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shutupsylvia's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.5
Graphic: Confinement, Suicidal thoughts, Kidnapping, and Gaslighting
kieraniscool's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.75
Graphic: Death, Mental illness, Physical abuse, Violence, Kidnapping, Stalking, and Gaslighting
yvo_about_books's review against another edition
2.0
"We all want things we can't have. Being a decent human being is accepting that."
WARNING: unpopular opinion ahead!!
I've had my eyes on The Collector for quite some time now as a possible title for the Reading Through The Centuries challenge. I'm trying to get in as many challenges as possible early this year, so I decided to finally pick up The Collector and see what I would make of this classic. My first impression was without doubt a positive one, and I absolutely loved my time with Frederick's POV. He is such a fascinating (and tragic) character, and his emotional state and reactions really take the story to the next level. I fully expected this book to be a new favorite... Up until the POV suddenly switches to Miranda's diary. Suddenly, things went downhill FAST. Miranda is such a despicable, self-centered and snobbish character, and I absolutely hated having the spend time inside her head. I couldn't bring myself to feel not even the tiniest bit sorry for her, and to make things worse her diary entries are mainly not even focused on her time trapped, but are instead ramblings about her 'superior' world views and life as well as her 'special' relationship with G.P. I started to despise her more and more with each page, and I kept wishing Frederick would just kill her already so that I could avoid more suffering. What a way to completely ruin the first fantastic 40% of the story... I confess that I only made it to the end because I started skimreading and skipping all the bits where Miranda talked about G.P. or her life outside. The ending was a major anticlimax as well, although by then I was already feeling hugely disappointed with this book in the first place.
Graphic: Confinement, Death, Emotional abuse, Misogyny, Sexual assault, Suicidal thoughts, Toxic relationship, Violence, Kidnapping, Stalking, and Gaslighting
niamphoone's review
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.75
Graphic: Confinement, Emotional abuse, Gore, Mental illness, Misogyny, Physical abuse, Rape, Sexual assault, Sexual content, Sexual violence, Suicidal thoughts, Toxic relationship, Violence, Forced institutionalization, Kidnapping, Grief, Stalking, Schizophrenia/Psychosis , Gaslighting, Sexual harassment, Injury/Injury detail, and Classism
thesawyerbean's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.25
The highlight of this novel for me was the dual perspectives - we begin with Fred’s point of view: his planning, experiences and emotions throughout the process of obsession, abduction and ‘possession’ of Miranda. It was an exciting spin on the Lolita-esque unreliable and morally-reprehensible narrator: the perception of events we had just read obliterated by the diary entries of the victim Miranda herself.
The stream of consciousness from Miranda, elucidating the thoughts and emotions behind her responses to her captivity interweaved with the context surrounding her life and romantic past, disintegrates the grotesquely endearing account by Fred in the previous part. It solidifies his evil firmly for the reader, emphasised further in the conclusion of the novel.
Despite this, it wasn’t all that enjoyable a read. Miranda’s diary entries were very convoluted, with constant switching between her memories and present day events, laced with political and class discourse. The discourse itself refers to the problematic aspects of gaining wealth, the apparent degradation of the ‘soul’ as a result, the class warfare between old and new money, the dilution of art, etc. etc.. Miranda is the classic rich artsy girl, Fred is the insidious ‘new money’. Fascinating, I suppose, but written in a way that wasn’t in fact fascinating. Especially when it was coming from the mouth of an absolutely heinous ‘love’ interest from her past.
The entire book was also riddled with weird grammar errors which interrupted the flow completely because I had to reread to confirm that I had no idea what was just said.
Overall this was an average read - it was not what I was expecting necessarily when I picked it up, but the architecture of the storytelling and the discourse I think warrant a read if you are so inclined.
Graphic: Confinement, Death, Domestic abuse, Eating disorder, Misogyny, Physical abuse, Sexual content, Terminal illness, Toxic relationship, Violence, Vomit, Kidnapping, Stalking, and Gaslighting
Minor: Rape
billiesgotbooks's review
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.75
Graphic: Confinement, Death, Emotional abuse, Kidnapping, Stalking, and Gaslighting
Moderate: Misogyny, Physical abuse, Sexism, Sexual assault, Suicidal thoughts, Terminal illness, Toxic relationship, Violence, and Vomit
Minor: Racism and Injury/Injury detail