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sal_the_cat's review against another edition
1.0
Graphic: Child abuse, Confinement, Forced institutionalization, Fire/Fire injury, and Cultural appropriation
kiki_kyns's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.0
Moderate: Xenophobia and Cultural appropriation
Minor: Child abuse
kay_chan's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
I really wanted to give the story a 4.25 because of how much I connected with the characters and thoroughly enjoyed the narration, but there are a few things that need further development in the world building itself to push it over the four-star range. More about the magical system itself and how it integrates with Society, especially if this is an alternate Society where this is supposed to be magical realism.
Moderate: Cultural appropriation
Minor: Panic attacks/disorders, Forced institutionalization, and Xenophobia
veronyqueso's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
Moderate: Animal cruelty, Bullying, Child abuse, Cultural appropriation, and Abandonment
weepy_iskwew's review against another edition
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.5
- Linus is sweet, but ultimately the most boring character to explore the world through. Everything happens to him, and he does very little until the very end. He begins with certain beliefs and standards, but they are so comically ‘bad’ and he lets go of them so quickly it’s a wonder he hadn’t gone through this journey already. He’s kind of a nothing character to me which is unfortunate.
- Also, Linus succeeds in the face of this supposedly crazy oppressive government department; which is a great success for the story but felt a little too easily resolved for my preference. Also, the resolution of the confrontation with the villagers felt a little unrealistic to me.
- Linus (and a few others) hold problematic beliefs due to ignorance and once the ignorance bubble is ‘popped’ through exposure, the problematic beliefs and behaviors can and should be forgiven. Honestly, this is a perspective that many of my Elders would agree with and teach themselves. But, the radical side of me wants to say that ignorance is a choice, and not an excuse despite the forces that might be in place to keep you there. Someday, I’ll be as gracious as my Elders are lol.
- Ultimately, there is no deeper analysis of the system and how it results in the children having no family or community to care for them. There are brief mentions of a deeper history, like boarding schools, and some of the individual stories of the children and how they came to this orphanage. However, it seemed like all the children were in care because of legitimate reasons (aka their parents were dead or presumed dead; to be fair some related to mistreatment by the non-magical government). However, the reasons why children were brought into care during the 60s scoop were much more nuanced, and a direct result of residential schools, racist policies, and systemic discrimination resulting in systemic poverty.
Ultimately, I think in favour of whimsy, and ‘feel-good’ story, Klune left out many of the deeper, more meaningful, and challenging parts of the history that he was inspired by. Which is a choice that an author is allowed to make, and one that some may like. But not really one that makes me excited.
That being said, I do wonder if some of this deeper story could be explored in the sequel. I’d reread this story, and I’ll be adding the sequel to my wishlist. However, I wasn’t so charmed by the whimsy or so convinced that this author has something significant to say that I’ll be rushing out to get it on release.
Moderate: Racism, Violence, and Cultural appropriation
fred___'s review against another edition
- Plot- or character-driven? N/A
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? No
Graphic: Child abuse, Racism, Forced institutionalization, Trafficking, Cultural appropriation, Gaslighting, Abandonment, Colonisation, and Classism
anchik's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Moderate: Child abuse, Forced institutionalization, Xenophobia, and Cultural appropriation
chelle22's review
5.0
Graphic: Animal cruelty, Animal death, Body shaming, Bullying, Child abuse, Confinement, Cursing, Death, Emotional abuse, Blood, Kidnapping, Death of parent, Murder, Cultural appropriation, and Abandonment
lilacs_book_bower's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
HOWEVER, there are some controversies about this book, as Klune was at least partially inspired by residential schools, where Indigenous children were taken from their families and placed in to orphanages, treated brutally (some even killed) to try to assimilate them into white society and culture. There are also some excellent points to be made about trauma and children in foster care systems, and whether or not that is accurately reflected here in the book. As I have no experience with the foster care system, and I am not an Indigenous Person, or even a person of color, I do not want to make a judgement call on this, nor do I feel able to. I have seen comments on both sides about these issues. What is clear is that Klune is using the magical children as an allegory to show the oppression of a marginalized group by society, culture, and the government. I think we can all appreciate the attempt. But how people feel going from there is really going to be up to each person and their individual lives and experiences. The story and the characters are sweet and soothing, but there is still a lot I feel uncertain about. I did not want to ignore the issues that many other readers have addressed much better than I have.
Graphic: Bullying, Confinement, Forced institutionalization, Cultural appropriation, and Abandonment
Minor: Body shaming, Death, Emotional abuse, Hate crime, Torture, Violence, and Grief
onyxisalive's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
However, there is quite a controversy surrounding this book due to the author using the sixties scoop in Canda as source material. It complicates things quite a lot as it brings up the question of if it was this authors story to tell.
Although I don’t believe it was the authors intention it can come across like he is comparing indigenous people to magical creatures- which leaves a poor taste in your mouth.
The book was relatively predicatable, but I don’t feel that takes away from it in any sense.
All in all if you take this book at the surface level as a fluffy fantasy story it is really enjoyable. However don’t take this book at all as a story of the sixties scoop in Canda, or an interpretation- just let it be a surface level queer fantasy love story and leave it at that.
Moderate: Child abuse, Emotional abuse, and Cultural appropriation