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wickedgrumpy's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
4.75
There are so quibbles I have with the misogyny, sexism, classism, otherisms, etc. but it is appropriate to the setting so I don't find myself deterred from the series because of it.
Minor: Ableism, Animal death, Body shaming, Bullying, Child death, Confinement, Death, Emotional abuse, Gore, Hate crime, Infidelity, Misogyny, Racism, Sexism, Slavery, Torture, Toxic relationship, Violence, Xenophobia, Blood, Medical content, Trafficking, Kidnapping, Grief, Religious bigotry, Medical trauma, Stalking, Death of parent, Murder, Fire/Fire injury, Outing, Gaslighting, Toxic friendship, Abandonment, Alcohol, Injury/Injury detail, and Classism
queen_cocolatis's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? No
4.0
Moderate: Death, Blood, Death of parent, Murder, Fire/Fire injury, and Alcohol
Minor: Cursing, Rape, Sexual assault, Sexual content, and Classism
teri_b's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
However, when I started to listen to Theft of Swords I got so quickly absorbed into the world and the events, in the end, I blasted through this bind up that holds the first two books in the Riyria Revelations..
It was entertaining, scary, amazing and it holds such an amazing bunch of characters. Yes, I would say, Theft of Swords is that good.
Thank you for writing these books, Michael J. Sullivan.
And Tim Gerard Reynolds does an amazing job with narrating. It is a treat to listen to the audiobook.
Graphic: Death, Gore, and Blood
pages_with_panda's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
BOOK 1:
It took me a few chapters to get into this, and there is a LOT of world building in the dialogue. It was a bit dense but once the story got going, I really enjoyed it.
At first I thought the thieves felt like side characters in their own story…Especially because we heard more about them from Alric’s thoughts, but I think the author used this as a really nice way to keep us in the dark of what Riyria was plotting. It makes their grand escape or trick or whatever even more satisfying when you’re guessing along with their victims on how they did it.
I also loved Arista!! I say this after finishing the entire series - She’s my favorite character and honestly she’s very well written.
Good story overall with a nice solid ending. No cliff hanger setting up the next books, which I appreciated!
BOOK 2
Same complaint as before in terms of how heavy the politics, and world building is. It was very dense and a little hard to get through certain POVs because of how much history there was. I was very confused but kept reading because I was invested in the characters and I’m so glad I did!!
There eventually is a nice mix of action & politics told from two different POVS, and even though the politics was hard to follow, I’m happy for it. The world building and history become so important and its complexity makes for a well-rounded, believable world.
When the stories finally collided I was SOO happy!! Finally it makes sense!
I literally sobbed at the end and had to take a break after finishing this one.. that’s really all I can say.
I did like the hints at the end pointing towards bigger things to come.
And agree with the author on this having a “short plot, big character development.” It really is true.
There’s a lot of tiny details that make a lot of sense in the grande scheme and it’s not a hard read. Interesting and mysterious but funny and adventurous.
694 pages.
(⚠️Content Warnings;
Graphic: death, violence, blood,
Moderate: death of parent, sexual assault, ableism,
Minor: bigotry, prejudice, rape, child death,
Graphic: Death, Violence, and Blood
Moderate: Ableism, Sexual assault, and Death of parent
Minor: Child death and Rape
ggcd1981's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? No
4.75
Graphic: Death, Emotional abuse, Genocide, Misogyny, Racism, Sexism, Violence, Blood, Grief, Death of parent, Murder, Fire/Fire injury, and Classism
Moderate: Ableism, Animal cruelty, Animal death, Confinement, Sexual assault, Abandonment, and Injury/Injury detail
Minor: Suicidal thoughts
corruptednatz's review
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
5.0
Moderate: Violence and Blood
Minor: Child death and Racism
I put down racism for the characters thoughts on other races that are not human.tachyondecay's review against another edition
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
New fantasy that tries to feel like classic sword-and-sorcery with a dash of epicness thrown in, Theft of Swords reads like a labour of love. It is an uneven combination of tropes any half-dedicated fantasy reader will recognize. However, Michael J. Sullivan turns those tropes into a decent, entertaining story that showcases some of the best parts of this genre, in my opinion. This is not the type of novel that blows off one’s socks, but it may indeed cause them to slip down your feet somewhat.
This is an omnibus of the first two novels in the Riyria Revelations series, which Sullivan initially self-published. In these novels, we meet the duo Royce and Hadrian. One is a thief and assassin, the other a mercenary with your classic heart of gold. This, naturally, gets them into trouble. From the beginning we see that Riyria as a concept is near-legendary; Riyria the duo are far more prosaic. When Hadrian convinces Royce to take a last-minute job (oh no) to steal a sword for a noble (oh noooo) because otherwise he’s going to die in an unjust duel (oh nooooooo) the two inadvertently find themselves accused of regicide. What follows is about 600 pages of toppling kings, declaring heirs to long-dead empires, freeing wizards who may or may not be up to no good, and slaying ancient and deadly beasts. If this sounds like your cup of tea, then it will be.
Let’s get the criticisms out of the way first, shall we? As I alluded to in my introduction, this book is three fantasy tropes in a trenchcoat. Well, make that thirty tropes. You’ve got your patchwork of kingdoms, your pantheon of gods, your vaguely sexist monarchies, that sort of thing. There are elves and dwarves and goblins. The tone of the book lampshades these clichés, with some of the characters subtly winking at the camera like they know this has all been seen and done before; there is a sly awareness of genre here. This is perhaps most keen in the character of Esrahaddon, who is Gandalf if Gandalf were more crotchety and had a more tragic and human backstory.
Like most pastiches, Theft of Swords struggles to rise above its source material. If, like me, you are steeped in this genre, you will likely roll your eyes in places and find parts of this book just a bit too cheeky, campy, or cute for comfort. Nevertheless, I still liked it.
Sullivan’s willingness not to take the setting entirely seriously sold me. I like that while Royce and Hadrian seem to find themselves in the thick of significant world events (and honestly, figuring out the secrets to Royce’s and Hadrian’s identities isn’t hard) they remain humble about it. At one point, Royce knows they are in the middle of a vast plot to destabilize the known kingdoms and reinvigorate a long-dead empire, and his reaction is one of total political apathy. Which I love.
Moreover, most of the villains are not all that villainous. I like me a grey bad guy, and Sullivan takes the time to help us understand the motivations of our antagonists. They aren’t evil. They’re just trying to make the world a more orderly place, and that so happens to be a world that they are in charge of. Really, can you blame them when there are thieves going about stealing swords??
Don’t let the cover mislead you—don’t get me wrong, the cover art is gorgeous, but the aesthetic makes this book seem like a gritty Game of Thrones–type fantasy series. It is certainly not that. All in all, this is a romp. Don’t treat it too seriously and it won’t bite you back: it’s fun and frivolous, and if I get a chance I’ll dip my toes back into this world.
Originally posted at Kara.Reviews.
Graphic: Death, Blood, and Kidnapping
Moderate: Genocide, Racism, Sexism, and Religious bigotry
Minor: Torture