The design and UX isn't done, Rob and Abbie, okkurrrr! đ
nutmegandpumpkin's review against another edition
adventurous
dark
tense
fast-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
I got this at the dollar store and to say it exceeded my expectations would be an understatement.
It has a quick pace and is more on the plot driven side, but I was in the perfect mood for this type of story.
The character dynamics and interactions are so well done and made me smile (though they only go so deep).
The plot is the perfect mix of politics and action. Just the plot being based around a dangerous audition for a job under the Queen thatâs filled with
 1. deadly tests
 2. training
and
 3. other auditioners who are allowed to kill you
Is right up my alley. And the setting is mainly the palace grounds? Yes please!
Although the world building wasnât deeply explored within the book, I could tell the author spent time doing it anyway because every detail fit within the world and felt like it made sense.
It did get a little sluggish around the middle but it soon picked back up and I was just as invested again when it did.
Okay Iâm done gushing. Would recommend if youâre in the mood for a fast-paced fantasy that isnât too bogged down or âdeep.â Very fun read.
P.S. I also really love that the Queenâs left hand have âtitlesâ / new aliases named after the rings she wears on her left hand: Emerald, Ruby, Amethyst, and Opal. I thought it was pretty rad.
It has a quick pace and is more on the plot driven side, but I was in the perfect mood for this type of story.
The character dynamics and interactions are so well done and made me smile (though they only go so deep).
The plot is the perfect mix of politics and action. Just the plot being based around a dangerous audition for a job under the Queen thatâs filled with
 1. deadly tests
 2. training
and
 3. other auditioners who are allowed to kill you
Is right up my alley. And the setting is mainly the palace grounds? Yes please!
Although the world building wasnât deeply explored within the book, I could tell the author spent time doing it anyway because every detail fit within the world and felt like it made sense.
It did get a little sluggish around the middle but it soon picked back up and I was just as invested again when it did.
Okay Iâm done gushing. Would recommend if youâre in the mood for a fast-paced fantasy that isnât too bogged down or âdeep.â Very fun read.
P.S. I also really love that the Queenâs left hand have âtitlesâ / new aliases named after the rings she wears on her left hand: Emerald, Ruby, Amethyst, and Opal. I thought it was pretty rad.
Content Warnings
Graphic: Murder, Violence, Injury/Injury detail, Medical content, Blood, Death, and Grief
Moderate: Classism and Transphobia
Minor: Self harm, Violence, and War
The transphobia is done by an asshole character who refuses to call Sal by anything but feminine pronouns. But it is very obvious this character is a bad guy (itâs not glorified) and we get some great moments when heâs put in his place :)emtees's review against another edition
adventurous
dark
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.75
I think I would have enjoyed this book more if the premise hadnât been so interesting that I ended up having higher expectations than were really fair, but thatâs what happened. Mask of Shadows is the story of Sal, a thief who joins a competition to appoint the newest assassin in service to the Queen. It is literally a fight to the death - the candidates are expected to kill each other until theyâve winnowed the group down to just three, with very few rules about how they can do it. So the stakes literally couldnât be higher for Sal, who has their own reason for wanting to become an assassin that they arenât sharing.
This book did have a lot of strengths. The world is very interesting, and the hints at the history behind the ascension of Our Queen Marianna da Ignasi to the throne are fascinating. This is a world that doesnât seem to have magic, but only a generation ago it did, and it is populated by former sorcerers covered with magical runes and haunted by the memory of dark, destructive magic. We donât see very much of this - other than one brief venture, the entire story takes place within the walls of the palace where the competition is happening - but the hints were enough to make me interested. The Assassins - called the Left Hand, made up of Ruby, Emerald, Amethyst and Opal - were also fascinating. These are trained killers who gave up their public identities to become known only by their code names, and who never remove their distinctive masks except when alone together. The competition is brutal - Linsey Miller doesnât skimp on the violence of this world - and there are a lot of twists and turns in the plot to keep it moving quickly.  (Sometimes too quickly - an entire subplot is introduce and disposed of in the last few chapters.)
The problem, for me, was the character of Sal. A thief from a rough area who joins the competition for reasons that are only made clear later, despite not being a killer, Sal never really came into focus for me as a character. Writing a complex but sympathetic character who is going to murder a whole bunch of people in the course of the story is difficult, and I donât think Miller really pulled it off with Sal. They feel more like a conglomeration of fantasy tropes than a person. They have a tragic backstory which becomes more tragic the more we learn about it. They have a secret history. They arenât who they seem. They want vengeance. They canât trust anyone, but they clearly want to. They are extremely skilled, despite some of these skills not really being explained. Worse, they start out the story having never killed anyone, and by the end they have killed several people, and I have no idea how they feel about it. Salâs feelings on the subject of being an assassin are extremely vague and seem to change from chapter to chapter. This was too important of an aspect of their character to miss and unfortunately Miller did.
There are some aspects of Sal I did like, though. For one, they are genderqueer - they have a fluid gender identity, at different points identifying as male, female or nonbinary - and the scenes devoted to Sal explaining their gender identity to others were really well done. (I admit I was a little confused that Sal wanted people to use pronouns associated with however they were dressed on a particular day, because I donât understand what ânon-gendered dressâ looks like in this world, but thatâs a minor quibble.). I especially liked the scene where they explained their gender identity to the Left Hand and the assassins immediately understood and accepted it. In general this appears to be a world that is pretty open to all forms of queerness, which was neat. Sal also came alive as a character in their relationships with others: Maud, the servant assigned to them for the duration of the competition, who becomes a friend and ally, and especially Elise de Farone, the love interest. Sal and Eliseâs relationship was like a rom-com inserted into this otherwise grim world and I loved every minute of it.
There was enough in this book to make me want to read the sequel, but I doubt I will pick this one up again.
This book did have a lot of strengths. The world is very interesting, and the hints at the history behind the ascension of Our Queen Marianna da Ignasi to the throne are fascinating. This is a world that doesnât seem to have magic, but only a generation ago it did, and it is populated by former sorcerers covered with magical runes and haunted by the memory of dark, destructive magic. We donât see very much of this - other than one brief venture, the entire story takes place within the walls of the palace where the competition is happening - but the hints were enough to make me interested. The Assassins - called the Left Hand, made up of Ruby, Emerald, Amethyst and Opal - were also fascinating. These are trained killers who gave up their public identities to become known only by their code names, and who never remove their distinctive masks except when alone together. The competition is brutal - Linsey Miller doesnât skimp on the violence of this world - and there are a lot of twists and turns in the plot to keep it moving quickly.  (Sometimes too quickly - an entire subplot is introduce and disposed of in the last few chapters.)
The problem, for me, was the character of Sal. A thief from a rough area who joins the competition for reasons that are only made clear later, despite not being a killer, Sal never really came into focus for me as a character. Writing a complex but sympathetic character who is going to murder a whole bunch of people in the course of the story is difficult, and I donât think Miller really pulled it off with Sal. They feel more like a conglomeration of fantasy tropes than a person. They have a tragic backstory which becomes more tragic the more we learn about it. They have a secret history. They arenât who they seem. They want vengeance. They canât trust anyone, but they clearly want to. They are extremely skilled, despite some of these skills not really being explained. Worse, they start out the story having never killed anyone, and by the end they have killed several people, and I have no idea how they feel about it. Salâs feelings on the subject of being an assassin are extremely vague and seem to change from chapter to chapter. This was too important of an aspect of their character to miss and unfortunately Miller did.
There are some aspects of Sal I did like, though. For one, they are genderqueer - they have a fluid gender identity, at different points identifying as male, female or nonbinary - and the scenes devoted to Sal explaining their gender identity to others were really well done. (I admit I was a little confused that Sal wanted people to use pronouns associated with however they were dressed on a particular day, because I donât understand what ânon-gendered dressâ looks like in this world, but thatâs a minor quibble.). I especially liked the scene where they explained their gender identity to the Left Hand and the assassins immediately understood and accepted it. In general this appears to be a world that is pretty open to all forms of queerness, which was neat. Sal also came alive as a character in their relationships with others: Maud, the servant assigned to them for the duration of the competition, who becomes a friend and ally, and especially Elise de Farone, the love interest. Sal and Eliseâs relationship was like a rom-com inserted into this otherwise grim world and I loved every minute of it.
There was enough in this book to make me want to read the sequel, but I doubt I will pick this one up again.
Content Warnings
Graphic: Violence and Body horror
Moderate: Death of parent and War
Minor: Transphobia
There are several scenes of graphic violence and body horror; there are a few minor instances of antagonists not respecting the MCs gender identity but they are always corrected.anniereads221's review against another edition
adventurous
dark
mysterious
medium-paced
- Loveable characters? Yes
5.0
Content Warnings
Graphic: Violence, Death, Blood, Injury/Injury detail, Gore, Murder, and Grief
Moderate: Transphobia
oceanherd's review against another edition
adventurous
dark
medium-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
2.5
Content Warnings
Graphic: Blood, Violence, Injury/Injury detail, and Death
Moderate: Genocide
Minor: Transphobia and Colonisation
lolajh's review against another edition
adventurous
dark
emotional
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
DUDE definitely one of my favourite fucking books after reading this. A nonbinary genderfluid protagonist, Sal, who is an assassin and uses the pronouns he/him, they/them, and she/her, which flunctuates along with his gender. Sal uses cis peopleâs stereotypical view of gender and the clothes that are often assigned to it to their advantage, so when she identifies as a girl they wear fem clothes, when they identify as a guy he wears masculine clothes, and when they feel like neither he wear androgynous clothes. As a non binary person myself who experiences my gender expression in such a different way it was so lovely to learn and experience how Sal expresses their gender through clothing. Along with this, Sal is not at all shy of her identity, happily communicating his gender fluidity and boundaries that are made with everyone regarding pronouns and what to use for them and when, very much normalising gender feeling like this not only in this fantasy world but in real life too. Sal allowing herself to get mad at people who disrespect their identity is completely valid, and as someone who finds it difficult to correct people misgendering me, reading stuff like this is empowering, and the fact I was able to take all this away from a fictional book? What you consume in media does truly affect you, and this book did it in a way that was so positive. Also the fact that the author never discloses salâs biological sex is lovely and important for deconstructing societyâs views of gender, especially that of non binary people. Very very very good book.Â
Content Warnings
Graphic: Blood, Body horror, Death, Gore, Grief, Mental illness, Murder, Schizophrenia/Psychosis , Torture, and Violence
Moderate: Transphobia
salainen's review against another edition
adventurous
hopeful
mysterious
- Plot- or character-driven? A mix
4.0
Content Warnings
Graphic: Blood, Death, Gore, and Murder
Moderate: Transphobia, War, Torture, and Death of parent
julesadventurezone's review against another edition
adventurous
mysterious
tense
fast-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? N/A
- Flaws of characters a main focus? N/A
4.5
Content Warnings
Moderate: Blood, Body horror, Death, Grief, Injury/Injury detail, Kidnapping, Panic attacks/disorders, Transphobia, and Violence
gayghostprince's review against another edition
adventurous
dark
emotional
funny
mysterious
reflective
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
I'm OBSESSED. this is my new favourite book. I love to see nonbinary royalty WINNING.Â
once I started, I was shocked that I couldn't do anything but keep reading. my sleep schedule is wrecked, but it was worth it. I checked it out from the library and once I finished? i immediately bought physical copies of the first and second books.Â
the tender moments between Sal and their love interest? fluffy and heartwarming. the tension of being in a castle surrounded by people dead set (pun intended) on killing you? pulse quickening.Â
once I started, I was shocked that I couldn't do anything but keep reading. my sleep schedule is wrecked, but it was worth it. I checked it out from the library and once I finished? i immediately bought physical copies of the first and second books.Â
the tender moments between Sal and their love interest? fluffy and heartwarming. the tension of being in a castle surrounded by people dead set (pun intended) on killing you? pulse quickening.Â
Content Warnings
Moderate: Gore
Minor: Transphobia
only shitty people are transphobic don't worrygck0's review against another edition
adventurous
dark
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? N/A
4.5
A fun read for me. I canât wait to read the next book.
Content Warnings
Moderate: Transphobia
taliahsbookshelf's review against another edition
adventurous
dark
inspiring
mysterious
tense
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
I chose to read this book while simultaneously listening to the audiobook available on Spotify. I loved the narrator's voice. They did a fantastic job staying consistent with the voices, which made it super easy to follow along with the story. Anyways, now onto my thoughts about the actual book itself.
The best way to describe this book would be if you took the competition from the Selection, the murder game from the Hunger Games, a magic system that felt almost kind of loosely related to something you might read in Shadow and Bone, and then threw in Skyrim's Dark Brotherhood storyline (yes, I am quite confident that is where the idea for the third test is from and will hear no criticism on this point).
As for the writing, despite what I'm seeing a lot of people claiming, it's not similar to SJM or Leigh Bardugo? I just didn't get that comparison. I think all three of these writers are unique and have very different writing styles, and I wouldn't lump them all into the same category. (Additionally, those of you who continue to compare this book to ACOTAR, besties, do you understand that a) ACOTAR was not SJM's first book, and her writing style did develop significantly from her actual first book and b) SJM is... questionably good at writing? But that's pretty debatable and not what my point is here.)
Now, onto the characters. I liked the characters. I liked the almost impersonalized way of developing the background characters. Everyone wore masks, and physical appearances weren't as important as in a lot of other books. Readers get to make up our own assumptions and ideas. I get some people's point when suggesting that it can be hard to track who is who when everyone is just a number for the majority of the book, but... if you take the time to write it out, or just keep track of things, or color code, or whatever works for you, it's actually not that difficult at all. If you can understand the different Grisha and keep them straight, you can keep 1-23 separated especially since most of them die.
The main love interest, Elise, was... certainly a love interest. I think this was the most boring part of the book for me. I liked that Elise is unlabeled queer, but the relationship between her and Sal felt almost rushed, and not well developed. I wasn't sold on their feelings for each other, and it was kind of boring to read through the "romantic" parts. I found myself no longer paying attention and kind of zoning out during these parts, but everything else kept me engaged, so I can't complain too much.
Onto my biggest frustration with other reviewers: I was reading through reviews and trying to condense my thoughts when I came across a few suggesting that Sal's gender identity (gender fluidity) was "pointless, distracting, and not important to the plot." Hey, guys, I hate to break it to you, but someone's gender identity doesn't actually have to be a main plot point! Shocker, I know, that people exist with characteristics and life events outside of just their sexuality and/or gender identity. It's good to sometimes read a book where the main character is coming to terms with their identity, or growing into it, or facing huge hurdles as a result of it. But this isn't that book. Instead, it's a novel with a plot line totally separate, and our main character happens to be genderfluid. I personally prefer reading these types of books, because you can be LGBTQIA+ without it being the main point of your story. It's a part of you, rather than the main point of your life.
I actually really liked this book. It was recommended to me by a creator on TikTok, and it looked semi-interesting. Y'all. When I tell you this book blew my mind, I mean it. The twist with Ruby (I'm leaving it at that because Ruby is my favorite character - I will fight anyone who says otherwise) was so well-crafted. I was jumping back through my annotations and realized that Linsey Miller hid the most obvious conversations and tiny details in the most obvious places, but it worked really, really well.
The reason I didn't give this book a five star review was because although I really enjoyed the premise and the competition and the characters (Ruby especially), the magic system was just confusing and very poor, not well explained, and didn't have understandable rules (if you are looking for a book with a solid magic system, this isn't it), and the romance (if you could even really call it that - see above) was weak and I didn't sense any real chemistry.
Was this the best book I've ever read? No. But it didn't have to be. It was good and I enjoyed reading it. I looked forward to times when I could just sit down and read it for a while. I found it easy to get lost in the plot and lose track of time because I was so invested. This got me out of a reading slump, and I think that's pretty important for a lot of people.
Spoilers:
High-level spoiler:My favorite characters went Rath, who we never heard from again, Four, who, well, y'know, got MURDERED, and then Ruby WHO GOT MURDERED. Are you kidding me? I am very upset. Why Ruby? (I get why, but let me have my dramatic moment of crying for Ruby because that was rude) Â
The best way to describe this book would be if you took the competition from the Selection, the murder game from the Hunger Games, a magic system that felt almost kind of loosely related to something you might read in Shadow and Bone, and then threw in Skyrim's Dark Brotherhood storyline (yes, I am quite confident that is where the idea for the third test is from and will hear no criticism on this point).
As for the writing, despite what I'm seeing a lot of people claiming, it's not similar to SJM or Leigh Bardugo? I just didn't get that comparison. I think all three of these writers are unique and have very different writing styles, and I wouldn't lump them all into the same category. (Additionally, those of you who continue to compare this book to ACOTAR, besties, do you understand that a) ACOTAR was not SJM's first book, and her writing style did develop significantly from her actual first book and b) SJM is... questionably good at writing? But that's pretty debatable and not what my point is here.)
Now, onto the characters. I liked the characters. I liked the almost impersonalized way of developing the background characters. Everyone wore masks, and physical appearances weren't as important as in a lot of other books. Readers get to make up our own assumptions and ideas. I get some people's point when suggesting that it can be hard to track who is who when everyone is just a number for the majority of the book, but... if you take the time to write it out, or just keep track of things, or color code, or whatever works for you, it's actually not that difficult at all. If you can understand the different Grisha and keep them straight, you can keep 1-23 separated especially since most of them die.
The main love interest, Elise, was... certainly a love interest. I think this was the most boring part of the book for me. I liked that Elise is unlabeled queer, but the relationship between her and Sal felt almost rushed, and not well developed. I wasn't sold on their feelings for each other, and it was kind of boring to read through the "romantic" parts. I found myself no longer paying attention and kind of zoning out during these parts, but everything else kept me engaged, so I can't complain too much.
Onto my biggest frustration with other reviewers: I was reading through reviews and trying to condense my thoughts when I came across a few suggesting that Sal's gender identity (gender fluidity) was "pointless, distracting, and not important to the plot." Hey, guys, I hate to break it to you, but someone's gender identity doesn't actually have to be a main plot point! Shocker, I know, that people exist with characteristics and life events outside of just their sexuality and/or gender identity. It's good to sometimes read a book where the main character is coming to terms with their identity, or growing into it, or facing huge hurdles as a result of it. But this isn't that book. Instead, it's a novel with a plot line totally separate, and our main character happens to be genderfluid. I personally prefer reading these types of books, because you can be LGBTQIA+ without it being the main point of your story. It's a part of you, rather than the main point of your life.
I actually really liked this book. It was recommended to me by a creator on TikTok, and it looked semi-interesting. Y'all. When I tell you this book blew my mind, I mean it. The twist with Ruby (I'm leaving it at that because Ruby is my favorite character - I will fight anyone who says otherwise) was so well-crafted. I was jumping back through my annotations and realized that Linsey Miller hid the most obvious conversations and tiny details in the most obvious places, but it worked really, really well.
The reason I didn't give this book a five star review was because although I really enjoyed the premise and the competition and the characters (Ruby especially), the magic system was just confusing and very poor, not well explained, and didn't have understandable rules (if you are looking for a book with a solid magic system, this isn't it), and the romance (if you could even really call it that - see above) was weak and I didn't sense any real chemistry.
Was this the best book I've ever read? No. But it didn't have to be. It was good and I enjoyed reading it. I looked forward to times when I could just sit down and read it for a while. I found it easy to get lost in the plot and lose track of time because I was so invested. This got me out of a reading slump, and I think that's pretty important for a lot of people.
Spoilers:
High-level spoiler:
Content Warnings
Graphic: Blood, Death, and Murder
Moderate: Gore and Violence
Minor: Abandonment, Grief, Torture, and Transphobia