Reviews with content warning for Suicidal thoughts - Metamorphosis and Other Stories (Barnes & Noble Classics Series)

Reviews tagging 'Suicidal thoughts'

Metamorphosis and Other Stories (Barnes & Noble Classics Series) by Franz Kafka

11 reviews

ecaps's review against another edition

Go to review page

dark emotional reflective sad tense medium-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? Yes

4.5

If you want to read a summary without any spoilers and want to know if you should read the book then YES, read the book

Gregor Samsa one morning finds himself turned into a vermin. His family at seeing this transformation are appalled. His father treats him like a pest. His mother cannot bear to look at her son because of what he has become. His sister is the only one who powers through and cleans up his room, puts out food for him and so on. Gregor does not want to burden his family but it does so happen that he becomes one for them. Before this, he was the breadwinner for the family and wanted to give his parents a comfortable life and the best education to his little sister. They were the only reason he was doing the office job he didn’t like.

My interpretation;

Even after he realises his transformation, Gregor is calm. That aspect really made it even more unnerving for me since being turned into a completely new species one fine morning without any reason would render anyone into a state of shock. There is a part in the beginning where his main priority was not to ask how did this happen but just to get out of bed and convince his family that he is not sick. This calmness in Gregor’s demeanour just seems unusual. But when I think about it the explanation that comes to mind is, in a situation where everyone else is panicking someone has to be calm to handle the situation. In this case, where everyone was panicking Gregor kept calm so that he could keep everyone from worrying.

A human turning into an insect is a way of the author metaphorically describing differently abled people, people who suffer from mental illnesses, people who feel unworthy, alienated from their peers and loved ones, anyone who feels they don’t fit in or are treated like a freak for being different.

Being someone who has experienced these things Kafka has tried to communicate the impact they have on their families and people close to them and how it affects themselves as well. How in their own mind they don’t want to burden their loved ones with their issues but they cannot communicate that and the people around them either pity them or see them and treat them differently. This makes them feel betrayed and they see their existence as unnecessary and even try to take their own lives.
This does not necessarily mean either one of the parties are at fault, it is just a situation that they have landed in because LIFE!. The way circumstances bring out a different side in people and how it affects human relationships is what the story tries to depict.

P.S.: I highly recommend reading the preface before starting the actual book. It gives quite an insight of the authors style of writing and helps you understand his thought process.

Content Warnings

buzzinfly's review against another edition

Go to review page

challenging dark emotional informative inspiring mysterious reflective sad medium-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? Yes

5.0

A fairly conceptually challenging novella from Kafka, though it's one of his shorter and easier reads. Ha.

The story famously opens up with our protagonist, Gregor Samsa, waking up from "troubled dreams" to discover that he has transformed into a "kind of giant bug" or "monstrous vermin."
This creates an image of something like a beetle, centipede, or cockroach in the reader's mind.

Samsa's first thought, unlike I would have thought, was not how to adapt to his transformation or how to somehow reverse it, but how he is going to manage to get to his work, which, implied by the narrator, Samsa hates. Further into the book, it is also revealed that his father went bankrupt before the events of the story, and Gregor took the role of the breadwinner to support his parents and teenage sister Grete.

After contemplating on his current situation for several hours, Gregor's boss comes to the house in person to either scold Samsa, or - the less likely option - simply to see if he was okay. After panicking, Gregor forces himself out of bed, and uses his teeth to unlock the door. His new appearance surprises his family and boss,

though instead of showing sympathy, his family gradually begin to ungratefully complain that he is a burden, despite the fact that Gregor in fact provided the family with food and a roof under their heads;

he was clearly

struggling with this pressure already,

as implied by the

flashbacks and reminiscing

at the start of the book.

The family begins to rent out rooms in their house to earn more money, and after the charlady neglects to close Gregor's door,

(nobody ever goes in there anymore, and Gregor had been surviving on miniscule amounts of rotten food given to him by his sweet younger sister) Gregor travels to the room where his family are watching Grete play violin. The tenants catch sight of Gregor, and immediately leave, complaining that the house is unsanitary and not fit for them to stay in.

This causes Grete to

lose her patience, and tell her parents to get rid of "it" or they will all be "ruined."

Gregor,

realising he is not wanted, returns to his room

and

commits suicide by starving himself;

he is

dead when the charlady enters his room the next day.

The family

travels to the countryside

after

disposing of Gregor's corpse, and think about moving to a smaller apartment.

The book ends on a

sardonic note, with Mr and Mrs Samsa noticing that Grete has grown into a beautiful young woman, and they must find her a husband.

And what an end to the book that was. Was Gregor's metamorphosis literal, or was it something to be understood much deeper? Was it all a metaphor for work, stress, finance, or something else? Despite the novella's message being quite a mystery, Gregor's burdens and struggles seem to be pretty relatable to most readers.

Content Warnings

brisaarroba's review against another edition

Go to review page

reflective sad fast-paced

Plot- or character-driven? A mix
Strong character development? It's complicated
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? No

4.0

easy to read👍

Content Warnings

abken's review against another edition

Go to review page

dark emotional reflective sad medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? Yes

4.75

Very dark tale of alienating. Characters, events, intentions are not justified, but I think it is more metaphorical/allegorical, so it was not the point to have complex characters that make sense as in a regular magical realism/fantasy work. This was very page-effective and didn't need more complexity or it would have turned into a more literal tale of the literal experience of person turning into a bug and the family's coping instead of a metaphor to alienation and how

socially alienated or depressed people in general feel like - it was not his family who alienated from him, but in my opinion it was about how he felt and how he thought that his death would make them happy again

Content Warnings

spineofthesaurus's review against another edition

Go to review page

challenging dark emotional sad fast-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? It's complicated
Flaws of characters a main focus? Yes

4.0

Content Warnings

kers_tin's review against another edition

Go to review page

challenging dark emotional reflective sad tense slow-paced

Plot- or character-driven? A mix
Strong character development? It's complicated
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? Yes

3.75

Content Warnings

beathoughtfullyhence's review against another edition

Go to review page

dark mysterious reflective sad fast-paced

Plot- or character-driven? Character
Strong character development? No
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? Yes

4.0

I was really amused by the concept of this book and the way the characters reacted to gregor although the ending was satisfying, but in a sad way

Content Warnings

thevampiremars's review against another edition

Go to review page

dark reflective sad fast-paced

Plot- or character-driven? A mix
Strong character development? It's complicated
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? Yes

3.5

A lot of these stories didn’t make a whole lot of sense to me, and I don’t know if that’s due to the writing style or poor translation. Maybe it’s just the summer humidity making my brain foggy. Interpreting Kafka’s writing feels like deciphering a riddle, and I mean that as both criticism and praise.

Contemplation (1913) – 4.5☆

A beautifully written series of vignettes romanticising the mundane. It’s more like a collection of poems than a sequence of chapters; there’s no narrative structure or throughline connecting each part. It serves as an enticing introduction to Kafka’s writing, like an instrumental opening track.

The Judgement: A Story for F (1913) – 3.5☆

This one felt incomplete, like a chapter from a longer story. I felt I was lacking context. I did a little research and it seems the German version contained some double meanings that got lost in translation, thereby obscuring the metaphor. Still, I didn’t dislike it, and I can appreciate what Kafka was going for.

The Stoker: A Fragment (1913) – 2.5☆

Ironically, this story actually was intended to be the first chapter in a novel, but it didn’t leave me wanting more like The Judgement did. If I had to sum up The Stoker in one word it would be “dull.” I just didn’t care.

Metamorphosis (1915) – 4.0☆

The main event, my reason for buying this book. I liked it and I can definitely see why it’s considered a classic, but I just can’t shake the feeling that I’m missing something.

It strikes me as an allegory for disability. Gregor used to be the breadwinner of the household, and now that he can’t work he’s seen as a burden. His family is ashamed of him, and though they claim to “tolerate” his presence, they do everything they can to hide him away and they avoid him as much as possible. Further, he has become inhuman. He’s a monstrosity, and by the end of the story his mere existence is taken as evidence that he is a threat, and therefore as justification for fatal neglect.

Once again I did some research, and apparently there are many differing interpretations of Gregor’s sorry state. I even saw one theory that

the title actually refers to Grete’s maturation from a carefree girl to a responsible young woman. That would explain the odd shift in focus at the end of the story, but I’m not sure that’s the final piece of the puzzle I was looking for.

It’s a thought-provoking tale, I’ll say that much! There’s a lot to chew on. It’s a fascinating blend of realism and fantasy with a surprising amount of depth.

In the Penal Colony (1919) – 2.5☆

Another dull story.

The torture machine was convoluted and ridiculous so it didn’t have whatever horrifying and/or erotic effect Kafka was going for. I think he was trying to make a point about the criminal justice system, about how those in power are so perversely obsessed with punishment that it doesn’t matter to them whether or not their actions actually constitute any kind of “justice.”

I’d honestly recommend watching the 1985 Doctor Who serial Vengeance on Varos instead of reading this – it plays with a lot of the same ideas, plus more.

A Country Doctor: Short Prose for My Father (1920) – 3.5☆

More poetic vignettes à la Contemplation, with higher highs and lower lows. It’s difficult to rate these collectively. My favourites were definitely Jackals and Arabs, an intriguing story commenting on colonialism and the self-appointed messianic role of Europeans, and A Report to an Academy, which was really poignant in its frank discussion of assimilation as a survival strategy. Some of the other stories were forgettable, impenetrable, sometimes feeling stubbornly pointless (though perhaps that pointlessness was the point, I don’t know). Overall, I think there’s more good than bad in this collection of short prose.

The Hunger-Artist: Four Stories (1924) – 3.5☆

Though listed as “Four Stories” I will review them together because they were grouped together. First Sorrow was simple but effective. My only real complaint is that maybe it’s a little too short; it would have been nice to see more of the trapeze artist’s craft before introducing the problem of travel and the rest of the narrative after that. A Little Woman reminded me of an ex. A Hunger-Artist was an evocative and sympathetic look at performers relying on attention almost literally as a means of sustenance. Josefine, the Singer, or The Mouse People struggled to hold my attention.

Aeroplanes in Brescia (1909) – 3.0☆

A quaint historical snapshot. The romantic descriptions of the little planes in flight makes me think of Porco Rosso even though that’s set a couple of decades later.

Great Noise (1912) – 3.0☆

It doesn’t have much to say and I don’t have much to say about it. It’s only half a page long, though, so it’s not like it overstays its welcome.

The Coal-Scuttle Rider (1921) – 3.5☆

A simple but effective tale of class conflict, of the haves leaving the have-nots to die preventable deaths if they cannot pay for what they need.

Content Warnings

scruffie's review against another edition

Go to review page

challenging dark emotional mysterious reflective sad slow-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? Yes

4.0

I found Crick's translation to be excellent, preserving much of the language ambiguity and other eccentricities that Kafka is known for. A pretty dark read overall, and very much to my liking. Quite slow-paced, especially if you also read the explanatory notes (which I recommend).

From the stories in this book "Meditation" didn't really work for me; I really liked all the others ("The Judgement", "The Metamorphosis", "In the Penal Colony", "Letter to his Father") though. I'm curious to read the remaining works of Kafka.

Content Warnings

abbycrotts's review against another edition

Go to review page

dark mysterious reflective medium-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? It's complicated

3.75

i dont think im smart enough to understand because i turned it back in to the library before i could read any of the reflective essays located after the story in the book (longer than the actual story itself btdubs) i kinda felt like it didnt go anywhere but i see why people think it is a nice little book i like the writing style

Content Warnings

More...