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fionamclary's review against another edition
emotional
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.75
Unfortunately I was disappointed by this collection. It's been on my TBR ever since I happened to read an article about So's death back in 2020 or 2021, the first I'd heard of him. There was so much hype and praise around this posthumous publication that my expectations were quite high. I felt that the stories did improve in the latter part of the book. I kind of liked that many stories took place in the same "universe" with recurring characters. I'll give a breakdown of my thoughts on each story, though, since they range wildly.
Three Women of Chuck's Donuts: 2.75/5. It was fine, with a theme self-contained enough for the scope of the story. Not terribly interesting however.
Superking Son Scores Again: 1/5. Easily the worst in the collection. I guess I get the point of the story but my god it was so boring. The author did nothing to make me invested in the characters. I felt like I was listening to a stoned teenager telling a story full of pointless details and not at all caring whether or not the events were relevant or interesting to their audience.
Maly, Maly, Maly: 3/5. Again, pretty boring, but I did connect with the feeling of both having empathy for someone going through a tough time while also resenting them for not noticing or caring about your own struggles.
The Shop: 3.5/5. This was the one where my interest finally started picking up, where I actually cared about the characters.
The Monks: 2.5/5. This one was weird. I suppose the stories of 20-year-old straight men feeling lost in life must be told, but I don't have to read them.
We Would've Been Princes: 3.5/5. Finally, some real character work! Fully fleshed-out interpersonal relationships! I also felt like So cared about these main characters a lot -- I could feel their complicated emotions about themselves, each other, and their community through the page.
Human Development: 4.75/5. This one was really good. The critique of mainstream 2010s liberal identity politics was subtle but powerful and really hit home for me. It's clear that this was the most autobiographical story in the collection, with the main character sharing the author's first name, and I think that may have leant a good deal of strength to this one.
Somaly Serey, Serey Somaly: 4/5. This one felt sort of unifying given how many previous characters it featured. The exploration of generational trauma was compassionate, yet unrelenting and sharp.
Generational Differences: 5/5. Short and to the point, and strong for that. It felt fitting to finish the collection with a story about a woman who has escaped the genocide only to immigrate into the most American form of death, a school shooting. The ways that survival and violence become inevitable, the difficulty of integrating a survivor identity without passing on too much generational trauma. This one was direct, the theme laid bare without feeling at all didactic or inelegant.
Maybe I'm just a dumb scientist who doesn't Get It because I haven't studied Literature enough, but this collection felt very choppy in quality and tone. However, I'm pleased that there were some stories that I really liked and am glad to have read. In these times I think it's important to heed writers whose families have been through genocide, and I hope we see more Cambodian/Khmer authors filling the gap left by So's sudden and untimely death.
Three Women of Chuck's Donuts: 2.75/5. It was fine, with a theme self-contained enough for the scope of the story. Not terribly interesting however.
Superking Son Scores Again: 1/5. Easily the worst in the collection. I guess I get the point of the story but my god it was so boring. The author did nothing to make me invested in the characters. I felt like I was listening to a stoned teenager telling a story full of pointless details and not at all caring whether or not the events were relevant or interesting to their audience.
Maly, Maly, Maly: 3/5. Again, pretty boring, but I did connect with the feeling of both having empathy for someone going through a tough time while also resenting them for not noticing or caring about your own struggles.
The Shop: 3.5/5. This was the one where my interest finally started picking up, where I actually cared about the characters.
The Monks: 2.5/5. This one was weird. I suppose the stories of 20-year-old straight men feeling lost in life must be told, but I don't have to read them.
We Would've Been Princes: 3.5/5. Finally, some real character work! Fully fleshed-out interpersonal relationships! I also felt like So cared about these main characters a lot -- I could feel their complicated emotions about themselves, each other, and their community through the page.
Human Development: 4.75/5. This one was really good. The critique of mainstream 2010s liberal identity politics was subtle but powerful and really hit home for me. It's clear that this was the most autobiographical story in the collection, with the main character sharing the author's first name, and I think that may have leant a good deal of strength to this one.
Somaly Serey, Serey Somaly: 4/5. This one felt sort of unifying given how many previous characters it featured. The exploration of generational trauma was compassionate, yet unrelenting and sharp.
Generational Differences: 5/5. Short and to the point, and strong for that. It felt fitting to finish the collection with a story about a woman who has escaped the genocide only to immigrate into the most American form of death, a school shooting. The ways that survival and violence become inevitable, the difficulty of integrating a survivor identity without passing on too much generational trauma. This one was direct, the theme laid bare without feeling at all didactic or inelegant.
Maybe I'm just a dumb scientist who doesn't Get It because I haven't studied Literature enough, but this collection felt very choppy in quality and tone. However, I'm pleased that there were some stories that I really liked and am glad to have read. In these times I think it's important to heed writers whose families have been through genocide, and I hope we see more Cambodian/Khmer authors filling the gap left by So's sudden and untimely death.
Content Warnings
Graphic: Addiction, Death, Drug use, Genocide, Sexual content, Dementia, Grief, Mass/school shootings, and Alcohol
Moderate: Alcoholism, Drug abuse, Hate crime, Mental illness, Racism, Suicide, Medical content, Pregnancy, and Classism
Minor: Homophobia
amberinpieces's review against another edition
challenging
emotional
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
Content Warnings
Graphic: Cursing, Physical abuse, Sexual content, Medical content, Alcohol, and Injury/Injury detail
Moderate: Drug use, Infidelity, Dementia, and Grief
Minor: Addiction, Child death, Death, Drug abuse, Genocide, Gun violence, Hate crime, Homophobia, Suicide, Blood, Excrement, Mass/school shootings, Cannibalism, Abortion, Death of parent, Pregnancy, Colonisation, and Classism
ukponge's review against another edition
challenging
emotional
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
4.75
Content Warnings
Graphic: Addiction, Genocide, and Suicide
mollymdull's review against another edition
dark
emotional
funny
hopeful
informative
reflective
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Content Warnings
Graphic: Genocide, Infidelity, Sexual content, Mass/school shootings, and War
Moderate: Death, Rape, Sexual assault, Xenophobia, Medical content, Grief, Death of parent, and Abandonment
Minor: Drug use and Suicide
sionnac's review against another edition
emotional
funny
sad
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Content Warnings
Graphic: Genocide, Sexual content, and Murder
Moderate: War
Minor: Suicide
ryannreidreads's review against another edition
challenging
emotional
reflective
fast-paced
- Plot- or character-driven? Plot
- Strong character development? N/A
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
Beautiful and hard. I learned a lot about Cambodian culture through this book. The last story was HARD as a teacher, though.
Content Warnings
Moderate: Genocide, Mass/school shootings, and War
savvylit's review against another edition
emotional
reflective
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? N/A
4.0
Afterparties is full of slice-of-life stories featuring close-knit Cambodian families, queer love, and the lasting echoes of genocidal terror. The young people coming of age in these stories are sensitive, funny, loyal, and relatable. Each character feels pulled directly from life by an author both exuberant and empathetic. It's a shame that Veasno So left the world at such a young age; Afterparties is brimming with characters that I'd love to know even better - and to see further developed into longer stories.
Content Warnings
Graphic: Drug use, Genocide, Mental illness, and Sexual content
micaelabrody's review against another edition
emotional
inspiring
reflective
sad
slow-paced
- Plot- or character-driven? Character
4.5
4.5 - i loved this. i am always here for a book of short stories that are loosely interconnected - in this, very loosely interconnected, but still it adds a great depth to an already thoughtful and honest collection. it took a few stories for this to click for me, but once it did it really clicked - and when i went back to flip through later i found they worked for me in the end.
some things in this book are universal - as a child of suburban ennui myself, the restlessness and dissatisfaction that permeates so’s stories really hit home. (and provided an easy soundtrack for me to use in california pop-punk, by the way.) other elements were relatable to me if not my exact experience - the really nuanced and often funny exploration of intergenerational trauma, including its humor, was fantastic. obviously i don’t even need to say that i am many more generations removed, my family escaped pogroms not the shoah, i don’t have the unique experiences of a first-generation immigrant, etc etc. but, the passage right at the beginning about parents' opaque cultural touchstones ("she'd do something as simple as drink a glass of ice water and her father, from across the room, would bellow, 'there were no ice cubes in the genocide!'") made me laugh out loud at how it sounded so much like my family saying i was "so american" for using a topsheet.
but the parts that are specific to the first-generation cambodian culture that so is portraying were wonderfully done as well, shining the most. his attention to detail, both personal and environmental, is fantastic, and his compassion for his characters is matched by his willingness to poke fun at them - from every angle this delighted and impressed.
i’m glad these were in a collection when i read them. putting them all together added a lot to the reading experience and i think they would have felt flatter without each other. again, i’m a sucker for this in general and especially for the weaving of a community through connected stories, which this did well, but i think that's why i felt a little more meh about the first few until i found his rhythm and context. (hypocritically, one of my critiques of this is that he hits some of the same themes hard in multiple stories - at times this worked really well to emphasize that same intergenerational trauma i mentioned but at times it was a little repetitive.)
i learned midway through reading this that anthony so passed away - a tragedy at any age of course, but what an incredible talent to lose especially so young. i’m so sorry i won’t have a chance to read any more of his work.
standouts:
maly maly maly
the shop
the monks**
somaly serey, serey somaly
generational differences
some things in this book are universal - as a child of suburban ennui myself, the restlessness and dissatisfaction that permeates so’s stories really hit home. (and provided an easy soundtrack for me to use in california pop-punk, by the way.) other elements were relatable to me if not my exact experience - the really nuanced and often funny exploration of intergenerational trauma, including its humor, was fantastic. obviously i don’t even need to say that i am many more generations removed, my family escaped pogroms not the shoah, i don’t have the unique experiences of a first-generation immigrant, etc etc. but, the passage right at the beginning about parents' opaque cultural touchstones ("she'd do something as simple as drink a glass of ice water and her father, from across the room, would bellow, 'there were no ice cubes in the genocide!'") made me laugh out loud at how it sounded so much like my family saying i was "so american" for using a topsheet.
but the parts that are specific to the first-generation cambodian culture that so is portraying were wonderfully done as well, shining the most. his attention to detail, both personal and environmental, is fantastic, and his compassion for his characters is matched by his willingness to poke fun at them - from every angle this delighted and impressed.
i’m glad these were in a collection when i read them. putting them all together added a lot to the reading experience and i think they would have felt flatter without each other. again, i’m a sucker for this in general and especially for the weaving of a community through connected stories, which this did well, but i think that's why i felt a little more meh about the first few until i found his rhythm and context. (hypocritically, one of my critiques of this is that he hits some of the same themes hard in multiple stories - at times this worked really well to emphasize that same intergenerational trauma i mentioned but at times it was a little repetitive.)
i learned midway through reading this that anthony so passed away - a tragedy at any age of course, but what an incredible talent to lose especially so young. i’m so sorry i won’t have a chance to read any more of his work.
standouts:
maly maly maly
the shop
the monks**
somaly serey, serey somaly
generational differences
Content Warnings
Moderate: Genocide and Mass/school shootings
Minor: Death
no stories take place in the genocide and there are minimal flashbacks/explicit references, but it is mentioned frequentlymcordell's review against another edition
challenging
dark
emotional
funny
medium-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.5
Content Warnings
Graphic: Sexual content
Minor: Genocide
iszys's review against another edition
emotional
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? It's complicated
- Flaws of characters a main focus? Yes
4.25
Content Warnings
Moderate: Genocide
Minor: Drug use, Gun violence, Hate crime, Mass/school shootings, and Death of parent