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gracescanlon's reviews
715 reviews
The 7½ Deaths of Evelyn Hardcastle by Stuart Turton
adventurous
dark
emotional
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: Body horror, Child death, Confinement, Death, Gun violence, Suicide, Torture, Violence, Blood, Grief, Stalking, Death of parent, Murder, Alcohol, and Injury/Injury detail
Moderate: Addiction, Animal death, Emotional abuse, Infidelity, Panic attacks/disorders, Self harm, Medical content, and Suicide attempt
Minor: Drug abuse, Sexual assault, Sexual violence, Suicidal thoughts, Vomit, Fire/Fire injury, and War
Frankenstein: The 1818 Text by Mary Shelley
dark
sad
tense
medium-paced
- Strong character development? Yes
- Flaws of characters a main focus? Yes
4.5
Content Warnings
Graphic: Body horror, Child death, Confinement, Death, Suicidal thoughts, Terminal illness, Torture, Violence, Grief, Stalking, Death of parent, Murder, and Abandonment
Must Love Books by Shauna Robinson
Did not finish book. Stopped at 52%.
Did not finish book. Stopped at 52%.
Just personally couldn’t handle some of the mental illness stuff
The Rom-Commers by Katherine Center
emotional
funny
hopeful
tense
fast-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Not in Love by Ali Hazelwood
challenging
emotional
hopeful
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: Sexual content and Grief
Moderate: Ableism, Child abuse, Panic attacks/disorders, Gaslighting, Toxic friendship, and Alcohol
Minor: Addiction, Alcoholism, Infertility, Mental illness, Sexism, Violence, Car accident, and Pregnancy
Funny Story by Emily Henry
emotional
funny
hopeful
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
This one just surpassed Book Lovers as my favorite Emily Henry to date. Funny Story and Book Lovers are my favorite of her books, though I haven’t read Happy Place and don’t plan to do so.
Peter and Petra having essentially the same first name AND last names that began with the same letter definitely made me hate them just a little bit more. Also, Peter was vindictive, short-sighted, and petty, which was worse than Petra’s selfish thoughtlessness.
Daphne and Miles’ relationship progression was a cool glass of water on the hottest day of the year. I loved that they truly became friends and then got involved romantically with each other. Their relationship progression was organic and healthy, even if it was a little quick and originated from a horrible situation. Given that Daphne and Miles are in their early- and mid-thirties respectively, the rapid development of their relationship didn’t bother me as much as it would have if they’d been ten years younger. Also, given that their previous partners left them for each other, it didn’t surprise me that Daphne and Miles got along so well.
I think my favorite thing about Funny Story is something I’ve rarely seen in similar contemporary romances, especially those not written in dual-POV. (An aside: can we stop relying on those in romance? They’re overdone, and this book in particular is a masterclass in accomplishing the same result without flipping back and forth between characters.) Though the book is told exclusively in first person from Daphne’s perspective, we see Miles’ (and also Ashleigh’s) character growth as well. So often in romance I find that one character, usually the non-POV love interest, is essentially flawless, which is boring. Henry doesn’t fall into this pattern in Funny Story, though. Miles says outright to Daphne that he feels dismissed by her insisting he spends time with her because he’s just a genuinely nice person. He expresses to her that his time with her isn’t altruistic; it’s for his own pleasure, because he likes her and spending time with her.
With a unique premise, incredibly lovable cast of characters, excellent character arcs, and MCs who respect one another and communicate, Funny Story is definitely a romance I’d recommend.
Peter and Petra having essentially the same first name AND last names that began with the same letter definitely made me hate them just a little bit more. Also, Peter was vindictive, short-sighted, and petty, which was worse than Petra’s selfish thoughtlessness.
Daphne and Miles’ relationship progression was a cool glass of water on the hottest day of the year. I loved that they truly became friends and then got involved romantically with each other. Their relationship progression was organic and healthy, even if it was a little quick and originated from a horrible situation. Given that Daphne and Miles are in their early- and mid-thirties respectively, the rapid development of their relationship didn’t bother me as much as it would have if they’d been ten years younger. Also, given that their previous partners left them for each other, it didn’t surprise me that Daphne and Miles got along so well.
I think my favorite thing about Funny Story is something I’ve rarely seen in similar contemporary romances, especially those not written in dual-POV. (An aside: can we stop relying on those in romance? They’re overdone, and this book in particular is a masterclass in accomplishing the same result without flipping back and forth between characters.) Though the book is told exclusively in first person from Daphne’s perspective, we see Miles’ (and also Ashleigh’s) character growth as well. So often in romance I find that one character, usually the non-POV love interest, is essentially flawless, which is boring. Henry doesn’t fall into this pattern in Funny Story, though. Miles says outright to Daphne that he feels dismissed by her insisting he spends time with her because he’s just a genuinely nice person. He expresses to her that his time with her isn’t altruistic; it’s for his own pleasure, because he likes her and spending time with her.
With a unique premise, incredibly lovable cast of characters, excellent character arcs, and MCs who respect one another and communicate, Funny Story is definitely a romance I’d recommend.
Content Warnings
Graphic: Child abuse, Emotional abuse, and Abandonment
Moderate: Panic attacks/disorders, Sexual content, and Alcohol
Minor: Drug use, Infidelity, Mental illness, Toxic relationship, and Toxic friendship
Well Played by Jen DeLuca
emotional
funny
hopeful
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
4.0
The Gilded Life of Matilda Duplaine by Alex Brunkhorst
hopeful
mysterious
tense
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Well Met by Jen DeLuca
funny
hopeful
lighthearted
fast-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Flaws of characters a main focus? Yes
4.5
What a fun story! There was so much I thoroughly enjoyed. From April and Emily really developing a sisterly bond, to Simon’s first time kissing Emily (as himself), to the small-town wholesomeness, Well Met is a charming summer read!
The only real issue I had with the story was Emily’s lack of comprehension skills overall.Like, obviously Chris isn’t going to train you in additional responsibilities and then fire you, Emily, new part-time employee or not! Obviously you’re getting a promotion! 🙄 Emily was a repeat offender with these weird, short-sighted conclusions, but by the end of the book she finally got it right.
Like many romances, Well Met did rely heavily on the miscommunication trope. However, these miscommunications, while relatively frequent, were also quickly cleared up — a much more realistic approach to miscommunication than the usual “letting things grow and grow and grow and then causing an unnecessary and melodramatic third-act breakup.”
I disliked the cover, as it seemed to show Emily’s misinterpretation of the situation with Simon in the first half of the book, rather than the reality. His posture and gestures indicated disgust, which was never actually the case — he’s just intense, reticent, and has his own stuff going on.
A perfect, fun beach read I definitely recommend!
The only real issue I had with the story was Emily’s lack of comprehension skills overall.
Like many romances, Well Met did rely heavily on the miscommunication trope. However, these miscommunications, while relatively frequent, were also quickly cleared up — a much more realistic approach to miscommunication than the usual “letting things grow and grow and grow and then causing an unnecessary and melodramatic third-act breakup.”
I disliked the cover, as it seemed to show Emily’s misinterpretation of the situation with Simon in the first half of the book, rather than the reality. His posture and gestures indicated disgust, which was never actually the case — he’s just intense, reticent, and has his own stuff going on.
A perfect, fun beach read I definitely recommend!
Content Warnings
Graphic: Grief and Abandonment
Moderate: Cancer, Death, Sexual content, Toxic relationship, Car accident, and Alcohol
Minor: Toxic friendship