Reviews tagging 'Infidelity'

Cleopatra und Frankenstein by Coco Mellors

217 reviews

paulawind's review against another edition

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reflective tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

1.0

Rich People’s Problems but Wait, They All Have Tragic Backstories: A Novel

The only reason I finished this book was because it is my Book Club novel. I fought and sweated my way through page by page because it’s just so bad. It’s part of the trend for authors to try to make their books “deeper” by flooding every character with trauma. Pain Porn if you prefer. 

The author thought that by giving each character a single-defining struggle she is making them less one-dimensional but because of that they felt almost like cartoon characters. Cleo - beautiful, thin, talented, young BUT WAIT she is depressed and has both mummy and daddy issues; Frank - beautiful, “manly”, successful, rich and older BUT WAIT he had mummy issues and is an alcoholic, Zoe - beautiful, thin, talented BUT WAIT she has seizures, Quentin - beautiful, thin, rich “snarky gay best friend” BUT WAIT he can’t come out of the closet because of his homophobic Polish family (fuck you for that Coc, enforcing Polish stereotypes) and is a drug addict, Anders - beautiful, thin, rich fuckboy BUT WAIT his step-son doesn’t like him anymore and his parents don’t visit him in the US. You see what I mean? The only half-decent characters are Eleanor and Santiago, just because they are not awful to other people, but they rarely are given voice and in the end are pushed into the role of “I can fix him” girl for Frank and “losing weight will let you find love”, respectively. Nauseating. TikTok girlies, wake up, this is not literary fiction you claim it to be.

The book obviously features a lot of content warnings - wouldn’t be a pain porn without it - but I’m not sure if it’s handled even passably well.
Cleo’s depression and its consequences, Frank’s alcoholism, Zoe’s inability to live without a trust fund, Anders’s familial infidelity - all get magically solved by the end, with no depth or mental insight given on any of the aforementioned. Cleo started painting and moved to Italy - depression solved; Frank “got fixed” by his mummy to-be-wife; Zoe just found herself a sugar daddy; and Anders swept the whole issue under the rug. We can’t of course forget that the happy ending is only given to straight people - queers go to hell with our only rep - Quentin - ending up a meth head and most likely dying


This book angered me on so many levels. It was the superficial depth, wannabe literary fiction, over sexualisation of everything (Zoe saying that she is “a real girl” now, after climaxing, nauseated me), disrespectful treatment of a lot of extremely heavy issues and -how could I forget - BLATANT plagiarism of other media (yes, I’m looking at you ripped-off Fleabag dinner scene). Awful

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rhiannon_hall_reads's review against another edition

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dark emotional funny sad medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0

A rollercoaster read that takes you through all the emotions. 

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eloot's review against another edition

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emotional hopeful reflective sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.5

I have never connected with each character of a book so fast. I need Greta Gerwig to make this into a film. I’m 24 and I love Cleo.

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dracucore's review against another edition

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dark emotional reflective sad slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.5

excellent read, though it took me longer than usual. very emotional, points off for the rushed ending.

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ashlynregan's review against another edition

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dark emotional funny sad tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0

This book is for New Yorkers cause I swear I know all of these characters IRL.

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lemonyanne's review against another edition

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challenging emotional hopeful reflective medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

4.0

This book feels like you’re invited into the world of well-off socialite New York as a total voyeur. You’d never want to be part of this circle as all the characters are flawed and unlikeable in their own ways. However, Cleo and Frank’s relationship IS interesting and this discussion of how they destroy one another in the mutual distraction of themselves is why you keep reading it. You don’t want to look away from the car crash on the highway. (SPOILERS:) However, Eleanor’s 2 chapters felt really misplaced. First person was the wrong choice for her (esp when then rest of the novel is in third) and felt like an ill-attempt at making her feel normal, relatable or quirky - this I think was the more unsuccessful element of her narrative. I also don’t think she was Frank’s saving grace and I’m unsure if she was written to be. Although, her pining love for Frank could serve as an interesting contrasting how Anders pined for Cleo, as Eleanor’s love showed far more compassion, maturity and self-awareness as opposed to Anders’ vapid, self-absorbed obsession with Cleo was. All in all, this book felt like reading gossip, and for that purpose it worked fabulously. 

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ashcook's review against another edition

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dark emotional sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.25


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tabula_risa's review against another edition

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emotional reflective slow-paced
  • Plot- or character-driven? Character
  • Flaws of characters a main focus? Yes

4.25

I’m not really sure what I have to say about this book. I enjoyed reading it. I think maybe the way I felt during this book is how I was supposed to feel about Sally Rooney. 

Reading description after description of Cleo and then spotting Coco Mellor’s author photo was a bit of an eyebrow raise, haha. And I do have very mixed feelings about Quentin, the only queer character, being the only one with a bleak, hopeless ending. Especially considering he was only given one POV chapter in the book. idk. It just feels like this book prides itself on being adjacent to queer culture but is ultimately very heteronormative.

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v_____'s review against another edition

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challenging dark emotional hopeful inspiring reflective sad tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.5

 
Dezember. Sie stand schon im Fahrstuhl als er Einstieg, er nickte ihr zu und schloss mit einem Rattern das Eisengitter...

- Cleopatra und Frankenstein, 1%


🎧 gehört als Hörbuch

Einerseits war dieses Buch eine berührende Liebesgeschichte gone traumatic.
Andererseits bildet es verschiedene Menschen, die in verschiedenen Beziehungen miteinander stehen ab, die teils problematisch sind, teils liebevoll. 
Und dann ist die Geschichte auch Klischee beladen, aber durch den wundervollen Schreibstil kann man darüber hinwegsehen.

Cleo und Frank sind die titelgebenden Hauptfiguren, aber sie leben nicht isoliert, sondern man bekommt auch die Gedankenwelt der Menschen um sie herum mit. Dadurch entsteht ein schönes, rundes Bild. Was mir hier nicht so gefallen hat war, dass man von Cleo gefühlt nicht recht viel mehr POVs bekommt, als von so manch anderem Nebencharakter. Da hätte ich mir mehr erwartet, da Cleo ja immerhin eine Namensgeberin des Buches ist. Außerdem hätte ich gerne mehr darüber erfahren, was sich Cleo bei so manchen Aktionen gedacht hat (zB
bei der Affäre mit Anders
).

Das Ende war
heilend und positiv. 
Ich fand es einfach super, dass Cleo und Frank sich normal über ihre beendete Beziehung unterhalten konnten, ohne großes Drama. Von dieser Sorte brauchen wir unbedingt mehr! Es gibt leider viel zu viele Beispiele in Filmen und Büchern, wo sich Ex-Partner auch lange nach der Trennung bis aufs Blut hassen, anstatt einfach zu versuchen drüber zu stehen und weiterzumachen. 
Mein Lieblingscharakter war Cleo (Romes Version). Ich hatte wirklich den Eindruck, dass es ihr besser geht, dass sie heilt und sie es schaffen wird.
Von Zoe hätte ich gerne noch mehr erfahren, wie ging es mit ihr weiter?
Dass es für Frank so einfach war mit dem Trinken aufzuhören hat mich sehr überrascht. Meist braucht es bei sowas mehr Anläufe, und natürlich wissen wir nicht, ob Frank es nicht vor Beginn der Geschichte schon mal versucht hat oder er nach dem Ende nochmal rückfällig wird... Aber das Framing "er hat mit dem Trinken aufgehört, weil er ist jetzt in Eleonor verliebt" finde ich nicht nur unrealistisch und unauthentisch, sondern auch sehr problematisch. Jemand der jahre- oder jahrzehntelang Alkoholiker war, hört nicht so einfach auf, unfortunately that's not how the world works...

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shaleen64's review against another edition

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challenging dark emotional funny hopeful reflective sad tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.75

If you’re a reader that likes a true plot then this isn’t really the book for you. However, whilst the majority of characters cannot be described as lovable, all are relatable and the book really explores the difficulties of navigating complex relationships  in the modern day world. 

Several really important topics are covered with enough depth that they’re not trivialised but evoke thought. The title of the book is the most perfect symbolism. However, excluding Santiago, I didn’t have a true connection with the characters hence the rating, but it’s still a book I would recommend.

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