring the genre more over the past few years, and this book will be a great help in tracking down the films and shows. Prioritizing the gems, and avoiding the duds.
Ingham's writing style is clear and conversational, and he knows his stuff. I appreciate how he's presenting the articles about each subject not as in depth reviews, but more his own opinions, and discussion about how the films affected him. Art is subjective, and my tastes may not intersect with his all the time, but more often than not I'm finding the book a great reference.
Looking forward to checking out some of the films in the book which I've not seen, and revisiting old favorites with a fresh perspective.
Ingham's writing style is clear and conversational, and he knows his stuff. I appreciate how he's presenting the articles about each subject not as in depth reviews, but more his own opinions, and discussion about how the films affected him. Art is subjective, and my tastes may not intersect with his all the time, but more often than not I'm finding the book a great reference.
Looking forward to checking out some of the films in the book which I've not seen, and revisiting old favorites with a fresh perspective.
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