Reviews tagging 'Gun violence'

Meddling Kids by Edgar Cantero

16 reviews

monarchbooks's review against another edition

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adventurous dark mysterious medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0

I don't know what I was expecting going into this book but it was not what I got. Every page shocked me. A bit wordy and heavy on metaphors. Unexpected queer rep. 

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erinreadstoomuch's review

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adventurous dark funny mysterious medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

5.0

Everything I wanted and didn’t know I wanted from “the gang” in a more realistic setting (kind of but not really?) seeing a diverse set of characters with real life problems, genuine hijinks, this was a fuckin delight to read 

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professor_dinosaur's review

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adventurous funny mysterious fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

2.5

I enjoyed myself, which I think is the single most important element of a book like this. It has a heart, and I think fans of Scooby-Doo who can stomach a lot of cheese will enjoy themselves too. 

The biggest nick to my enjoyment was the stiffness of the characters. Though distinct and fun, they struggle to feel round in the way the narrative seems to ask of them, more “caricature” than “character.” I think the source material does a lot of leg work for this book. Without having the background knowledge of the Scooby-Doo cast, much of the characterization is fairly flat (ex. the term “jock” had considerable economy). Many of the interpersonal conflict feels stilted as a result, subservient to the action-plot. The prose can be very clever at times, and then too clever, almost like a charming but metaphor-bloated college essay. Action scenes got increasingly hard to follow, not impossible to understand but maybe too nitty-gritty-detail-heavy. 

I know it’s a toss-up, but I found the switch between prose and the “play” style nice. I can see its utility - what would the author really do in between these snappy scenes anyways, write dialogue tags? When it came to the more self-aware parts of this fourth-wall-flirtation, I was skeptical. Especially references to “the camera” and whatnot. Really just felt out of place - there’s no cameras in Scooby-Doo. 

Maybe I wasn’t the target demographic, but I felt the Big Bad was trite. The book can’t help this, if you are going to write “Children’s Property Meets Lovecraft,” you need Lovecraft there. It’s difficult to make that fresh, I respect that. The accomplice to the Big Bad, now she was fun (albeit again corny, but who really minds a corny villain?). She did a lot for the story, but she’s not in the story much. Oh, and “le epic twist” regarding her is not very rewarding. In fact, most of the “le epic twists” aren’t. A reader has scant opportunity to suspect that we were even meant to be looking for a deception. Y’know, like clues… like in Scooby-Doo. I found myself saying things more like “okay, sure, that’s plausible” than the much better “ah, I should’ve known!” Is this meant to be in the fashion of actual Scooby-Doo villains? Maybe. That’s where I give those elements a little leniency.

The whole “Scooby-Doo for adults” pitch was dicey with me the second Andy kicked those guys in the nuts. I never felt like the book treated its more serious “adult” themes with disrespect, but there were times (ex. Arkham Asylum, just about anything involving Peter) where the cartoon-ifying of adult (and traumatic) experiences gave me tonal vertigo. Maybe I can compare it to an Adult Swim program. This is where the prose did the book a disservice. It’s a difficult tightrope to walk, when you put “edgy” (read: adult) material into an otherwise playful book it can be hard not to fall back on “edgy” (read: angsty) prose. I think this issue is a symptom of the quirky prose and overwhelming identity of the book (Scooby-Doo x Lovecraft, you won’t forget this for a single page), and not one that spoiled the book for me. For the record, the scene where Andy kicked those guys in the nuts felt sort of like a Reddit comment, if that makes sense.
I feel like Andy uses Reddit. That’s all.

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tak_everlasting's review

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funny mysterious tense slow-paced
  • Plot- or character-driven? Plot
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

2.25

I liked the ambition with the mixed writing styles, but it didn't ulimately serve a purpose or add to the story. Also, this author clearly thinks that he is not writing women in a way that objectifies them- he totally is.  The way they described themselves was iffy, but the way they described each other was worse. Especially the
romance between Kerri and Andy.


The story itself was fun, although it was very much a play through of action movie tropes, which was then pointed out in numerous 4th wall breaks. The plot carried the characters, rather than the other way around.

The characters were functional, but their dynamic didn't feel complex enough to have been actual childhood friends. Also Peter, the dead guy, tends to be really slimey toward his supposed friends.
This is somewhat weakly explained because we learn later that he isn't the real Peter. A twist dampened by the fact that Nate suspected that from the beginning, and never tells the rest of the team that he is seeing their dead 5th member.
 

Overall the writing felt underedited. The conclusion felt unfinished, especially with a lot of the stuff around Peter remaining unclear
when did he start betraying them? was the "ghost" even part of him, or was it all manifested by the villain?


The strongest scene in the book is when they have to explain to their mentor figure that Peter died.
which is unfortunate, because the mentor also dies and we feel nothing from them- either in the moment, or processing it after. the same goes for learning that their dead childhood friend had his corpse stolen and reanimated, with the express purpose of luring them to the lake and murdering them. is it just me? or should your characters have some complex and messy feelings about that?

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preciouslittleingenue's review

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adventurous dark funny reflective tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

4.5

Oh this was just so FUN!

It's totally not something I'd pick up on my own. The presence of tentacles on the front cover, making it a "monster book" would have immediately put me off it if it wasn't a rec from a friend. And let me tell you, I am so glad they did recommend it.

The start is STRONG and throws you right into it without mincing words. It's almost like you've been thrown a pile of newspaper clippings and have to piece it together as the narrative unfolds and then watch it all fall into place. Loved that. At first this stylistic choice made me feel very removed from the characters, but this didn't last long at all. I was DOWN BAD for Kerri and Andy. Right from the beginning where Andy has that incredible passage personifying Kerri's hair...I knew I would go down with this ship. I, myself, have been head over heels for far too many curly redheaded femmes. Nate was not *unloveable*, but he just didn't shine like the girls did. But that's okay. It's about time the sapphics outshone the men in a novel, especially one written by a man!

The mystery had me guessing! And I wasn't right at first! It definitely ended up being more whacky and goofy than anticipated, but when the book is a direct reference to Scooby Doo and there's a literal Zoinx river...I didn't care too much haha.

So many of Andy's one-liners had me rolling on the floor. I bookmarked them in the audiobook but it returned. Will add later. The group banter was excellent. The METAPHORS had me laughing. The way he described a thought being stopped from coming out of Andy's mouth like a person being stopped by a burly bouncer...WHO COMES UP WITH THAT! It's brilliant and so funny.

The hurt/comfort bed sharing scene???? I WAS ON MY KNEES!

Thoughts on certain aspect of twist ending:

Important to note: Lindsay Ellis has a great video unpacking this topic, but the twist ending DOES contribute to the harmful stereotype that all trans women are just evil men dressed as women, who dress as women for the express purpose of doing said evil. Of course I don't think that was the author's intention, but in the world we live in, we need to at least acknowledge that these tropes can still find their way into media, however innocent and dormant they seem.


Other than that! The twists were GREAT. Only saw them coming like a page ahead of when they actually came. And the VERY LAST ONE AT THE END. I WAS GIGGLING LIKE CRAZY. WHAT A WAY TO END.
I should have known that the SCOOBY DOO BOOK would have a talking dog.
This is what I'm talking about. A level of unhinged I would never usually go for but I'm so glad I did. Amazing. So close to perfect.

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thechocolatefinger's review against another edition

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adventurous mysterious slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

1.25

It was written like a sequel to Scooby Doo and clearly inspired by it:
Peter = Fred (leader)
Kerri = Daphne (popular) + Velma (smart)
Nate = Shaggy (on drugs and vaguely mentally ill)
Tim = Scooby Doo (dog)
Andy was just a tomboy and didn’t reflect any of the characters tbh

The writing style was like half normal speech and then written like a script sometimes. It was inconsistent and annoying. There was some breaking-the-4th-wall metaphors and descriptions which were funny though 

Overall it was bad and it was so clearly man writing lesbian relationship 
The trans character wasn’t even trans unless it was so transphobic that the writer thinks trans people choose to be trans
it was a
Ace Ventura film
vibe of transphobia

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hauntedboi's review

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adventurous dark funny lighthearted mysterious tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0


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ash_ton's review against another edition

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adventurous dark funny mysterious tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.0

Okay so. Originally I had given this book 4 stars but after thinking about it, I lowered it to 3. I couldn't get past a lot of things no matter how much I liked the actual story.

First, though, no matter how much I complain, I did like the book. I like the concept of the 
talismans
even though I know that isn't a novel (haha) idea. I was still shocked and wasn't expecting 
the kids to be part of the ritual.
I also wasn't expecting 
Dunia Deboen to be involved, nor was I expecting her to be Damian Deboen.
Maybe in hindsight it should have been obvious but *shrugs*. So, despite the things I'm about to complain about, I did like the book because the story itself was good, in my opinion.

These are things I know others have talked about, so I'm just going to be another voice agreeing with them. The random insertion of the script format throughout the book wa sso jarring and unecessary. It did nothing for the storyline. If all the dialogue would have been in script format, sure. But that would've sucked and I would have hated it lol. In the same vein, I hated the amount of ridiculous "big" words added that seemingly were only there to beef up the sentences. Also, the made up words as well. Myriaphonic, as far as I can tell from googling, is not a real word. After some clicks, I found out a miraphone is a type of tuba, so maybe that's what he was going for? But like, bud. Pick something else.
The one random 4th wall break 75% into the book was also super jarring and unnecessary to me. If you're going to break the 4th wall, only doing it once isn't gonna cut it. Is the book self-aware or not?
My one last small gripe is how 
Dunia/Damian spoke at the end. Like he was trying to be old but hip at the same time. No one, not even a 200 year old dude, is gonna talk that cringy and weird.
 

One last thing. I'm confused about the ending. I get that Tim is Sean's great-grandson. Fine. Makes sense. But 
the spirit inhabiting Tim says he's been possessing all the dogs and that it got easier when Kerri was at college? And then the spirit makes Tim smile "bittersweetly" and says "It's all been done before." Bro wtf does that mean.
Idk if I'm just stupid, but I don't understand. I don't see anyone else mentioning that part.

Bottom line: I liked the book/story, I just mostly hated some of the writing style. Usually, I can get over that and in this case I did. I'd still recommend it, especially if you like Scooby Doo and/or retellings.

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connorjdaley's review against another edition

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adventurous dark mysterious tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.5

My fiancé has always been huge into Scooby-Doo, so I had ordered this for her and she really liked it. This Spooky Season I decided to give it a listen instead of a read, and it was a good one. 

For all intents and purposes, this is an adult Scooby-Doo reimagining. There’s some great Easter eggs, references, and alterations. But I particularly liked that the author changed the characterizations of the meddling kids. Although I did find some of it, like the romance aspect, to feel incredibly forced and weird. Still enjoyed the overall changes though. 

13 years after the final case for the Blyton Summer Detective Club, Andy decides it’s time to figure out what went wrong and get the band back together. They are all messed up, and at first I just thought it was going to be a dark story about their combined ptsd, but the story really deviated in at least a somewhat satisfying way. What if they weren’t just meddling kids? What if not every crime had a guy in a mask at the end of it? That’s what this story seeks to show. 

My only real gripe for this one is that the climax builds and builds and builds, and then I personally felt like it fell flat. It actually comes to a close so suddenly that I thought I missed it and re-listened to a full half an hour…I hadn’t missed it, it’s just in actuality, not really there anyway. Regardless though I did really enjoy the rest of the stuff that goes us there. 

Personally a 3.5/5* for me, I wish there had been Scooby snacks…

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daffodilcherry's review

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adventurous dark emotional funny hopeful mysterious tense fast-paced
  • Plot- or character-driven? Plot
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0


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