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franklola's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Graphic: Adult/minor relationship, Death, Homophobia, Infidelity, Misogyny, Rape, Sexual assault, Sexual violence, Suicide, Forced institutionalization, Police brutality, Grief, Abandonment, Alcohol, and War
linguaphile412's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
Graphic: Sexual content and Suicide
Moderate: Adult/minor relationship, Alcoholism, Emotional abuse, Homophobia, Infidelity, Mental illness, Misogyny, Rape, Sexism, Sexual assault, Sexual violence, Suicidal thoughts, Forced institutionalization, Police brutality, Medical content, Grief, Religious bigotry, Medical trauma, Lesbophobia, and Sexual harassment
Minor: Miscarriage, Torture, and Antisemitism
nannahnannah's review against another edition
- Plot- or character-driven? Character
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
Representation:
- almost every character is Uruguayan
-one of the five MCs (Romina) is biracial and Jewish
- every MC is sapphic; all but one (La Venus, who’s bisexual) is gay
Carolina De Robertis’s writing is consistently beautiful, even if it’s also exhaustingly long-winded. The story’s focus is less on its plot (which is light and slow) and more on the five central characters themselves, their interactions with each other, and their interactions with the two major settings: their city and Cabo Polonio, the beach where they first vacation to and become a tight found family.
I’m not much bothered by the sluggish pacing or the wordy writing--especially when it’s this lovely--but the dialogue does become a little stilted. But then again, I think the book suffers the most when it vanishes altogether. I was so surprised at the amount of backstory in the second half, and that’s saying something, because I was also surprised at the amount of backstory present in the the first. But the first act is told through each main characters’ alternating PoVs in what I'd describe as being fairly “immediate” when compared to the better half of the second act, which consists almost entirely of summaries.
There is also character “development” that happens completely off page; for example, Paz, the youngest of the main five, ages the most dramatically in the time skip from the first and second act because she's sixteen at the beginning of the book--and she becomes almost unrecognizable. This change isn’t summarized, either. She’s just changed. But maybe this is something that’s common in fiction that spans multiple generations, and because that’s not a genre I read very often, it's strange to me.
Okay, but I have to give compliments where compliments are due: trauma is handled extremely well. The majority of these characters have their own trauma, each unique, each painful, each handled superbly. Even when I kind of wish it wasn’t, like with Paz, who was groomed by an adult when she was about thirteen years old. On one hand, I’m amazed at how realistic and unbiased the author handled this situation, because Paz herself doesn’t see what happened to her as abusive. She sees it rather as a kind of lesbian awakening, largely due to the way she was groomed, while her (adult) friends are horrified by what happened to her. Though I wish Paz’s opinion changed when she got older (because if not, that could be how those situations happen again, but with Paz in the opposite role), I admire the way the risk taken here.
I also appreciate how the author made it so the novel never really picks sides or has biases when it comes to fights between the main characters--especially when these fights are about things like cheating, things that usually do pick one side. It never becomes a morality lesson or a character blatantly preaching to another. So I appreciate that, even though personally I have such strong feelings about it that it was difficult to sit through the fights without wanting the book to take sides.
There were a few other things that bothered me, like some over-the-top descriptions of certain characters that go on and on, the biphobia, and the almost fetishistic descriptions of the indigenous Guaraní character, but overall this was a beautiful and heartbreaking book I'm glad to have read.
Graphic: Adult/minor relationship, Homophobia, Pedophilia, Rape, Suicide, and Torture
also: cheating, cissexism, biphobia, nazism, electroshock "therapy", child grooming, and CSAjeanspantalones's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Rape, Sexual violence, and Forced institutionalization
Moderate: Adult/minor relationship, Homophobia, Infidelity, and Abandonment
Minor: Confinement, Suicide, Torture, Antisemitism, and Grief
The spoilers sound bad, but it is more a commentary on the historical context and setting of the book than the book itself. The author treats most of these scenes with respect, even if they are uncomfortable, nothing is graphic just for the sake of it.nibs's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
I want to cherish this book.
Graphic: Suicide
Moderate: Adult/minor relationship, Homophobia, Sexual assault, Sexual content, Sexual violence, Torture, Forced institutionalization, Police brutality, Grief, Religious bigotry, Lesbophobia, and Alcohol
kclark's review against another edition
- Plot- or character-driven? Character
- Diverse cast of characters? Yes
2.0
The language in the book is SO flowery that it is just exhausting, and I love flowery, poetic prose, but this was too much. It was as if the book was struggling to make itself more impressive but came off like a college student trying to say something profound on every page of the book. An example: "The water surrounded them, each wave sloshing forward with it's own wet, singular song, offering the pull of undertow and a brief respite from gravity." It would be fine, and perhaps effective, if this language was used sparingly, but it was constant. This propensity for the over embellished also has the effect of making the sex scenes seem like they were supposed to be sordid and poetic which made it feel like a cheesy romance.
The characters sometimes felt really well developed and crafted, but then immediately lose track of that character development and slip back into seemingly formulaic character archetypes.
Were I not reading this for a summer book bingo, I might have moved on.
Graphic: Death, Homophobia, Rape, Sexual assault, Sexual content, Sexual violence, Suicide, and Forced institutionalization
Moderate: Adult/minor relationship, Confinement, Infidelity, Grief, and Death of parent
rubycb's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Homophobia, Rape, Sexual violence, Suicide, Forced institutionalization, and Lesbophobia
Moderate: Adult/minor relationship, Alcoholism, Infidelity, Miscarriage, Torture, and Antisemitism
danny_thereader's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Suicide
Moderate: Sexual assault and Sexual content
Minor: Adult/minor relationship, Miscarriage, Forced institutionalization, and Death of parent
marsh_wren's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.75
Moderate: Adult/minor relationship, Alcoholism, Rape, Sexual assault, Suicide, Forced institutionalization, and Abandonment
solenekeleroux's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
5.0
Graphic: Death, Homophobia, Rape, Sexual assault, Suicide, Torture, Forced institutionalization, and Police brutality
Moderate: Adult/minor relationship