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vanessa177's review against another edition
4.0
This is the first in this series that really worked for me. I have started thinking of these books as more of a 1930s comedy that happens to be about murder rather than a mystery novel. The cult plot is wacky without being unbelievable. I am hoping that this series will ease up on the offensive subjects over the next few books.
door's review against another edition
I have a high tolerance of period-typical stuff but found the nonstop mockery of 2 characters plainly meant to be read as gay very off-putting.
lulumoss's review against another edition
4.0
Great opening chapter. Several assorted people all head out on a rainy London night to the same destination. Each has a different motive in going there. I was thoroughly hooked at the end of that chapter.
Marsh is not well-enough known nowadays I think. The patter between her detective and his reporter friend is sometimes too archaic for modern ears; that might be part of the problem. Conversation that was snappy and bright in the 1920s sounds slightly bizarre today. Solid story-telling though.
Marsh is not well-enough known nowadays I think. The patter between her detective and his reporter friend is sometimes too archaic for modern ears; that might be part of the problem. Conversation that was snappy and bright in the 1920s sounds slightly bizarre today. Solid story-telling though.
nbarton82's review against another edition
3.0
An extraordinarily modern book, considering it was published in 1936 - touches on everything from heroin addiction to pederasty to sex cults. The end was a little on the ordinary side, but I quite liked this one.
hbcbray's review against another edition
3.0
Very diverting, if a little dated and arch. Reader over did it a bit.
aimeesue's review against another edition
3.0
The inquisitive journalist Nigel Bathgate vistas a nearby pagan- ish church and witnesses a murder during one of its rituals. Inspector Alleyn and DI Fox untangle the motives and rather sordid behavior of the suspects. Still no Troy in evidence.
kathydavie's review against another edition
5.0
Fourth in the Inspector Roderick Alleyn vintage detective mystery series and revolving around Alleyn in the London of the 1930s. The focus is on the murder of Cara Quayne.
My Take
A little bit hypnotism, a whole lotta lavish theatricality, gods and goddesses, the Zodiac, and a touch of magic sets the scene in Death in Ecstasy. A tidy little scheme dreamt up by three men.
It's secrets, money and worldly and rapturous desires that fuel the story, which we learn from Alleyn's perspective in third person protagonist point-of-view. It gets more exciting with the dramas of jealousy, rapture, sex, and addiction.
It cracks me up AND makes me hope that we're getting past that idea that Frenchmen are like this and Germans are like that and Italians are this. People everywhere are similar with the same desires, anger, frustrations, family issues, etc.
Inspector Alleyn states what every police novel does, that people are under a moral obligation to help the police. Of course, we don't always know which cop has good morals, as there are so many who simply want to close the case even if they have the wrong person. And who knows which ones will "forgive" a "sin", so I can understand why people may be frightened. Then of course, there're the "personal" issues that people don't like to reveal, as it "couldn't possibly have anything to do with this crime".
It's a good example of dialect, a fashion that has gone away today. In this case, today's publishers want to tell you in the dialogue tags how the character is speaking.
Theme-wise, it's the deception of cults, the greed, and all those lies as people try to protect themselves and others. As for prose, Marsh makes use of dialect to indicate social class, a really big deal in England to this day.
It is a bit slow, but then Alleyn has so much to investigate . . . and interview. I picked up the clues along the way, but Marsh has a bad habit of having Alleyn start to explain and then jump to the goodbyes among the group. I hate that, even if it is very effective, lol.
As is typical for a Roderick Alleyn tale, it's mostly words without much action. It's also a tricky case with so few clues, and I'm always impressed by how Alleyn figures it out.
The Story
When Cara Quayne dropped dead to the floor after drinking the ritual wine at the House of the Sacred Flame, she was having a religious experience of a sort unsuspected by the other initiates.
Discovering how the fatal prussic acid got into the bizarre group's wine is but one of the perplexing riddles that confronts Scotland Yard's Inspector Roderick Alleyn when he's called to discover who sent this wealthy cult member to her untimely death.
The Characters
Chief Detective-Inspector Roderick Alleyn is with CID at Scotland Yard.
Scotland Yard
Alleyn's team includes Inspector Fox, a.k.a. Brer Fox; Detective-Sergeant (DS) Bailey does fingerprints; Mrs Beken is the female officer; DS Watkins; and, Dr Curtis is the divisional surgeon. PC Allison is gigantic.
Sapineau is with the Sûreté.
Nigel Bathgate, a journalist, is a friend of Alleyn's whom he constantly allows to horn in on cases. Angela, from A Man Lay Dead, 1, is his fianc&eacte;e,
The House of the Sacred Flame is . . .
. . . in Knocklatchers Row practically across the street from Bathgate's digs and is the headquarters for a religious cult headed up by the Reverend Jasper Garnette, a.k.a. Odin, with his worldly desires. The redheaded Lionel "Eric" Smith and the black-haired Claude "Fauntleroy" Wheatley are his gay acolytes. The Chosen Vessel is always Frigga.
Congregants include old Miss Ernestine Wade (who worships Garnette); the American (he's really Australian) Samuel J Ogden (who's partnered up with Garnette) deals in gold extraction equipment and owns half of the Ogden-Schultz Gold Refining Company; the wealthy, unhappy, and unpopular Cara Quayne who has urges for exhibitionism; M Raoul Honoré Christophe Jérôme de Ravigne (and in love with Cara) had been a friend of Madame de Verne; Dr Nicholas Kasbek; Janey Jenkins, who is engaged to the excitable Maurice "Blot" Pringle; and, the jealous, lying Dagmar Candour.
Colonel Quayne of Elderbourne Manor in Seveanoaks was Cara's father (killed playing polo in India. Her mother only lived a year longer then Edith took Cara to France). Madame de Verne, Cara's maternal French aunt (who died when Cara was 17 and the Shatter was sold), raised Cara in the Shatter. The extremely religious Edith Hebborn has been with Cara Quayne since she was three years old. Wilson is a parlourmaid. The shrewd Rattisbon is Cara's lawyer. Ethel Parker and May Simes were the latest witnesses of the will.
Mrs Candour's staff includes Rita, a maid, and Mrs Bulsome, who is the cook. They're not impressed with her. Seems no one is impressed with her. Ogden's staff includes the very observant Elsie Prescott, the daughter of the janitor who valets and buttles, and her mother who cooks.
Madame la Comtesse de Barsac is Ravigne's sister and a friend of Cara's. The Theodore Roberts trial was in The Nursing Home Murder, 3. Stanley has a little brother. S.J. Samuels had been convicted of selling drugs in Australia.
The Cover and Title
The cover is consistent with previous covers only the primary color is mauve in a gradation that centers itself vertically as well as horizontally. The scalloped white lines ray out on angles from the bottom framing the mauve chalice against the deep brown-mauve background with the pale pink banner arching across the foot of the jeweled chalice with the series info in the deep mauve. The stretched-out banner is above the chalice in a pale mauve with the author's name in its art deco font incorporating all the shades of mauve. The title is in the upper half in a pink to mauve gradation.
The title is true, for Cara experienced her Death in Ecstasy.
My Take
A little bit hypnotism, a whole lotta lavish theatricality, gods and goddesses, the Zodiac, and a touch of magic sets the scene in Death in Ecstasy. A tidy little scheme dreamt up by three men.
It's secrets, money and worldly and rapturous desires that fuel the story, which we learn from Alleyn's perspective in third person protagonist point-of-view. It gets more exciting with the dramas of jealousy, rapture, sex, and addiction.
It cracks me up AND makes me hope that we're getting past that idea that Frenchmen are like this and Germans are like that and Italians are this. People everywhere are similar with the same desires, anger, frustrations, family issues, etc.
Inspector Alleyn states what every police novel does, that people are under a moral obligation to help the police. Of course, we don't always know which cop has good morals, as there are so many who simply want to close the case even if they have the wrong person. And who knows which ones will "forgive" a "sin", so I can understand why people may be frightened. Then of course, there're the "personal" issues that people don't like to reveal, as it "couldn't possibly have anything to do with this crime".
"The innocent are safe as long as they stick to the truth."Janey Jenkins is a bit of a nutjob. She's so insistent about telling Alleyn the truth and then she has hysterics when she actually is asked to speak the truth. She's rather typical of most of the characters. Nutty and inclined to lie.
It's a good example of dialect, a fashion that has gone away today. In this case, today's publishers want to tell you in the dialogue tags how the character is speaking.
Theme-wise, it's the deception of cults, the greed, and all those lies as people try to protect themselves and others. As for prose, Marsh makes use of dialect to indicate social class, a really big deal in England to this day.
It is a bit slow, but then Alleyn has so much to investigate . . . and interview. I picked up the clues along the way, but Marsh has a bad habit of having Alleyn start to explain and then jump to the goodbyes among the group. I hate that, even if it is very effective, lol.
As is typical for a Roderick Alleyn tale, it's mostly words without much action. It's also a tricky case with so few clues, and I'm always impressed by how Alleyn figures it out.
The Story
When Cara Quayne dropped dead to the floor after drinking the ritual wine at the House of the Sacred Flame, she was having a religious experience of a sort unsuspected by the other initiates.
Discovering how the fatal prussic acid got into the bizarre group's wine is but one of the perplexing riddles that confronts Scotland Yard's Inspector Roderick Alleyn when he's called to discover who sent this wealthy cult member to her untimely death.
The Characters
Chief Detective-Inspector Roderick Alleyn is with CID at Scotland Yard.
Scotland Yard
Alleyn's team includes Inspector Fox, a.k.a. Brer Fox; Detective-Sergeant (DS) Bailey does fingerprints; Mrs Beken is the female officer; DS Watkins; and, Dr Curtis is the divisional surgeon. PC Allison is gigantic.
Sapineau is with the Sûreté.
Nigel Bathgate, a journalist, is a friend of Alleyn's whom he constantly allows to horn in on cases. Angela, from A Man Lay Dead, 1, is his fianc&eacte;e,
The House of the Sacred Flame is . . .
. . . in Knocklatchers Row practically across the street from Bathgate's digs and is the headquarters for a religious cult headed up by the Reverend Jasper Garnette, a.k.a. Odin, with his worldly desires. The redheaded Lionel "Eric" Smith and the black-haired Claude "Fauntleroy" Wheatley are his gay acolytes. The Chosen Vessel is always Frigga.
Congregants include old Miss Ernestine Wade (who worships Garnette); the American (he's really Australian) Samuel J Ogden (who's partnered up with Garnette) deals in gold extraction equipment and owns half of the Ogden-Schultz Gold Refining Company; the wealthy, unhappy, and unpopular Cara Quayne who has urges for exhibitionism; M Raoul Honoré Christophe Jérôme de Ravigne (and in love with Cara) had been a friend of Madame de Verne; Dr Nicholas Kasbek; Janey Jenkins, who is engaged to the excitable Maurice "Blot" Pringle; and, the jealous, lying Dagmar Candour.
Colonel Quayne of Elderbourne Manor in Seveanoaks was Cara's father (killed playing polo in India. Her mother only lived a year longer then Edith took Cara to France). Madame de Verne, Cara's maternal French aunt (who died when Cara was 17 and the Shatter was sold), raised Cara in the Shatter. The extremely religious Edith Hebborn has been with Cara Quayne since she was three years old. Wilson is a parlourmaid. The shrewd Rattisbon is Cara's lawyer. Ethel Parker and May Simes were the latest witnesses of the will.
Mrs Candour's staff includes Rita, a maid, and Mrs Bulsome, who is the cook. They're not impressed with her. Seems no one is impressed with her. Ogden's staff includes the very observant Elsie Prescott, the daughter of the janitor who valets and buttles, and her mother who cooks.
Madame la Comtesse de Barsac is Ravigne's sister and a friend of Cara's. The Theodore Roberts trial was in The Nursing Home Murder, 3. Stanley has a little brother. S.J. Samuels had been convicted of selling drugs in Australia.
The Cover and Title
The cover is consistent with previous covers only the primary color is mauve in a gradation that centers itself vertically as well as horizontally. The scalloped white lines ray out on angles from the bottom framing the mauve chalice against the deep brown-mauve background with the pale pink banner arching across the foot of the jeweled chalice with the series info in the deep mauve. The stretched-out banner is above the chalice in a pale mauve with the author's name in its art deco font incorporating all the shades of mauve. The title is in the upper half in a pink to mauve gradation.
The title is true, for Cara experienced her Death in Ecstasy.
benjaminparris's review against another edition
challenging
dark
lighthearted
mysterious
fast-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.75
vkaz's review against another edition
4.0
Ngaio Marsh, where have you been all my life? I had read Agatha Christie over the years, but never Marsh. I love the sense of humor and wry wit, the handling of the characters. The setting in the 1930s era of wacky cults and pseudo religions was a lot of fun. I've seen other writers touch on the subject, but Marsh is so playful with it and yet adds insight as to why someone would join up with one of these groups. Well written and fun. I'm definitely going to check out the library for more Marsh!