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rmnedder's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
Unfortunately, this book ultimately felt way too busy. There is so much going on at all times, there are so many plot threads to follow, there are so many tertiary characters - it feels stuffed to the point of bursting and it ultimately left me feeling overwhelmed. There were so many fantastic concepts and ideas in here that could have been compelling as their own story, but since they were woven in and out of this story I felt like they were less impactful than they could have been. Honestly, this book could have been about 20% shorter without all the fluff and filler in the plot and dialogue, and it would have been better for it.
Also, all the random semi-irrelevant political tangents in here were weird. I'm a firm believer that a lot of good horror is inherently political, but this didn't feel inherent - it felt like the author was Attempting to insert politics into this book in a way that was both inelegant and ineffectual, since like 95% of it was not relevant to any plot or true character development.
Overall, not a bad book! It's got some good bones and some brilliant moments, but it kinda manages to get in its own way sometimes.
Graphic: Child abuse, Death, Domestic abuse, Gun violence, Violence, Death of parent, Murder, and Injury/Injury detail
Moderate: Addiction, Body horror, Child death, Drug abuse, Emotional abuse, Physical abuse, Suicide, and Blood
Minor: Alcoholism, Animal death, Vomit, Cannibalism, and Alcohol
literatureleaf's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
Difficulty level: 2.5/5
Rating: 3/5
Nathan, a devoted father and workworn city cop, Maddie, a passionate artist and doting mother, and Oliver, their big-hearted, if somewhat unusual, teenage son appear to be a normal, loving family. Yet, underneath this picturesque exterior, secrets lurk. Nathan is holding back the abuse he experienced at the hands of his father, Maddie is desperately seeking answers for the gaps in her childhood memories, and Oliver may just be a little more different than his parents bargained for.
When Nathan’s father dies and leaves his childhood house to him in the will, he moves his family to his hometown. As they settle in, Nathan sees things that aren’t there, Maddie loses chunks of time, and Oliver finds an unlikely friend in a neighborhood boy who appears to have secrets of his own. As the strange occurrences pile up, Nathan and Maddie realize that sinister forces are working against their family, and the key to stopping it may just lie in the truths that they’ve spent their lives running from.
Like a Russian nesting doll, The Book of Accidents unveils the grander horror through interconnected bits and pieces that slowly come together to form the bigger picture. Invoking intense dread and unease in the reader as the sense that something is very wrong becomes clearer, you will be screaming at the characters, hoping against all hope to warn them that something bad is coming.
A tour-de-force in in the utilization of horror as a vehicle for exploring grief, generational trauma, and interfamilial relationships, The Book of Accidents doesn’t hold back from examining the gritty, uncomfortable details surrounding the seedy underbelly of domestic life that humanity shies away from. Shining a spotlight on the darkest corners of love, empathy, and family, Wendig excels at reminding the reader that the world is far from a peaceful place, even in your own backyard.
Despite the emotional magnitude that lingers amongst the pages, the character depth that is needed for a book of this caliber to feel complete is missing. The cast feels too similar to one another in all the ways that matter, and the everyday family dynamics are stilted and unnatural, lending to the feeling of never quite being able to forget that you’re reading a story about fictional people and are not actively enmeshed in the horrors that they’re going through.
Wendig’s talent shines through in his plot and pacing, but he suffers from a lack of direction. At times he zeroes in on vivid imagery, beautiful scenery, and the intensity of the emotions his characters are experiencing, which paints an intricate, palpable picture. However, there are other instances where he attempts to use humor or pop culture references as comic relief, which falls flat, creating the impression that he is undercutting his own writing and cheapening the story.
An intense probe into how our childhoods impact who we grow into, and how that affects our own children, and then their children later down the line, The Book of Accidents serves as a stark reminder that we are not what happened to us, but rather who we choose to become. Lingering long after the final page is closed, this book shows us that, through empathy, healing, and love, we have the power to overcome our trauma and be better than those who came before us
Graphic: Alcoholism, Bullying, Child abuse, Death, Domestic abuse, Emotional abuse, Gore, Physical abuse, Violence, Blood, Murder, Alcohol, and Injury/Injury detail
Moderate: Cursing, Emotional abuse, Death of parent, and Toxic friendship
Minor: Addiction, Body horror, Suicide, Mass/school shootings, and Suicide attempt
aparker89's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.5
Graphic: Addiction, Body horror, Bullying, Cancer, Child abuse, Child death, Chronic illness, Confinement, Cursing, Death, Domestic abuse, Drug abuse, Drug use, Emotional abuse, Gore, Gun violence, Mental illness, Panic attacks/disorders, Physical abuse, Racial slurs, Racism, Rape, Self harm, Sexual assault, Sexual content, Suicidal thoughts, Suicide, Terminal illness, Torture, Toxic relationship, Violence, Forced institutionalization, Blood, Excrement, Vomit, Police brutality, Dementia, Kidnapping, Grief, Mass/school shootings, Stalking, Car accident, Suicide attempt, Death of parent, Murder, Schizophrenia/Psychosis , Pregnancy, Fire/Fire injury, Gaslighting, Toxic friendship, Alcohol, Injury/Injury detail, and Classism
iamastraythought's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.25
I was afraid of this book going in to it, I hadn't read anything this daunting in a long time, closest I got was Hell Bent, and just the sheer size of it had me wary.
I'm glad I pushed through that fear. This book was spectacular. It reminded me a bit of the show Dark, a bit of Interstellar, and a tiny bit of It. I usually don't go for tales of apocalypse, but this was different, was unique in a way that kept me on my toes. I almost saw what was coming, but couldn't quite guess, and that, too, kept me intrigued.
Graphic: Body horror, Bullying, Child abuse, Child death, Cursing, Death, Physical abuse, Blood, Mass/school shootings, Murder, Gaslighting, Toxic friendship, and Injury/Injury detail
Moderate: Animal death, Cancer, Child death, Domestic abuse, Gore, Gun violence, Panic attacks/disorders, Terminal illness, Torture, Excrement, Grief, Car accident, Death of parent, Alcohol, and Pandemic/Epidemic
maryellen's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Graphic: Alcoholism, Body horror, Bullying, Child abuse, Child death, Confinement, Cursing, Death, Domestic abuse, Emotional abuse, Gore, Gun violence, Physical abuse, Torture, Violence, Blood, Kidnapping, Grief, Car accident, Death of parent, Murder, Pregnancy, Alcohol, and Injury/Injury detail
Moderate: Sexual content
jaedia's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
2.5
Still, there were some great moments and Chuck is definitely a great writer. If you go into this one, just drop any expectations you have.
Graphic: Addiction, Animal death, Bullying, Cancer, Child abuse, Cursing, Domestic abuse, Emotional abuse, Gore, Mental illness, Blood, Kidnapping, Suicide attempt, Death of parent, Murder, Gaslighting, Toxic friendship, Alcohol, and Injury/Injury detail
Moderate: Alcoholism, Child death, Death, Domestic abuse, Drug use, Physical abuse, Sexual content, Torture, Medical content, Dementia, Kidnapping, Grief, Mass/school shootings, Car accident, and Pregnancy
annemariemulksibb's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
Graphic: Child abuse, Death, Emotional abuse, Blood, Murder, and Alcohol
Minor: Suicide, Vomit, and Mass/school shootings
fireblossoms19's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.75
Moderate: Animal death, Bullying, Gore, Panic attacks/disorders, Physical abuse, Violence, and Blood
Minor: Addiction, Alcoholism, and Alcohol
spookshow's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.5
I had been seeing this book across bookstagram a lot, so I guess you could say that it was a bookstagram-made-me-buy-it book. I was super keen to get into it as I've been on a huge horror kick the last twelve odd months, and this one stood out and sounded so different to anything else I'd read. While this wasn't the book that I had hoped that it would be, it didn't disappoint me as such, it just turned out so totally different to what I was expecting and I'm still trying to work out how I feel about it. This ended up being more of a slow build cosmic horror, which isn't a bad thing by any means, I was just expecting something totally different. So I think my feeling of being slightly let down, is definitely a case of - it was me, not the book. I try not to put expectations on books before I read them because I've learned over the years that this can tend to lead to disappointment or feeling slightly let down when something doesn't turn out the way that I had envisioned in my head from the cover and blurb. Let's be honest thought, it's hard to NOT have a preconceived notion on what a book is going to be.
The story is told through mostly three alternating POVs, there are a couple of other's thrown in there throughout the book, but the three main points of view that we read through are Nath, Maddie and Oliver. The book opened on a pretty electrifying scene (pardon the pun, it was totally intended), and I was pretty intrigued by the first character that we meet. I enjoyed the characters of Oliver and Nathan the most. Nathan who is trying his hardest to not turn into the man who terrorised him his whole life, and trying to deal with that ingrained trauma to the point that he probably overanalyses pretty much every action or word that he has with his son. You can see right from the start that he is a genuine guy who managed to break the cycle. Oliver, oh Oliver, this boy was like a sweet beacon of shining light. He feels things too much, he feels EVERYTHING too much. His empathic abilities are off the charts and I couldn't even imagine feeling what he does on the daily. He just wants quite and he wants peace and kindness and I loved seeing that in such a young character. As the story progresses, with everything that happens to him and that he goes through, he never once has malicious or nefarious thoughts towards those who hurt him, he's forever wondering if there's a way that he could fix THEIR pain so that they wouldn't choose to hurt others. He came across as such a selfless character and I loved that about him. Maddie, I liked her enough, but for a huge chunk of the book she just annoyed me mostly. Yes she has trauma and yes she's trying to remember things that she knows are connected to what they're experiencing in present day, but she came across as so self centered to me, until probably the last 150 odd pages, I ended up liking her more by the end, so she did have a lot of redeeming qualities. One thing that bugged me a bit, and still kinda bugs me, is we meet a character pretty early on in the story, I was expecting this character to have a pretty pivotal role in the plot as a whole, but...they just didn't? Not in my opinion anyway. They sort of disappeared and briefly would pop in, but we mostly didn't see them again until the last part of the book and I'm still not overly sure of the point of their existence in the story. Yeah I get the overall thing with the big bad and that it wasn't just going to one person, but this character still seemed rather pointless to me, they just helped drive a part of another plot device. That's probably another "it's me not the book" things though. One thing I absolutely loved was when we meet an alternate version of a character, and my heart just swelled with how this person interacted with another character. I'm trying to be as vague as possible because I don't want to give to much away, but I feel like I'm just speaking nonsense.
The story itself was a twist and sometimes confusing one. There were a lot of strings in this story, and while, yeah, they did all kind of intertwine and have a point, there was a LOT going on. So at times I felt like I was just sitting in a giant pile of strings that were all twisted up and I couldn't find the end or the beginning and it was just a giant mess. Things did straighten out as the story progressed, as they normally do, but for a while there, it felt like a whole lot of nothing was kind of happening. Everything made sense in the end, and yes, everything had a purpose, but there is a lot of set up that is happening in this story, so be prepared for that. The pacing did fall flat for me a fair bit, which is why it took me so long to finish it I think. That and life. I was interested in the characters and where they were heading, it was just a slower paced novel than what I had anticipated it being. Again, not inherently a bad thing, just not what I was after I guess.
All in all, this was a horror novel that really stands out because it IS different to pretty much everything else I've read. And when you read as much as I do, that is refreshing. Wendig is great at writing and creating characters that you can really get behind and that you really hope will make it through the story unscathed as much as possible. I couldn't even begin to imagine how this story came to fruition as it's so complex and there is so much happening in it that I have no idea how Wendig was able to keep everything straight and tie it all up at the end in a way that was satisfying. If you're looking for a horror novel that has more than just the stereotypical cookie cutter characters, characters with flaws and depth and trauma, and a story that is just so different to most others, give this one a go. Don't let the page count or the slow pace put you off, stick with it, it really is a rewarding novel and honestly, I'm still thinking about it a month after finishing it.
Graphic: Animal death, Child death, Death, Gore, and Violence
Moderate: Child abuse, Domestic abuse, and Alcohol
midnightgremlin's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Graphic: Emotional abuse, Physical abuse, Violence, Vomit, Murder, Toxic friendship, and Alcohol
Minor: Infidelity