Reviews tagging 'Suicide attempt'

The Shards by Bret Easton Ellis

23 reviews

kittiesss's review against another edition

dark mysterious reflective tense slow-paced

• Plot- or character-driven? A mix
• Strong character development? It's complicated
• Loveable characters? No
• Diverse cast of characters? No
• Flaws of characters a main focus? Yes

5.0

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Content Warnings

Graphic: Animal cruelty, Animal death, Drug use, Gore, Homophobia, Mental illness, Blood, and Sexual harassment

Minor: Stalking and Suicide attempt

poubelleboi's review against another edition

adventurous dark mysterious tense medium-paced

• Plot- or character-driven? A mix
• Strong character development? No
• Loveable characters? No
• Diverse cast of characters? No
• Flaws of characters a main focus? It's complicated

4.5

Ho letto "Le schegge" di Bret Easton Ellis. 😳 In realtà ho ascoltato l'audiolibro e non scherzo quando dico che in un giorno ne ho ascoltato un terzo, anche se dura 26 ore (ha più di 700 pagine). Avevo già sentito tante opinioni positive quindi mi aspettavo che fosse bello ma veramente non riuscivo a smettere. 

In questa autofiction, Bret è alle superiori e durante il suo ultimo anno cose strane cominciano ad accadere e si scopre che un serial killer è attivo nella zona. Bret ne diviene ossessionato e sospetta del suo nuovo compagno di classe. È una storia con tanta tensione e tanta violenza ma una delle cose intriganti è il fatto che il narratore non è affidabile per cui ogni lettore può interpretare la storia a modo proprio. Ha tanti trigger warning ma io l'ho divorato e lo consiglio.

È stato interessante come l'autore ha intessuto l'omofobia nel racconto.

L'omofobia interiorizzata è un motore per Bret per fare o non fare determinate cose; la paura di essere scoperto lo porta a non denunciare ciò che sa, a non condividere la registrazione delle torture su Matt. Questo finisce per esacerbare tutte le sue paranoie. Chissà se sarebbe potuta finire diversamente se solo Bret avesse pensato di poter essere attratto dagli uomini senza giudizi esterni. Perché alla fine, i pensieri omofobi che ha non sono che echi di ciò che qualcun altro gli ha detto nel corso della storia. Per cui l'omofobia è stata come un personaggio che teneva sotto ricatto costante il nostro protagonista.

Quello che mi ha tenuto incollato, comunque, è stata la scrittura di Bret Easton Ellis e ammetto che non avevo letto niente di lui prima, ma di certo adesso sono intrigato e voglio leggere altro, quindi consigliatemi altro di suo. 

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Content Warnings

Graphic: Adult/minor relationship, Animal cruelty, Animal death, Body horror, Cursing, Death, Drug abuse, Drug use, Sexual content, Suicide, Violence, Blood, Stalking, Murder, Alcohol, and Injury/Injury detail

Moderate: Homophobia, Infidelity, Mental illness, Medical content, Outing, and Sexual harassment

Minor: Suicide attempt and Schizophrenia/Psychosis

syellico's review against another edition

I got distracted by other books, but I may go back to this at some point.  Even now (01/2024) I can still feel the sense of place and the feelings it evoked.  Could have done without all the graphic sex, but I skipped over that.  I am interested to see if there really is a serial killer.

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Content Warnings

Graphic: Addiction, Alcoholism, Animal death, Death, Drug use, Sexual content, Suicidal thoughts, Toxic relationship, Violence, Suicide attempt, and Alcohol

emiliaborsikova's review against another edition

challenging dark emotional tense slow-paced

• Plot- or character-driven? A mix
• Strong character development? No
• Loveable characters? No
• Diverse cast of characters? No
• Flaws of characters a main focus? Yes

2.5

Almost a dnf. The first half of this book is pretty much just buildup and an insight into the lives of the characters. Anything of specific significance happens in the last 70 pages. Which is terrible considering this book is 600 pages. Ultimately nothing happens except a bunch of privileged teenagers doing drugs, drinking and being rich. Except one day Bret, the narrator, randomly decides he thinks the new kid at school is a deranged psychopath murderer with very limited evidence (evidence being basically just delusion). For some reason Bret doesn’t actually believe his friendships are real and usually prefers to spend his time alone high on drugs. Half the book is basically him complaining about his supposedly perfect girlfriend who actually loves him but he’s gay and he is just using her, him doing drugs and drinking (everyone is so high all the time they apparently don’t care about girls being kidnapped and then them and animals/pets being  brutally mutilated), graphic gay content, tireless music references and Susan being called numb every 3 lines. Not to mention that the dialogue is bland and vague. The Trawler is randomly introduced and a bunch of information is dumped on you before it’s back to random scenes of the characters. The Trawler and the home attacks and the cult didn’t have a clear connection and the narrative felt blocky. Most of the time the plot of Robert and The Trawler seemed like a side plot. It’s about 80% filler and buildup (towards pretty much nothing actually) and 20% shocking graphic descriptions of gore (of both humans and animals). This book could have been 200 pages shorter and as my first Bret Easton Ellis book i’m a bit disappointed. Spoiler- Not to mention that there’s some vague reference that Bret, the narrator, may actually be the psychopath here (the arm bite mark scene) which had no effect other than to confuse me- The end tries to explain everything at once and I just think that the plot had so much potential but it was executed very badly - overwritten and vain. 

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Content Warnings

Graphic: Animal cruelty, Body horror, Drug abuse, Drug use, Gore, Mental illness, Sexual content, Suicide, Torture, Violence, Blood, Kidnapping, Stalking, Alcohol, and Injury/Injury detail

Moderate: Addiction, Alcoholism, Homophobia, Forced institutionalization, Car accident, Suicide attempt, Death of parent, Gaslighting, and Toxic friendship

Minor: Rape, Vomit, and Sexual harassment

disguisedposer's review against another edition

challenging dark mysterious medium-paced

• Plot- or character-driven? Character
• Strong character development? Yes
• Loveable characters? No
• Diverse cast of characters? No
• Flaws of characters a main focus? Yes

3.75

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Content Warnings

Graphic: Addiction, Adult/minor relationship, Alcoholism, Animal cruelty, Animal death, Biphobia, Body horror, Death, Drug abuse, Drug use, Gore, Homophobia, Infidelity, Mental illness, Panic attacks/disorders, Rape, Self harm, Sexual assault, Sexual content, Sexual violence, Suicidal thoughts, Violence, Forced institutionalization, Blood, Kidnapping, Stalking, Suicide attempt, Murder, Outing, Gaslighting, Toxic friendship, Alcohol, and Injury/Injury detail

katherineflitsch_'s review against another edition

dark mysterious medium-paced

• Plot- or character-driven? A mix
• Strong character development? Yes
• Flaws of characters a main focus? Yes

5.0

Utterly chilled. If Stephen King isn’t dark or gory enough for you, if The Secret History wasn’t twisted or dramatic enough for you, if The Talented Mr. Ripley wasn’t mysterious or suspenseful enough for you, then Bret Easton Ellis’s THE SHARDS must be.

It’s been a while since a book has shocked me as much as this one did. It’s been a long while since a book has left me feeling so unsettled. I don’t know what much to say without giving away spoilers. But in the end you feel just as Susan feels holding Bret’s hand in that room. In the end you feel scared and horrified and dizzy with realization, with denial, and nausea. In the end you nearly want to be sick.

(In, like, a totally good way!)

Bret does suspense incredibly well. And he has mastered horror here, too. He blends evil with high school in such a glorious (and glittering) way: a student masks his violent identity just as a student masks his homosexuality in 1981; a teen boy is convinced his friend’s new boyfriend is a serial killer just as as teen boy is convinced his friend’s new boyfriend isn’t good enough for her; a boy grieves heartbreak just as a boy grieves the brutal murder of his first love. These layers pass over one another as delicately and fluidly as curtains sliding over one another moved by wind. In high school, you are terrified of things that you one day grow out of fearing, but in the moment of teenage psyche, the terror and horror of these things is crippling. In THE SHARDS, those teenage terrors are indistinguishable from actual tangible death and mutilation and evil. Bret contorts teenage angst into “legitimate” horror.

I read once somewhere that the difference between fear, terror, and horror is this (and I’m paraphrasing from murky memory): fear is walking in the woods at night and knowing that a wolf is prowling; terror is walking in the woods and seeing the wolf before you; horror is walking in the woods and realizing you have stepped right into the wolf’s trap. Bret Easton Ellis’s THE SHARDS encapsulates all three.


(Warning though: it is quite graphic.)

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Content Warnings

Graphic: Adult/minor relationship, Body horror, Death, Gore, Sexual content, Violence, Stalking, Car accident, and Murder

Moderate: Suicide, Blood, and Suicide attempt

Minor: Alcoholism and Car accident

frekdal's review against another edition

challenging mysterious slow-paced

• Plot- or character-driven? Plot
• Strong character development? No
• Loveable characters? It's complicated
• Diverse cast of characters? No
• Flaws of characters a main focus? Yes

3.0

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Content Warnings

Graphic: Addiction, Adult/minor relationship, Alcoholism, Animal cruelty, Animal death, Biphobia, Body horror, Child abuse, Cursing, Death, Domestic abuse, Drug abuse, Drug use, Emotional abuse, Gore, Homophobia, Infidelity, Mental illness, Misogyny, Physical abuse, Sexual assault, Sexual content, Sexual violence, Suicidal thoughts, Suicide, Torture, Toxic relationship, Violence, Forced institutionalization, Blood, Medical content, Kidnapping, Grief, Medical trauma, Stalking, Suicide attempt, Death of parent, Murder, Gaslighting, Alcohol, Sexual harassment, Injury/Injury detail, and Classism

chromiumboron's review against another edition

dark tense medium-paced

• Plot- or character-driven? A mix
• Strong character development? It's complicated
• Loveable characters? No
• Diverse cast of characters? No
• Flaws of characters a main focus? Yes

4.5

First and foremost, JUSTICE FOR SHINGY.

"When you talk to me you're really talking to yourself, dude."

This book is fucking brilliant. I was content to never pick up another Bret Easton Ellis novel, having read American Psycho and Knowing BEE has a penchant for causing visceral reactions. Even though there is still descriptive language that instigates a slow burning anxiety with sprinkles of the very shocking, we have fictional Bret to be on the same page with us about how disgusting the events are. It's brilliant to have yourself be the good guy who is reacting to the horrible things the real Bret is writing! "When you're talking to me, you're talking to yourself."

Overall, the descriptive language and level of detail in this book is what makes it. It honestly reminds me a lot of David Chase's work on The Sopranos. Did we need the level of detail that we got? Did I need to know about Tommy Tutone playing at the Pirates of the Caribbean Blue Bayou restaurant in Disneyland for Grad Nite? Did I need to know that Bret's aunt's house's foyer light was a Sputnik chandelier? Did that add anything to the plot? No. But BEE is genius at painting such a vivid picture, and it makes the slow anxiety burn more real.

Here are some other notes I made throughout my time reading, most of them just appreciation for the descriptive imagery and level of detail:

• All the boys in our class were wearing Ralph Lauren Polo shirts in bold Easter-egg colors - pink and blue and green and purple . . .

  • Really enjoyed this because it was something I used to say when I worked in Baker Systems at Ohio State to my coworkers. "You look like an Easter egg today." Polos abound.
• The mention of Dominique Dunne's murder was a nice little add.

• Matt had never felt about me the way I'd felt about him, which would be a recurring theme for the rest of my life though, of course, I didn't know this yet on that September afternoon in 1981, when I was seventeen and still navigated on hope.

  • This got me good. It's so relatable. BEE does a great job at reminding us that these characters are in high school but, perhaps because it's narrated by older Bret, making sure we're still invested in them/aren't going to just brush them off because they're teenagers like maybe we normally would.

• "What do they do?" Terry asked, glancing up at me as he kept eating. I didn't know how to answer this because it didn't matter to me what the characters did. They existed, and I just wanted to convey a mood, immerse a reader into a particular atmosphere that was built from carefully selected details.

  • Man oh man, this is so meta! It's exactly what BEE is doing to us with this book. He's conveying a mood through a curated set of selected details.
• When Terry is trying to get Bret to admit he's gay: "Well I'm not limited," was how I answered with what I thought was the right touch of diplomacy. "I mean, it depends." I tried to appear casual, offered a little shurg, and then nervously sipped my ginger ale in the gayness of Trumps.
  • This got me good, too! I have also been in a situation where I'm trying to be chill about my queerness, and then felt EXTREMELY OBVIOUSLY GAY. This book is so queer and drops little hints about the queer experience, especially the beginning of reconciling with it, and I really appreciated that.
• BEE did lose me for a little bit when he said that Stevie Nicks looked hungover and puffy and then went on to talk about how hot Lindsay Buckingham is (several times!). I know he's gay, but in this house we are team Stevie.
• When Ryan says to Bret, "Dude, really? You were offended?" He sat up and looked at me, confused. "I'm sorry you're so sensitive." And then: "I'm just a guy." He smiled: dimples.
  • This makes me SO ANGRY but is so well-written! This is exactly the kind of line that I would let a man say to me when I was seventeen. If someone talked to me like this today, I'd punch them in the throat.

• This is the first moment that I can look back on in my life when I can locate the cluelessness of heterosexuals about gay men.

  • This is also painfully relatable. Straight men don't know shit about shit, and it often makes them homophobic, even if they don't actually mean to be.

  • And none of this had anything to do with Robert Mallory because, according to Thom, maybe Robert was gay, without realizing you had to be gay to understand that Robert Mallory most definitely wasn't gay . . .

    • Hilarious and relatable in a very similar way.

• But then, I thought, as the fear started overriding my sadness: Who deserved anything? We get what we get.

  • I don't really have a lot to say about this one. I was a little high when I read this book, and this stuck with me because I've been thinking a lot about the next steps for my life and what should I do etc etc etc, and who really does deserve anything?

Lastly - and this was something I enjoyed about American Psycho, as well - BEE is clearly a huge pop culture fan: Music, movies, books, essays. Again, the level of detail and helping to paint a more vivid picture for the reader. (Note to self: I made a playlist for the book here: https://open.spotify.com/playlist/0qzH120HnidiyGrTgrcJ7J?si=6768432d542c4ba5 ) The setting of this book - the time period, SoCal, the canyons, the music - is EXTREMELY my shit. I have been on a real Joni Mitchell/Crosby, Stills, & Nash/Roman Polanski/Mulholland Drive/Jack Nicholson & Angelica Huston/quaalude-era LA kick for the past year or so, and this fed right into that.

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Content Warnings

Graphic: Adult/minor relationship, Animal death, Body horror, Cursing, Death, Drug use, Gore, Homophobia, Mental illness, Rape, Sexual violence, Torture, Toxic relationship, Violence, Vomit, Suicide attempt, Murder, Outing, Toxic friendship, and Sexual harassment

Moderate: Suicide and Antisemitism

aceofknaves88's review against another edition

dark mysterious sad tense slow-paced

• Plot- or character-driven? A mix
• Strong character development? It's complicated
• Loveable characters? No
• Diverse cast of characters? No
• Flaws of characters a main focus? Yes

5.0

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Content Warnings

Graphic: Adult/minor relationship, Animal cruelty, Cursing, Death, Drug use, Gore, Mental illness, Sexual content, Violence, Blood, Murder, and Gaslighting

Moderate: Rape, Suicidal thoughts, Toxic relationship, Forced institutionalization, and Suicide attempt

emouemi's review against another edition

4.75

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Content Warnings

Graphic: Addiction, Adult/minor relationship, Alcoholism, Animal cruelty, Animal death, Biphobia, Death, Drug abuse, Drug use, Gore, Homophobia, Incest, Infidelity, Mental illness, Panic attacks/disorders, Pedophilia, Physical abuse, Rape, Sexual assault, Sexual content, Sexual violence, Suicide, Torture, Toxic relationship, Violence, Kidnapping, Stalking, Suicide attempt, Murder, Toxic friendship, Alcohol, Sexual harassment, and Classism