Reviews tagging 'Bullying'

American psycho by Bret Easton Ellis

51 reviews

dupeskara's review against another edition

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This may be too pussy, but the movie is better. The book was too boring to read and it had so much information for me to remember. The clothes, restaurants... I got confused. This makes me sound like a child... But I think that the whole point of the book is to make you feel like the rich are just boring phychos who want to feel special. The visons that Patrick had were right, as someone who may have phycosis this is sometimes what goes thru my head whether I like it or not - gore and hate. Sorry Mr Ellis, but next time I will read it throughoutly.

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zoemaeboonz's review against another edition

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challenging dark emotional funny reflective tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.75



This book was a hard one to get through; by page 80 I was already considering whether this would be too gory for me to finish reading. I am glad I got through this book though and whilst I would not recommend it to anyone or read it again I do think that it is a good work of fiction. The way in which Ellis portrays a character with such realistic psychopathic qualities and depersonalisation - a very manic sense of mind is really well written. I don’t think I will ever read a novel where such mental illness is portrayed with such unapologetic truth. It is clear that Ellis got his inspiration for most of the very graphic murders from psychopaths such as Ted Bundy or Jeffrey Dahmer. I found myself actually skimming through some parts or even having to put the book down at points because of how intense these scenes were (most notably the rat one because wtaf). Bateman is not being romanticised in this novel nor is he being portrayed as a likeable character by the author. The way it is written is through this very manic first point of view and in times when Bateman depersonalised from himself we saw the passages being written in third point of view. This book will probably sit with me for a bit and I find myself having to write about it because of this - most notably the amount of Xenophobia and slurs that were in this book was definitely hard to read and the fact that the term ‘yuppie’ was the least derogatory term put in the book says it all. The quote that probably sums up this book for the reader in a way that can make you understand the bigger picture in this novel is probably this: “…and though I can hide my cold gaze and you can shake my hand and feel flesh gripping yours and maybe you can even sense our lifestyles are probably comparable: I am simply not there.”. This is not an easy read because it is not meant to be an easy read; Bateman is a psychopath and a horrible person and all the things written affirm this about the character and who he is. Though I disagree with the back of my book saying it’s ‘one of the greatest novels of our time’ I can agree that it is a good work of literature that I will gracefully never lay eyes on again. 

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michaelion's review against another edition

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challenging dark mysterious slow-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

1.75

Maybe the real Psychos were the Americans we made along the way...

A book is bad when I have to question what purpose it served humanity. I am a person who fundamentally believes that all art can be made with no reason or goal in mind; art for art's sake; art because the person who made it felt something, felt they had to get it out, felt they had something to share with the world. I read this book because I wanted to watch the movie, yes I'm that kind of person, and I wish I could unread it. What purpose did this book serve to the greater good of humanity? Fuck the greater good, what contribution to humanity does this book give? It has no analysis, no deeper introspection into the era, the mindset of the people. There's no meat on the bone that is this book.

It has its moments and its beauty, for sure. I love the stream of consciousness and unreliable narration, I love the speaking to the audience, the break rom reality and seeing things in the perspective of a movie, sure. Those elements are great. But as a whole? I never question why art is made. There's art I like and art I don't like. It's easy for me to spot art I like, It's easy for me to spot art I don't like, and there are definitely things that lie in a middle grey area, but for all three of those things I almost never question why it was made. It's an inherently fascist idea to say art should have a purpose else it is a waste of time or attention but this is one of the few exceptions I've encountered. The movie better be good after the shit I just read.

And to be clear, I'm not just mad at the content of the book. It was very upsetting sure, but
about a quarter in is when you get to the first kill and it's mentioned nonchalant. So you read almost 100 pages and finally get to the part you came for.
Most of this book is a whole lot of nothing. It works, only because that's the style of this particular type of writing, but once the kills start to ramp up it's like Oh, you wasted my time, and now this is TOO intense. And I'm sure the whiplash was also purposeful, and I'm starting to get a little too nitpicky, but there are things that are more important / could have been more central to the plot that were not given any spotlight.

I tried to find it in my heart to give it a higher rating, I really did, but I can't lie to my future self who will reread this review and go "damn, the book was that bad?" Hi, future self. To answer your question: No. The book was much worse.

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zoehakim's review against another edition

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dark mysterious tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? It's complicated
  • Flaws of characters a main focus? Yes

4.0

what?

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ashsparrow's review against another edition

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challenging dark emotional tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.5

I have really mixed feelings about this book. It’s a good book but I hate gore so obviously not a good choice on my part. It was really well done though.

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kittiesss's review against another edition

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challenging dark tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.0


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sarahmalopia's review against another edition

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dark funny reflective tense
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

5.0


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krispiefries's review against another edition

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dark tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

2.0


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zakcebulski's review against another edition

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challenging dark mysterious medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.0


Hmmmmmmmmm.

Yeah, I don't know about this book.
Let me start off by saying that I think that this book was written exceedingly well, and, in fact his book is a very clever satire on the hyper-material focused lifestyle of New York Yuppie culture.

In this book we follow Patrick Bateman who is an investment banker, though funnily enough, we never actually see him doing any work.
Patrick is more worried about his outward physical appearance and getting reservations at all of the most hip locations in NYC.
Patrick is also, supposedly, a serial killer.
Patrick spends his time hyperfixating on his looks with lengthy diatribes pertaining to each piece of the suit- whom it was made by, and even the cost. Now, these sections, which often cover paragraphs and paragraphs can be drawling and sloggish, but, in essence that is the point.
 
The point is that Patrick and his friends are so obsessed with their appearances that they spout off the most nuanced detail in an effort to seem cultured (The Patty Winters Show was on...) and also, to give an air of superiority- we know about something that you can't understand.
But, it comes off as overly redundant and stupid because.... why would we care? It makes people look very silly in putting so much effort into knowing the minute of every single thing.
Going off of this there are several (and I mean several) times when Bateman is confused for another character because they are all described as the same fucking person. And, in essence, they all want to be the same person, which is insane to think about. I think that this plays into the criminal idea of "hiding in plain sight" which is not hard when you consider that there are no differences between dozens of affluent white men all striving to be the same idealized version of a Gordon Gekko "Greed is Good" type character while delving into the hedonistic vices of the 80s and early 90s.

A lot has been talked about this book's approach to sex and its very hyper- masculine tone. I can absolutely see how the subjugation and subservience of women can be offensive, I think that Ellison strikes a delicate balance in this book, albeit one that is still not fun to read.
Ellison's writing can absolutely come off as misogynistic when read through a totally genuine and played straight tone. However, I think that he is actually attempting to bring the readers in on the joke and poke fun at people who think and act like Bateman and his friends. I do not think that Ellison actually believes the shit that he writes about toward women in general, but, whether or not he succeeds in his subversive satire on the overtly masculine yuppie culture is up to the individual reader to decide.
I cannot, nor would I want to tell people who are offended by the overt misogynistic tones of Bateman and his friends that they are wrong or just don't understand. Because, at the end of the day, I think that that is the exact critique that Ellison is going for.

Now, on to the serial killer side of things. I think that Ellison writes Bateman to be a very Humbert Humbert style of character- i.e. one that is wholly unreliable and daydreams about committing heinous acts, while not actually doing them, meanwhile being totally capable of committing them. I for one do not believe that Bateman committed any of the heinous acts that he described in the book. I think that they were total fantasies. With that said, I do also believe that Bateman was/ is also totally capable of committing these crimes.
I truly think that he was just one step away from snapping and going on a murder spree that he described.
With all of that said, I also think that the graphic depictions of murders, rapes, necrophilia, animal abuse and body defilement are some of the most graphic and vile things that I have read in a very long time, and possibly ever. There were some parts of these descriptions where I had to lower the book and take the a breather before continuing.
I think that this is where the book started to lose me a bit. I know that the entire point- the emphasis- was in Bateman supposedly committing these abhorrent crimes and then on the next page describing some mundane facet of life pertaining to his attire or a restaurant or something... but, it just didn't work for me because I felt that the entire message was "you never know how well people are hiding behind a mask of sanity". But, Bateman isn't. Bateman is a prick throughout the book, and not one that I think is portrayed as believably sane, or not a colossal asshole. To me, it is entirely feasible that he is a serial killer who is just on the edge of murder.

Coming from a knowledge base of true crime studies there are many killers who when they are caught the general consensus is- "no way it could be _____!"
Bateman is not that. Bateman is a piece of shit who is the walking archetype of a person that is totally capable of committing crimes against those he sees as less than. 

Overall, I think that this book is a great and scathing criticism of consumeristic culture and material pursuits. 
I think that it does fall flat in terms of its portrayal of Bateman being a complete madman who is actually a horrific murderer. But, maybe that was the point- maybe Bateman thinks that he is pulling one over on us and the world that he inhabits, but I don't know. 

This is one of those books that I would have a son of a gun time recommending to anybody because of its subject matter. While I do think that the book is meant to be read as a non-serious and satirical take on the hypermasculinity of the 1980s Wall Street scene ala The Wolf of Wall Street, I cannot in good faith say that people who are offended or off put by this book are wrong. I think that this book rides a very very thin line between overtly satire and the real-life fantasies of people who do walk among us. I think that there is a very specific mindset one had to be in to read this book and not throw it across the room in disgust at the subject matter, and when you're in that mindset, I think that there are sections that do work well as poking fun at materialistic consumerism culture that was and is so prevalent in the USA as a symbol of "I am better than you". 

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jayvdw's review against another edition

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challenging dark tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

2.5

This book is gross, slow, dark and twisted. 

First off, the book is very slow, especially in the beginning. It fits the theme and sets the book's tone, but it doesn't read nicely. The book has some big themes and criticisms about 1980s America, which is very interesting and insightful. Patricks focus on clothing, brand, music and materialism really sets a mood whilst reading and depth to the characters. BUT IT'S FUCKING BORING.  Personally, I skipped most of these, the long lists, I understand why they are there and that Bret intentionally puts them in the book to be boring and bore the reader. 

The book is super super gross and not at all for the faint of heart. The book goes into detail about the murders and sex. It is very unsettling and I sometimes strayed away from reading for a few hours after certain chapters.

My favorite part of the book is clearly a few chapters near the end.
In these chapters we start the get clear indications that Patrick and thus the narration can't be trusted. I loved Chase, Manhatten chapter. The sudden switch from first person to third person in this chapter really showed me how psychotic Patrick is. This combined with the absurdity of the chapter really made me realize that Patrick is untrustworthy and made me question a lot of the things that happened in the book. This was supported by the idea that Patrick often says things about murder or rape, that the people around him just ignore. His trustworthiness is confirmed when his lawyer says to has had lunch with one of Patrick's victims.


Overall, I think this book is very interesting and learnful. Even in the modern day a lot of the themes are still present or even worse.  The book is however a very boring read or very gross most of the time, due to this I gave it a low rating, simply because I did not enjoy reading it for most of the book, I also feel like the book could have been half the size. The ending was a let down in my opinion and a bit too vague. It would have been better if the ending focussed more on the trustworthiness of Patrick.

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