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ottercorg's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? No
3.5
However! About halfway through I did start to really dig my teeth into it. As with a lot of the books I've read recently, once things started to fall into place and I started to see the connections, I got a lot more interested.
The concept is certainly interesting, the characters were fine, I just wanted...more.
I wish it had been two books. One about "the before" and one about "the after," but I understand that you can't predict success and if you aren't sure you'll get a second book deal, you might as well put both stories in one.
Moderate: Adult/minor relationship, Child death, Death, Gun violence, Infidelity, Rape, Suicidal thoughts, Suicide, Violence, Blood, Kidnapping, Grief, Death of parent, Murder, Alcohol, Injury/Injury detail, and Pandemic/Epidemic
pacifickat's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
A lot of disappointed reviewers seemed to want this book to be more than it was, the plot to follow a traditional post-apocalyptic road narrative, with characters fighting for survival in a dystopian landscape punctuated by violent encounters. However, Mandel seems to resist these expected devices, focusing instead on how humans are connected across time and space, nature and technology, and generations. The pandemic in this story demarcates a divide between past and present, a clear before and after. But, is existence more than our perceived notion of time and oir relationship to pivotal moments in history? Does a web of interconnectivity carry through all existence even when we cannot perceive it, even when the world seemingly ends? What is this reality we’re living in? Is it patterned beforehand, or only when looked at it in retrospect, like a forest ecosystem growing organically together? Can meaning and beauty miraculously arise out of mundanity and messiness? Is being briefly and beautifully alive and part of a cosmic whole enough of a miracle in itself? Do we make stories, or do the stories make us? What exists because of us, and what exists outside of us?
It’s complicated.
This seeming magic encircles and envelops conscious existence, but goes unnoticed by the humans navigating the complexities of the pre-pandemic modern world, or fighting to survive in post-pandemic reality. A repeated element of looking upward to the sky when faced with death carries throughout, perhaps searching for sufficient meaning or beauty when survival is not guaranteed and everything finally falls still. Is this akin to the sublime moment the actress dissolves into Titania on stage, her stained wedding gown becoming the adornment of a magical fairy queen?
Graphic: Adult/minor relationship, Death, Gun violence, Suicide, Grief, Murder, and Pandemic/Epidemic
Moderate: Child death, Infidelity, Pedophilia, and Violence
Minor: Alcoholism, Rape, Sexual assault, Suicidal thoughts, and Religious bigotry
stellaperlic's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Suicidal thoughts, Terminal illness, and Blood
Moderate: Child abuse, Trafficking, and Religious bigotry
spineofthesaurus's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Graphic: Death, Misogyny, Suicide, Terminal illness, Toxic relationship, Blood, Medical content, Kidnapping, Grief, Medical trauma, Murder, and Pandemic/Epidemic
Moderate: Ableism, Alcoholism, Animal death, Child death, Domestic abuse, Emotional abuse, Gun violence, Infidelity, Slavery, Suicidal thoughts, Trafficking, Religious bigotry, Stalking, Abandonment, Alcohol, Sexual harassment, and Injury/Injury detail
Minor: Adult/minor relationship, Pedophilia, Physical abuse, Sexual violence, Car accident, and Pregnancy
miller8d's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Note: I pictured Richard Ayoade as Jeevan, Jesse Plemons as August, Con O’Neill as Dieter, Andrew Garfield as Sayid, Andre Michaan very faintly as Clark, and a wishy-washy mix of Tom Hiddleston/Brian Cox as Arthur.
Graphic: Death, Torture, Trafficking, Kidnapping, and War
Moderate: Emotional abuse, Genocide, Gun violence, Pedophilia, Slavery, Violence, Grief, Religious bigotry, and Abandonment
Minor: Alcoholism, Child death, Death, Suicidal thoughts, Cannibalism, and Death of parent
I added lots of content warnings for this book, but as a pretty sensitive person, I can honestly say I didn’t find this book upsetting— moreso realistic in an apocalyptic context. It touches on many serious topics but it does so in a justified and non-shocking way.vita_ayala's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.5
Bittersweet, sometimes amusing, always melancholy and comtemplative, this book does an incredible job of distilling the emotion and humanity behind Shakespeare's work and presenting it in a contemporary, compelling way. (It isn I think obviously, a take on King Lear.) A little like disguising healthy but odd tasting food with spices and sauces.
I wish the comic from inside the book was a thing I could read!
Graphic: Death, Violence, Blood, and Grief
Moderate: Suicidal thoughts and Suicide
It does end up veing hopeful in the end!ashlightgrayson's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.0
Arthur, the character that dies in the beginning, is the most recurring. Although, as you keep reading the book you realize that the story is not about one single character, but more of a slow analysis of human nature through the experience of many different people both pre/post pandemic. This isn't a book I would recommend for everyone. If you want something plot heavy and super engaging, this may not be for you. I think it's a story that required patience and appreciation for the themes explored. Otherwise, you may find it boring because not much happens for a while until everything comes to a head as you learn more about each of the characters explored. It was a very interesting exploration of humanity and I think it worked well as a break from more fast paced stories.
Moderate: Death, Suicidal thoughts, Violence, and Grief
Minor: Death of parent
undecidedpersonality's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.5
Graphic: Animal cruelty, Death, Gun violence, Terminal illness, Medical content, Grief, and Murder
Moderate: Adult/minor relationship, Animal death, Body horror, Pedophilia, Violence, Kidnapping, Death of parent, Pregnancy, Abandonment, and Injury/Injury detail
Minor: Child death, Confinement, Domestic abuse, Drug use, Emotional abuse, Rape, Sexual content, Suicidal thoughts, Religious bigotry, Fire/Fire injury, and Alcohol
billyjepma's review against another edition
- Plot- or character-driven? A mix
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
"First we only want to be seen, but once we're seen, that's not enough anymore. After that, we want to be remembered."
Emily St. John Mandel taps into something sublime with Station Eleven, something that manages to speak to a particular moment in time while also capturing something universally timeless about living. The narrative and its characters may not have always resonated with me, but Mandel's beautiful writing and thematics quickly and repeatedly struck a nerve with me.
I usually latch onto the characters in a story, so while I liked the casts Mandel shifts between, I never felt as invested in them as I wanted. For example, I kept waiting for the story to peel back layers on specific characters or ideologies in the "present-day" sections, but those insights never really came. After all of the rich character development and exploration of the "flashback" stories—which, while familiar, are written with aching honesty and vulnerability—the present-day sections felt somewhat lacking.
That's not what's going to stick with me, though. The stories of lonely people discovering and fighting for their found families, the enduring hope they create together, the capacity for art and conviction to be what saves our souls in the end—that's what I'll remember about Station Eleven. I don't think the book even says anything profoundly original, but the unique angles it uses to approach those familiar ideas and genres make them feel new. Or, if not new, then timely and maybe even necessary.
Graphic: Medical content, Grief, and Medical trauma
Moderate: Adult/minor relationship, Death, and Violence
Minor: Child death, Suicidal thoughts, Suicide, Torture, Vomit, Stalking, Death of parent, and Abandonment
whirl's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.0
The book has a nice pace, and just ambles through the lives of various survivors loosely connected to each other before the pandemic hits
Graphic: Death and Grief
Moderate: Ableism, Violence, and Kidnapping
Minor: Child death, Gun violence, Sexual assault, Suicidal thoughts, Death of parent, and Murder
While the book describes a post apocalyptic world which is clearly more lawless and violent, it doesn’t go into unnecessarily detailed descriptions and is more about what happens to people’s minds and personality to live in such a world