Reviews tagging 'Sexual content'

Paul Takes The Form Of A Mortal Girl by Andrea Lawlor

74 reviews

katewhite77's review

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emotional hopeful mysterious reflective slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

3.0

A Modern Retake On The Fairytale Set In The 1990's.

Our main protagonist Paul/Paulie can slip between genders at will. 

Paul/Paulie is one of life's drifters, who works in various bars, both whilst  studying and  on a brake from university. This book  is quite spicy, so if graphic sex scenes aren't your thing, then maybe swerve this one.

This is more of a character driven novel than a plot driven one. That being said, that plot which is, is important in bringing the book together. However, for the most part, it can be read as a series of set pieces to give yourself over to.

A fresh take on the fairytale literary esthetic. 





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silascaptor's review against another edition

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adventurous emotional mysterious reflective sad fast-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.5


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ailbheclaire's review against another edition

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funny fast-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.25

I’ve never read anything like it. The use of magical realism to play with gender and sexuality is genius. Fun, perverse, honest and brave.  

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loganmedrano's review against another edition

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adventurous emotional funny fast-paced

3.75


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avokaitotoast's review against another edition

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informative reflective medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

5.0

Paul Takes The Form of a Mortal Girl - Andrea Lawlor
☆ ☆ ☆ ☆ ☆

NSFW Content Warning: this book has (a lot of) graphic smut in it. You might already know that, but I always like to make that very clear at the start of my reviews in case that’s not your cup of tea. More details in my Content Warning if you’d like!

How to describe this book to someone asks “What are you reading?”:
A book of snapshots about gender and sexuality in the 90s.

Short Review (TL;DR):
  • a wonderful portrayal of how it can feel to be queer; and to feel an otherness even within the community
  • hidden gems of literary inspiration
  • if you cannot read smut at all this is not for you. if you’re on the fence about it just get through the first chapter. it’s worth it.

Long Review:

“We’re just what we are.”

This book is a gut wrenching showcase of the queer experience. It’s more of a catalogue of Paul’s adventures with sexuality and gender than a plot-based narrative. If you come in looking for a love story or a grande queer redemption in the face of 90s homophobia you will be disappointed.

There are so many thoughts that Paul experiences that I think queer readers will read and think “exactly!”; when he fantasises about being with a woman, he’s also a woman; the imposter syndrome he faces both as Paul and as Polly; his constant confusion about “what he is” and “why is he like this”.

The jump between raunchy encounters and incredibly intellectual discussions about queer culture should have been disjointed, yet Lawlor somehow manages to make the stark contrast work. In a way, it provides depth to Paul’s character: yes, he’s flamboyant and almost stereotypical in the way he appreciates fashion and flirts and loves, but he is filled with a deep confusion, rage, and fear that is constantly being affirmed by the anti-queer climate.

The “interludes” (as I’m choosing to call them; iykyk) were unexpected and brought a more literary approach to the story. They can seem so random and unimportant, but they really give you something to chew on which I found really nice. The fairy (the pun must be intended) tale nature of them lends itself to Paul’s constant dialogue of the inherent otherworldly-ness he feels.

You can tell that queer history and experiences are something incredibly important and deeply studied by Lawlor. The more scholarly exploration can be a bit like reading an essay (which may not be everyone’s favourite), but they add a great deal of intelligence and understanding to Paul.

All in all this is an expressive narrative about the magical but brutal queer experience. It’s truly excellent.

“He could stay here forever, and time would stop, and he wouldn’t have to choose anything.”

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nefariousbee's review against another edition

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reflective tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

3.0

I can't really figure out what it was all for. all those pages and I don't feel satisfied, I don't feel unsettled. I feel like all the interesting in this book went into the title.

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librarymouse's review against another edition

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adventurous dark emotional sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0

What an odd book. Paul is a strange, yet often lovely character. His hedonism was off putting at first, and I initially had a hard time reconciling my enjoyment of the writing with my dislike of Paul, but the further the novel progressed, the more sympathetic of a character Paul became. Paul's experience of gender and the way Lawlor represents that on the page is something unique and special. It shows the ways in which we try and fail and try again to externally represent our interior experiences of selfhood, but made magical in its visibility. Similarly, Paul's struggles to maintain expression of exclusively male or female features at different points throughout the novel, in order to fulfil the desires of someone else felt so real and exemplary of the struggle between external expression and internal experience when trying to find an aesthetic that feels comfortable as someone who doesn't feel that either gender fits quite right. I think I liked the consistent use of "he" as Paul's pronouns despite his spending a large portion of the novel as a girl. I think it's an interesting comment, again, on the way selfhood is experienced, but also for the idea that gender expression doesn't necessarily equate to gender identity/experience. However, I can understand the critiques of the use of "he" exclusively as falling into the pitfalls of gender essentialism. It's a very narrow line.
Paul being made a more sympathetic character for me, comes to fruition as he finally flashes back to when and why he chose to leave New York for the Midwest after the boy he loved and left; and to whom he always assumed he'd return to at some point, dies of HIV/AIDS before Paul works up the courage to call him back. The slips of memories of the friends and lovers there one day and gone the next, blurry around the edges with grief and the rapidity of their deaths offer an alternative lens through which to view Paul's escape and the risks he's willing to take, thinking he's found a safe place where illness can't take those he cares for. While it's never quite clear whether or not he can get HIV/AIDS, the risks he takes after his love's death take on a nihilistic tone, ready and willing to put himself in danger for the thrill of it. Behind the hedonism, there's such raw and tender humanity.

At the start I almost DNF'd this book. After some post-reading contemplation, this is a 5 star read,

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sharmaynereads's review against another edition

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adventurous funny mysterious slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.5


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kmartro's review against another edition

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challenging funny lighthearted medium-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.25

Incredibly hard read for me, it is full of consistent specific music and book references that I, as someone who did not live through the 90's queer scene, did not get at all. I found myself skimming often when it got particularly dense.

I liked reading Paul but didn't like him. I thought the author might do something developmental with him realizing he's too agreeable but he ends the same way he starts.

Even though Paul is a shape-shifter and he moves through queer communities as both sexes, his inner monologue is still that of a gay man, I wouldn't recommend this book to anyone looking for the cis-lesbian experience specifically.

The smut was sharp and to the point, it doesn't stay long. Overall glad I read it, but I don't think I'll be rereading it.

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crackedspines_'s review against another edition

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adventurous emotional mysterious reflective medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0

I really don’t know what to say about this one except that it genuinely changed my life and me as a person and it made me feel every single emotion ever and it made me cry and the ending wasn’t even an ending and I wanted a real ending so badly and I honestly think this might be my favorite book of all time.

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